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Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.
The courtship plot dominates accounts of the Victorian novel, but this innovative study turns instead to a narrative phenomenon that upends its familiar conventions: the bigamy plot. In hundreds of novels, plays, and poems published in Victorian Great Britain, husbands or wives thought dead suddenly reappear to their newly remarried spouses. In the sensation fiction of Braddon and Collins, these bigamous revelations lead to bribery, arson, and murder, but the same plot operates in the canonical fiction of Charlotte Brontë, Dickens, Eliot, Thackeray, and Hardy. These authors employ bigamy plots to destabilize the apparently conventional form and values of the Victorian novel. By close examination of this plot, including an index of nearly 300 bigamy novels, Maia McAleavey makes the case for a historical approach to narrative, one that is grounded in the legal and social changes of the period but that runs counter to our own formal and cultural expectations.
From Daryl Gregory, whose Pandemonium was one of the most exciting debut novels in memory, comes an astonishing work of soaring imaginative power that breaks new ground in contemporary fantasy. Switchcreek was a normal town in eastern Tennessee until a mysterious disease killed a third of its residents and mutated most of the rest into monstrous oddities. Then, as quickly and inexplicably as it had struck, the disease–dubbed Transcription Divergence Syndrome (TDS)–vanished, leaving behind a population divided into three new branches of humanity: giant gray-skinned argos, hairless seal-like betas, and grotesquely obese charlies. Paxton Abel Martin was fourteen when TDS struck, killing his mother, transforming his preacher father into a charlie, and changing one of his best friends, Jo Lynn, into a beta. But Pax was one of the few who didn’t change. He remained as normal as ever. At least on the outside. Having fled shortly after the pandemic, Pax now returns to Switchcreek fifteen years later, following the suicide of Jo Lynn. What he finds is a town seething with secrets, among which murder may well be numbered. But there are even darker–and far weirder–mysteries hiding below the surface that will threaten not only Pax’s future but the future of the whole human race.
Finalist for the 2018 Toronto Book Award My Conversations With Canadians is the book that "Canada 150" needs. On her first book tour at the age of 26, Lee Maracle was asked a question from the audience, one she couldn't possibly answer at that moment. But she has been thinking about it ever since. As time has passed, she has been asked countless similar questions, all of them too big to answer, but not too large to contemplate. These questions, which touch upon subjects such as citizenship, segregation, labour, law, prejudice and reconciliation (to name a few), are the heart of My Conversations with Canadians. In prose essays that are both conversational and direct, Maracle seeks not to provide any answers to these questions she has lived with for so long. Rather, she thinks through each one using a multitude of experiences she's had as a First Nations leader, a woman, a mother, and grandmother over the course of her life. Lee Maracle's My Conversations with Canadians presents a tour de force exploration into the writer's own history and a reimagining of the future of our nation. Praise for My Conversations with Canadians "My Conversations With Canadians? offer s] strength and solidarity to Indigenous readers, and a generous guide to ally-ship for non-Indigenous readers. For the latter, these books will unsettle, but to engage in ally-ship is to commit to being unsettled--all the time." --The Globe and Mail
Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.
This unique and meticulously edited collection of Edward Bulwer-Lytton's greatest works includes: Novels & Novellas:_x000D_ The Last Days of Pompeii_x000D_ The Pilgrims of the Rhine_x000D_ Rienzi, the last of the Roman tribunes_x000D_ Falkland_x000D_ Pelham_x000D_ The Disowned_x000D_ Devereux_x000D_ Paul Clifford_x000D_ Eugene Aram_x000D_ Godolphin_x000D_ Asmodeus at Large_x000D_ Ernest Maltravers_x000D_ Alice, or The Mysteries (A sequel to Ernest Maltravers)_x000D_ Calderon, the Courtier_x000D_ Leila, or The Siege of Granada_x000D_ Zicci: A Tale (A prequel to Zanoni)_x000D_ Zanoni_x000D_ Night and Morning_x000D_ The Last of the Barons_x000D_ Lucretia_x000D_ Harold, the Last of the Saxons_x000D_ The Caxtons: A Family Picture_x000D_ A Strange Story_x000D_ My Novel, or Varieties in English Life_x000D_ The Haunted and the Haunters, or The House and the Brain_x000D_ What Will He Do With It?_x000D_ The Coming Race, or Vril: The Power of the Coming Race_x000D_ Kenelm Chillingly_x000D_ The Parisians_x000D_ Pausanias, the Spartan _x000D_ Short Stories:_x000D_ The Incantation_x000D_ The Brothers_x000D_ Poetry:_x000D_ The New Timon_x000D_ Constance_x000D_ Milton_x000D_ Eva_x000D_ The Fairy Bride_x000D_ The Beacon_x000D_ The Lay of the Minstrel's Heart_x000D_ Narrative Lyrics; or, The Parcæ_x000D_ King Arthur_x000D_ Corn-Flowers I_x000D_ Corn-Flowers II_x000D_ Earlier Poems_x000D_ The Land of Promise: A Fable_x000D_ Play:_x000D_ The Lady of Lyons, or Love and Pride_x000D_ Historical Works:_x000D_ Athens: Its Rise and Fall_x000D_ _x000D_ _x000D_ _x000D_