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My hope is that this book will help others in the world suffering from the disease of addiction. I spent years upon years struggling with drugs and alcohol and finally was led out by the ever-loving grace of God and a twelve step recovery program. As you read through this book you will despise the person I became in my active addiction, and I hope that you see the depths we can go to as addicts. But there is a happy ending to this horrific story so I pray you will receive a message of hope and understand it is not the person you should despise, but the disease. I know God saved me so that I can tell this story to everyone.
My hope is that this book will help others in the world suffering from the disease of addiction. I spent years upon years struggling with drugs and alcohol and finally was led out by the ever-loving grace of God and a twelve step recovery program. As you read through this book you will despise the person I became in my active addiction, and I hope that you see the depths we can go to as addicts. But there is a happy ending to this horrific story so I pray you will receive a message of hope and understand it is not the person you should despise, but the disease. I know God saved me so that I can tell this story to everyone.
The true story of the Edelweiss Pirates, working-class teenagers who fought the Nazis by whatever means they could. Fritz, Gertrud, and Jean were classic outsiders: their clothes were different, their music was rebellious, and they weren’t afraid to fight. But they were also Germans living under Hitler, and any nonconformity could get them arrested or worse. As children in 1933, they saw their world change. Their earliest memories were of the Nazi rise to power and of their parents fighting Brownshirts in the streets, being sent to prison, or just disappearing. As Hitler’s grip tightened, these three found themselves trapped in a nation whose government contradicted everything they believed in. And by the time they were teenagers, the Nazis expected them to be part of the war machine. Fritz, Gertrud, and Jean and hundreds like them said no. They grew bolder, painting anti-Nazi graffiti, distributing anti-war leaflets, and helping those persecuted by the Nazis. Their actions were always dangerous. The Gestapo pursued and arrested hundreds of Edelweiss Pirates. In World War II’s desperate final year, some Pirates joined in sabotage and armed resistance, risking the Third Reich’s ultimate punishment. This is their story.
Grindhouse filmmaker Andy Milligan has been the subject of a revealing biography, and boasts a grassroots fan base, but his remarkable work has thus far received no serious critical overview. Working virtually alone, on infinitesimal budgets, often using a used 16mm newsreel camera, Milligan crafted some of the most unique melodramas of the 1960s and 1970s. Often mounted as period pieces, using costumes sewn by the filmmaker, Milligan's gritty, bizarre films come across as inimitable meldings of the avant-garde theater of Jean Genet, the experimental films of Jack Smith, and the random cinema verite of a lunatic with a home movie camera. Yet Milligan's films are anything but random, ruminating at length on profound sociocultural themes of the day, including the emptiness of the sexual revolution. Evident throughout all the films are two pet themes: a rabid deconstruction of the heterosexual paradigm, and a grotesque illumination of the family as breeder of dysfunction.
When his infant son is kidnapped by a mage guild in a kingdom where everything runs on magic, Lord Edmund seeks assistance from Rosalind Featherstone, known as the Gutter Mage, who is feared by even the most magically adept.