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The history of the Moroccan troops in the Spanish Civil War (1936–1939) is the story of an encounter between two culturally and ethnically different people, and the attempts by both sides, Moroccan and Spanish, to take control of this contact. This book shows to what extent colonials could participate in negotiating limits and taboos rather than being only on the receiving end of them. The examination of this encounter, in its military, religious, as well as sexual aspects, sheds new light on colonial relations, and on how unique or typical the Spanish colonial case is in comparison to other European ones.
The July 1936 coup d'tat against the Spanish Second Republic brought together a diversity of anti-Republican political and social groups under the leadership of rebel Africanista military officers. In the ensuing Civil War this coalition gradually came under the rule of Generalissimo Franco. This volume explores the hypothesis that the violence and combat experiences of the war were the fundamental ideological crucible for the Francoist regime. The rebels were a group of reactionary and anti-liberal forces with little ideological or political coherence, but they emerged from the conflict not only victorious but ideologically united under the dictator's power. Key to understanding this transition are the different political cultures of the rebel army, how the combatants' war experiences contributed to the transformation of diverse rebel groups, and the role of foreign armed intervention. The contributors examine not only the endogenous Spanish political and military cultures of the Francoist coalition, but also the transnational influence of foreign groups. The roots of Francoist political culture are found in the Falangist and Carlist militias, and Civil Guard units, that lent their support to the military rebellion. The war experiences of conscripts, colonial troops, and junior officers forged the Francoist ideology. It was reinforced by fascist influences and assistance from Germany and Italy, and the lesser-known contributions of Swiss and White Russian volunteers. At the beginning of the conflict the rebel side was not homogeneous. But it weaved together a complex, transnational web of political and military interests in the midst of a bloody and destructive war, transforming itself in the process to a political and dictatorial platform that was to rule Spain for many years.
Spain's principal and most devastating war during the 20th century was, unusually for most of Europe, an internal conflict. During the Spanish Civil War of 1936 to 1939 two competing armies – the insurgent and counterrevolutionary Nationalist Army and the Republican Popular Army – engaged in a conflict to impose their version of Spanish identity and the right to shape the country's future. In its aftermath, Francoist Spain remained on a war footing for the duration of the Second World War. In spite of the unabated flood of books on the Spanish Civil War and its consequences, historians of Spain in the 20th century have focused relatively little on the interaction of society and culture, and their roles in wartime mobilization. Spain at War addresses this omission through an examination of individual experiences of conflict and the mobilization of society. This edited volume acknowledges the agency of low-ranking individuals and the impact of their choices upon the historical processes that shaped the conflict and its aftermath. In doing so, this new military history provides a more complex and nuanced understanding of Spain's most intense period of wartime cultural mobilization between the years 1936 to 1944 and challenges traditional political accounts of the period.
Spain is no longer exclusively identified with Catholicism. This book sets out to understand the social dynamics of twenty-first century Spain through the perspective of religion and religious pluralism. Divided into three parts, Part I, Secularization in Spain, frames the analysis of this secularization process throughout the twentieth century and beyond, with particular attention to the process during the Second Republic and the quiet secularization of society that began under Franco's regime. Part II, Religious Change in Spain, establishes the broad framework of the process, addressing the changes that have taken place within Catholicism and the reaction of the Protestant minority as social mores became increasingly fast moving. Part III, Islam in Spain, addresses both its history (including colonial management) and current dynamics (how Islam is viewed by other religions; the impact of the March 11, 2004, attacks; and Islamophobic discourse). Religious Landscapes in Contemporary Spain is essential reading for scholars and students in History and Contemporary Affairs.
"This book explores how women of the early Franco regime (1939-53) adapted rural music traditions and Spanish nationalism according to different political circumstances. The Sección Femenina (Women's Section) of the fascist Falange party officially represented the regime's views and policies on female gender roles. Through their Music Department, these women shaped traditional Spanish songs and dances to promote ideas of Catholic morality throughout the nation's culturally diverse regions, helped legitimize colonial involvement in Spain's African territories, and formed political ties with the Allied powers after the Second World War. This book is particularly relevant to readers with interests in 20th-century Spanish history, cultural diplomacy, and the Cold War"--
European Holocaust Studies (EHS) publishes key international research results on the murder of the European Jews and its wider contexts. In recent years, scholars have rediscovered Hannah Arendt`s "boomerang thesis" – the "coming home" of European colonialism as genocide on European soil – as well as Raphael Lemkin`s work around his definition of genocide and the importance of its colonial dimensions. Germany and other European states are increasingly engaging in debates on comparing the Holocaust to other genocides and cases of mass killing, memorialization, "decolonization" and attempts to come to terms with the past ("Vergangenheitsbewältigung").
