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This textbook gives an overview of the languages of the Guru Granth Sahib, the Gurmukhi script, its pronunciation, and grammar. Since grammar serves as an important tool for producing meaningful interpretations of Gurbani, this textbook seeks to introduce a basic approach for accessing the linguistics of the Guru Granth Sahib.
In Volume Four of It Is The Same Light series (SGGS pages 601-800), author Daljit Singh Jawa continues to share the beauty of the SGGS with those who have limited familiarity with the language (Gurumukhi), history, or context. The following are some of the comments received on volume 1 of this series. This translation of Guru Granth Sahib is one of the best English translations in my view, as it is in simple understandable English, each shabads summary message is given, there is connection between the shabads to reveal continuity of thought process in Guru jis message. Thanks to S Daljit Singh ji for the great work which will benefit future generations understand Guru Jis message easily. -Amarjit Singh, M.D., University at Buffalo, Buffalo, New York A monumental undertaking, reflecting a lifetime of devotion to the Sri Guru Granth Sahib and to the scholarly study of its voluminous texts. Both its rendition of the original Gurmukhi script, with accompanying English transliteration, and its erudite commentary on each of the Granths many hymns mark this work as a stunning achievement which will benefit all serious students of the Sikh religion and of world religions in general. -Barry Crawford, Ph.D., Washburn University, Topeka, Kansas
The eclectic mix of personal essays, poems and scholarly articles and the teachings of Guru Nanak that form this volume have come from contributors of not only the Sikh community in India, Pakistan and the diaspora, but also from people belonging to other faiths who have been touched by the mystique of the faith of Baba Nanak. By placing the personal records alongside with the scholarly insights into His teachings, what we have understood is that there is a Nanak for each one of us – a Nanak within each one of us – and it is this Nanak which abides in our consciousness and whom we need to seek out and discover. This book is, therefore, meant both for the initiated as well as the uninitiated. The lay readers will get a glimpse into the richness of thought and experience that an acquaintance with Guru Nanak brings with it. For the scholarly, the insights by the contributors who have dedicated their lives to an understanding of Sikhi will help in opening newer vistas of the Gurbani. The plurality of views expressed mirrors the free thinking and the respect for human beings and the upholding of human dignity that Nanakji propagated, practiced and stood for.
This collection of essays is an exercise in comparative philosophy of religion that explores the different ways in which humans express the inexpressible. It brings together scholars of over a dozen religious, literary, and artistic traditions, as part of The Comparison Project's 2013-15 lecture and dialogue series on "religion beyond words." Specialist scholars first detailed the grammars of ineffability in nine different religious traditions as well as the adjacent fields of literature, poetry, music, and art. The Comparison Project's directors then compared this diverse set of phenomena, offering explanations for their patterning, and raising philosophical questions of truth and value about religious ineffability in comparative perspective. This book is the inaugural publication of The Comparison Project, an innovative new approach to the philosophy of religion housed at Drake University (Des Moines, Iowa, USA). The Comparison Project organizes a biennial series of scholar lectures, practitioner dialogues, and comparative panels about core, cross-cultural topics in the philosophy of religion. Specialist scholars of religion first explore this topic in their religions of expertise; comparativist philosophers of religion then raise questions of meaning, truth, and value about this topic in comparative perspective. The Comparison Project stands apart from traditional approaches to the philosophy of religion in its commitment to religious inclusivity. It is the future of the philosophy of religion in a diverse, global world.
Ernest Gellner's final book, first published in 1998, is a synoptic interpretation of the thought of Wittgenstein and Malinowski.
This book examines three closely related questions in the process of canon formation in the Sikh tradition: how the text of the Adi Granth came into being, the meaning of gurbani, and how the Adi Granth became the Guru Granth Sahib. The censure of scholarly research on the Adi Granth was closely related to the complex political situation of Punjab and brought the whole issue of academic freedom into sharper focus. This book addresses some of these issues from an academic perspective. The Adi Granth, the sacred scripture of the Sikhs, means ‘first religious book’ (from the word ‘adi’ which means ‘first’ and ‘granth’ which means ‘religious book’). Sikhs normally refer to the Adi Granth as the Guru Granth Sahib to indicate a confession of faith in the scripture as Guru. The contents of the Adi Granth are commonly known as bani (utterance) or gurbani (the utterance of the Guru). The transcendental origin (or ontological status) of the hymns of the Adi Granth is termed dhur ki bani (utterance from the beginning). This particular understanding of revelation is based upon the doctrine of the sabad, or divine word, defined by Guru Nanak and the succeeding Gurus. This book also explores the revelation of the bani and its verbal expression, devotional music in the Sikh tradition, the role of the scripture in Sikh ceremonies, and the hymns of Guru Nanak and Guru Arjan.
Arguing that intellectual movements, such as deconstruction, postsecular theory, and political theology, have different implications for cultures and societies that live with the debilitating effects of past imperialisms, Arvind Mandair unsettles the politics of knowledge construction in which the category of "religion" continues to be central. Through a case study of Sikhism, he launches an extended critique of religion as a cultural universal. At the same time, he presents a portrait of how certain aspects of Sikh tradition were reinvented as "religion" during the late nineteenth and early twentieth centuries. India's imperial elite subtly recast Sikh tradition as a sui generis religion, which robbed its teachings of their political force. In turn, Sikhs began to define themselves as a "nation" and a "world religion" that was separate from, but parallel to, the rise of the Indian state and global Hinduism. Rather than investigate these processes in isolation from Europe, Mandair shifts the focus closer to the political history of ideas, thereby recovering part of Europe's repressed colonial memory. Mandair rethinks the intersection of religion and the secular in discourses such as history of religions, postcolonial theory, and recent continental philosophy. Though seemingly unconnected, these discourses are shown to be linked to a philosophy of "generalized translation" that emerged as a key conceptual matrix in the colonial encounter between India and the West. In this riveting study, Mandair demonstrates how this philosophy of translation continues to influence the repetitions of religion and identity politics in the lives of South Asians, and the way the academy, state, and media have analyzed such phenomena.
An accessible introduction to the world's fifth largest religion, this work presents Sikhism's meanings and myths, and its practices, rituals, and festivals, also addressing ongoing social issues such as the relationship with the Indian state, the diaspora, and caste.