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In the late 1880s, Pleasant Valley, Arizona, descended into a nightmare of violence, murder, and mayhem. By the time the Pleasant Valley War was over, eighteen men were dead, four were wounded, and one was missing, never to be found. Valley of the Guns explores the reasons for the violence that engulfed the settlement, turning neighbors, families, and friends against one another. While popular historians and novelists have long been captivated by the story, the Pleasant Valley War has more recently attracted the attention of scholars interested in examining the underlying causes of western violence. In this book, author Eduardo Obregón Pagán explores how geography and demographics aligned to create an unstable settlement subject to the constant threat of Apache raids. The fear of surprise attack by day and the theft of livestock by night prompted settlers to shape their lives around the expectation of sudden violence. As the forces of progress strained natural resources, conflict grew between local ranchers and cowboys hired by ranching corporations. Mixed-race property owners found themselves fighting white cowboys to keep their land. In addition, territorial law enforcement officers were outsiders to the community and approached every suspect fully armed and ready to shoot. The combination of unrelenting danger, its accompanying stress, and an abundance of firearms proved deadly. Drawing from history, geography, cultural studies, and trauma studies, Pagán uses the story of Pleasant Valley to demonstrate a new way of looking at the settlement of the West. Writing in a vivid narrative style and employing rigorous scholarship, he creatively explores the role of trauma in shaping the lives and decisions of the settlers in Pleasant Valley and offers new insight into the difficulties of survival in an isolated frontier community.

Westerns

Library of Congress. National Library Service for the Blind and Physically Handicapped

Published: 1983

Total Pages: 96


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This is an encyclopedic work, arranged by broad categories and then by original authors, of literary pastiches in which fictional characters have reappeared in new works after the deaths of the authors that created them. It includes book series that have continued under a deceased writer's real or pen name, undisguised offshoots issued under the new writer's name, posthumous collaborations in which a deceased author's unfinished manuscript is completed by another writer, unauthorized pastiches, and "biographies" of literary characters. The authors and works are entered under the following categories: Action and Adventure, Classics (18th Century and Earlier), Classics (19th Century), Classics (20th Century), Crime and Mystery, Espionage, Fantasy and Horror, Humor, Juveniles (19th Century), Juveniles (20th Century), Poets, Pulps, Romances, Science Fiction and Westerns. Each original author entry includes a short biography, a list of original works, and information on the pastiches based on the author's characters.
This work is the only comprehensive guide to sequels in English, with over 84,000 works by 12,500 authors in 17,000 sequences.
The stories of Louis L’Amour are built around the dramatic moments when men and women cast their fears, doubts, and pasts behind them and plunge into the unknown—into split-second decisions with life-and-death consequences. Nowhere is that more evident than in this quintessential collection of stories set on the American frontier. Here L’Amour takes us across a bold, beautifully rendered landscape where old scores haunt new lives, the wrong choice leaves unwitting victims, and strangers may come to trust—or kill—one another. Fugitives, visionaries, fortune seekers, drifters, and young women trying to build homes on a lawless frontier, the characters in these pulse-pounding stories are vintage L’Amour. Together in this vivid, rollicking collection, they bring to life the spirit of adventure and confirm Louis L’Amour’s place in the pantheon of American writers.