Forensic science provides information and data behind the circumstances of a particular death, but it is culture that provides death with meaning. With this in mind, Rite, Flesh, and Stone proposes cultural matters of death as its structuring principle, operating as frames of the expression of mortality within a distinct set of coordinates. The chapters offer original approaches to how human remains are handled in the embodied rituals and social performances of contemporary funeral rites of all kinds; furthermore, they explore how dying flesh and corpses are processed by means of biopolitical technologies and the ethics of (self-)care, and how the vibrant and breathing materiality of the living is transformed into stone and analogous kinds of tangible, empirical presence that engender new cartographies of memory. Each coming from a specific disciplinary perspective, authors in this volume problematize conventional ideas about the place of death in contemporary Western societies and cultures using Spain as a case study. Materials analyzed here—ranging from cinematic and literary fictions, to historical archives and anthropological and ethnographic sources—make explicit a dynamic scenario where actors embody a variety of positions toward death and dying, the political production of mortality, and the commemoration of the dead. Ultimately, the goal of this volume is to chart the complex network in which the disenchantment of death and its reenchantment coexist, and biopolitical control over secularized bodies overlaps with new avatars of the religious and non-theistic desires for memorialization and transcendence.
In 25 innovative thematic essays, The Bloomsbury Handbook of the Spanish Civil War sees an interdisciplinary team of scholars examine a conflict that, more than 80 years after its conclusion, continues to generate both scholarly and public controversy. Split into four main sections covering Military and Diplomatic Issues, Society and Culture, Politics, and Debates, the volume offers a number of unique features. It is unprecedented in its comprehensiveness and includes chapters on topics that are rarely, if ever, explored in the literature of the field: humanitarianism, children and families, material conditions, the decimation of elites, archives and sources, archaeological approaches, digital approaches, public history, and cultural studies approaches. Instead of discussing each of the two warring sides, Republicans and Francoists, separately, as is so often the case, the book's thematic structure means that these opposing forces are examined together, facilitating comparison and fresh understanding in numerous areas of study. Contributors from the UK, the USA, Canada, Spain and Denmark also analyse the major controversies and disputes surrounding each topic as part of a detailed exploration of one of the seminal events of the 20th century.
"A new global history of nationalism. Today, almost all countries are considered nation-states, but only a handful conform to the original nationalist ideal of a unitary state which governs an ethnically homogenous nation, an ideal which has rarely been realized in the past. Given this disjunction between the ideal and reality, what explains the extraordinary success of the nation-state model - a form of statehood based on popular sovereignty - and the seductive power of the myth of national homogeneity? Most existing studies focus on the activities of nationalist movements, their views on the nation's identity and the wars and revolutions that produced nation-states. This has served to overemphasize the singularity of each case, producing a very fragmented picture overall. In this book, author Eric Storm takes a global approach by examining the structural changes that were engendered by the advance of the nation-state model and the nationalization of culture. Emphasizing how conceptions of the nation changed profoundly over time, the book details how the rise of nationalism fundamentally affected the everyday life of ordinary people across the globe. Storm explores four interrelated topics chronologically: the rise, dissemination, and evolution of the nation-state model, which was first developed during the Atlantic Revolutions; the implications of national citizenship for citizens and the attempt by nation-states to expand the ambit of citizenship, even while more strictly excluding outsiders; the allure of nationalism, as the existence of differentiated nations was increasingly taken for granted in the humanities, social sciences and high culture; and, finally, the process whereby nationalism became ingrained in daily life and the physical environment. In making use of a global comparative approach, Storm makes clear that no nation has been unique; rather, they have all conformed to the nation-state model"--
"If you Google Umbria, you'll likely see picturesque rolling hills and medieval villages perched on them. But in The Voice of the Rural, ethnomusicologist Alessandra Ciucci introduces us to the Moroccan migrant workers that labor in the province's Alta Valle del Tevere region, which has been transformed by agrobusiness. These migrants working in Umbria's tobacco fields and on its construction sites have been coming to the region for decades, and while some eventually save enough money to buy some land and build a house back home, most are only able to scrape together what little they can from season to season. Marginalized in Italy and far from their homes, these men turn to Moroccan traditions of music and poetry that romanticize the Moroccan countryside they have left, l-'arubiya, or the rural. Ciucci's ethnography is a rich analysis of l-'arubiya that unpacks how these men share the music and sound of the rural to create a culture of belonging in a foreign and inhospitable nation, gathering in groups to listen to recordings of the musical style and creating community that springs from the very particular Moroccan narratives and identity depicted in the music. The poetry conjures up local images, history, and tradition, evoking a personhood that allows these men to momentarily preserve a particular form of manhood inaccessible to them in Italian culture. In Italy, these men are perceived as threatening and sexually violent. But the sound of l-'arubiya signifies a different kind of masculinity, of what it means to be a "real man", someone virtuous, generous, and strong both physically and morally. Through close fieldwork with migrant men and careful analysis of the lives they live through music, Ciucci uncovers an important social dimension of Europe's evolving migration crisis: how migrants preserve a sense of self and of home in an inhospitable country, allowing them to endure in the face of incredible hardship"--