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This long-awaited collection of Blaisdell's critical writings includes essays on literature, art, and film, along with moving tributes by some of the distinguished writers who numbered Blaisdell among their friends.
In this, our second volume of Witkin's photographs, the work is as controversial as ever. In often torturous or eroticized still lifes and tableaux, cadavers, physical anomalies, transsexuals and animals are carefully arranged to create a mythology that could originate only in the imagination of this singular artist. In Gods of Earth and Heaven, Witkin advances an aesthetic point of view in a manner that raises his artistic output to a new level of sophistication. As often praised as he is derided by critics, his work has become a basis for serious debate on issues of life and death, love and sexuality. At the very least Witkin's work challenges traditional canons of beauty and the spiritual in art. An updated bibliography and exhibition history are included.
'These essays ... live and grow in the mind' James Campbell, Independent Being a writer, says James Baldwin in this searing collection of essays, requires 'every ounce of stamina he can summon to attempt to look on himself and the world as they are'. His seminal 1961 follow-up to Notes on a Native Son shows him responding to his times and exploring his role as an artist with biting precision and emotional power: from polemical pieces on racial segregation and a journey to 'the Old Country' of the Southern states, to reflections on figures such as Ingmar Bergman and André Gide, and on the first great conference of African writers and artists in Paris. 'Brilliant...accomplished...strong...vivid...honest...masterly' The New York Times 'A bright and alive book, full of grief, love and anger' Chicago Tribune
A comprehensive overview of New Mexican folk arts from the 16th century to the present time.
Stanley Cavell is a titan of the academic world; his work in aesthetics and philosophy has shaped both fields in the United States over the past forty years. In this brief yet enlightening collection of lectures, Cavell investigates the work of two of his most tried-and-true subjects: Emerson and Wittgenstein. Beginning with an introductory essay that places his own work in a philosophical and historical context, Cavell guides his reader through his thought process when composing and editing his lectures while making larger claims about the influence of institutions on philosophers, and the idea of progress within the discipline of philosophy. In “Declining Decline,” Cavell explains how language modifies human existence, looking specifically at the culture of Wittgenstein’s writings. He draws on Emerson, Thoreau, and many others to make his case that Wittgenstein can indeed be viewed as a “philosopher of culture.” In his final lecture, “Finding as Founding,” Cavell writes in response to Emerson’s “Experience,” and explores the tension between the philosopher and language—that he or she must embrace language as his or her “form of life,” while at the same time surpassing its restrictions. He compares finding new ideas to discovering a previously unknown land in an essay that unabashedly celebrates the power and joy of philosophical thought.
Master storyteller Stephen King (writing as Richard Bachman) presents this gripping and remarkable New York Times bestselling crime novel about a damaged young man who embarks on an ill-advised kidnapping plot—a work as taut and riveting as anything he has ever written. Once upon a time, a fellow named Richard Bachman wrote Blaze on an Olivetti typewriter, then turned the machine over to Stephen King, who used it to write Carrie. Bachman died in 1985 (“cancer of the pseudonym”), but this last gripping Bachman novel resurfaced after being hidden away for decades—an unforgettable crime story tinged with sadness and suspense. Clayton Blaisdell, Jr., was always a small-time delinquent. None too bright either, thanks to the beatings he got as a kid. Then Blaze met George Rackley, a seasoned pro with a hundred cons and one big idea. The kidnapping should go off without a hitch, with George as the brains behind their dangerous scheme. But there's only one problem: by the time the deal goes down, Blaze's partner in crime is dead. Or is he?
Text by Gerry Badger, Toby Jurovics.
With an unrelenting devotion to social consciousness and artistic integrity, Willard Van Dyke emerged in the mid-1920s as one of the few artists to bridge both mediums of photography and film.
One of the most extraordinary works of the human imagination and the most important text in the native languages of the Americas, Popul Vuh: The Mayan Book of the Dawn of Life was first made accessible to the public 10 years ago. This new edition retains the quality of the original translation, has been enriched, and includes 20 new illustrations, maps, drawings, and photos.