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At the center of the Santa Fe art scene for a half-century, Gustave Baumann (1881-1971) drew on the invigorating influences of other European and American artists, along with Native American potters and watercolor painters, to produce a wealth of woodblock prints depicting the southwestern landscape, its peoples, and their rituals. As his images grew more complex, he devised innovative printing techniques, creating luminous prints with warm, blended hues. Gustave Baumann's Southwest presents over fifty of the artist's woodblock prints and gouaches, with an essay by Joseph Traugott, curator of twentieth-century art at the Museum of Fine Arts, New Mexico. Traugott outlines Baumann's life story, dwelling on the decisive moments when the artist struck out on his own. After he turned away from his early commercial success as an advertising illustrator in Chicago, Baumann combined a modern palette and techniques both traditional and modern while depicting subjects that existed long before an industrial revolution transformed American life.
"Contains an in-depth introduction by Martin Krause and autobiographical text written by Gustave Baumann (edited by Krause) about the time Baumann spent in Brown County, Indiana. Includes color reproductions of Baumann's work and historical photographs"--
"The autobiography of Southwestern artist Gustave Baumann, with commentary by Martin Krause, Indianapolis Museum of Art. Includes color reproductions and historical photographs"--
Exhibition catalog from the collection of the Museum of Fine Arts in Santa Fe.
This book and CD package is based on interviews with key figures in the land usage rights movement.
This book reveals the technique of a man who is among the most influential and beloved printmakers of the twentieth century. Being fastidious and infinitely patient, Baumann saved many of his preliminary drawings and progressive proofs, leaving behind a fascinating and intricate story of his creative process. Hand of a Craftsman features the heretofore unpublished notes and progressives the artist compiled in the making of his extraordinary woodcut Grand Caon and includes many prints never before reproduced and rarely exhibited. Baumann's work is awash in brilliant, hand-ground pigments and reveals a style that is wholly self-reliant and free. The intriguing technique used by this meticulous master, complex but enthralling, only enhances one's appreciation for this unique colour woodcut medium.
A Collection of Santa Fe Homes and the stories of their owners.
This illustrated biography celebrates the life and art of one of New Mexico's most famous, vibrant and beloved artists. Will Shuster was a founding member of the legendary artists' circle Los Cinco Pintores. He was a lifelong friend of painter John Sloan and contributed his artistic energy to establishing the Santa Fe art colony in the 1920s. This community of artists included, among others, poet Alice Corbin and painters William Penhallow Henderson, Gustave Baumann and Randall Davey.
Winner, 2018 Paul J. Foik Award for Best Book on Catholic History in the American Southwest, presented by the Texas Catholic Historical Society The remarkable history of the Santuario de Chimayó, the church whose world-renowned healing powers have drawn visitors to its steps for centuries. Nestled in a valley at the feet of the Sangre de Cristo Mountains of New Mexico, the Santuario de Chimayó has been called the most important Catholic pilgrimage site in America. To experience the Santuario’s miraculous healing dirt, pilgrims and visitors first walk into the cool, adobe church, proceeding up an aisle to the altar with its magnificent crucifix. They then turn left to enter a low-slung room filled with cast-off crutches, a statue of the Santo Niño de Atocha, and photos of thousands of people who have been prayed for in the exact spot they are standing. An adjacent room, stark by contrast, contains little but a hole in the floor, known as the pocito. From this well in the earth, the Santuario’s half a million annual visitors gather handfuls of holy dirt, celebrated for two hundred years for its purported healing properties. The book tells the fascinating stories of the Pueblo and Nuevomexicano Catholic origins of the site and the building of the church, the eventual transfer of the property to the Catholic Archdiocese of Santa Fe, and the modern pilgrimage of believers alongside thousands of tourists. Drawing on extensive archival research as well as fieldwork in Chimayó, Brett Hendrickson examines the claims that various constituencies have made on the Santuario, its stories, dirt, ritual life, commercial value, and aesthetic character. The importance of the story of the Santuario de Chimayó goes well beyond its sacred dirt, to illuminate the role of Southwestern Hispanics and Catholics in American religious history and identity. The healing powers and marvel of the Santuario shine through the pages of Hendrickson’s book, allowing readers of all kinds to feel like they have stepped inside an institution in American and religious history.
Featuring four decades of Howard Post's iconic paintings of the American West, this large format hardcover book delves into his life's work and journey from youthful desire to ultimately finding his own voice by returning to his roots and painting what he knows. A fine essay by Jerry Smith chronicles Post's work and offers succinct observations on the elements that have made him one of the West's truly unique modern masters.