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Have you ever heard of the Pol in which Sultan Ahmed Shah lived in Ahmedabad? Do you know that even a mud model of a goddess can protect the Pol from an evil eye? Rediscover the exciting journey of a young girl through the old city Pols of Ahmedabad and expect to be inspired by the rugged medieval monuments and bustling city life at every turn.
This volume focuses on the religious shrine in western India as an institution of cultural integration in the period spanning 200 BCE to 800 CE. It presents an analysis of religious architecture at multiple levels, both temporal and spatial, and distinguishes it as a ritual instrument that integrates individuals and communities into a cultural fabric. The work shows how these structures emphasise on communication with a host of audiences such as the lay worshipper, the ritual specialist, the royalty and the elite as well as the artisan and the sculptor. It also examines religious imagery, inscriptions, traditional lore and Sanskrit literature. The book will be of special interest to researchers and scholars of ancient Indian history, Hinduism, religious studies, architecture and South Asian studies.
To scholars in the field, the need for an up-to-date overview of the art of South Asia has been apparent for decades. Although many regional and dynastic genres of Indic art are fairly well understood, the broad, overall representation of India's centuries of splendor has been lacking. The Art of Ancient India is the result of the author's aim to provide such a synthesis. Noted expert Sherman E. Lee has commented: –Not since Coomaraswamyês History of Indian and Indonesian Art (1927) has there been a survey of such completeness.” Indeed, this work restudies and reevaluates every frontier of ancient Indic art _ from its prehistoric roots up to the period of Muslim rule, from the Himalayan north to the tropical south, and from the earliest extant writing through the most modern scholarship on the subject. This dynamic survey-generously complemented with 775 illustrations, including 48 in full color and numerous architectural ground plans, and detailed maps and fine drawings, and further enhanced by its guide to Sanskrit, copious notes, extensive bibliography, and glossary of South Asian art terms-is the most comprehensive and most fully illustrated study of South Asian art available. The works and monuments included in this volume have been selected not only for their artistic merit but also in order to both provide general coverage and include transitional works that furnish the key to an all encompassing view of the art. An outstanding portrayal of ancient Indiaês highest intellectual and technical achievements, this volume is written for many audiences: scholars, for whom it provides an up-to-date background against which to examine their own areas of study; teachers and students of college level, for whom it supplies a complete summary of and a resource for their own deeper investigations into Indic art; and curious readers, for whom it gives a broad-based introduction to this fascinating area of world art.
First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
A Probing Look Beyond Hindutva To Get To The Heart Of Gujarat. Many Aspects Of Modern Gujarati Society And Polity Appear Puzzling. A Society Which For Centuries Absorbed Diverse People Today Appears Insular And Parochial, And While It Is One Of The Most Prosperous States In India, A Quarter Of Its Population Lives Below The Poverty Line. Drawing On Academic And Scholarly Sources, Autobiographies, Letters, Literature And Folksongs, Achyut Yagnik And Suchitra Sheth Attempt To Understand And Explain These Paradoxes. They Trace The History Of Gujarat From The Time Of The Indus Valley Civilization, When Gujarati Society Came To Be A Synthesis Of Diverse Peoples And Cultures, To The State S Encounters With The Turks, Marathas And The Portuguese, Which Sowed The Seeds Of Communal Disharmony. Taking A Closer Look At The Nineteenth And Twentieth Centuries, The Authors Explore The Political Tensions, Social Dynamics And Economic Forces That Contributed To Making The State What It Is Today: The Impact Of The British Policies; The Process Of Industrialization And Urbanization, And The Rise Of The Middle Class; The Emergence Of The Idea Of Swadeshi ; The Coming Of Gandhi And His Attempts To Transform Society And Politics By Bringing Together Diverse Gujarati Cultural Sources; And The Series Of Communal Riots That Rocked Gujarat Even As The State Was Consumed By Nationalist Fervour. With Independence And Statehood, The Government Encouraged A New Model Of Development, Which Marginalized Dalits, Adivasis And Minorities Even Further. This Was Accompanied By The Emergence Of Identity Politics Based On The Hindutva Ideology, And Violence In Multiple Forms Became Increasingly Visible, Overshadowing Gujarat S Image As One Of The Most Industrialized, Urbanized And Globalized Societies In India. The Authors Conclude That This Trajectory Of Gujarat S Modern History Has Been Propelled By Its Powerful Middle Class And Future Directions Would Depend On How This Section Of Society Resolves Global Local Tensions And How They Make Their Peace With The Past.
This wide-ranging volume presents new developments in Asian studies across many fields and periods of history. The geographical scope of the work ranges from Gujerat to the mountains of western Japan and from Tibet to Madagascar. They cover a time-scale from tenth century China to the present situation in the Pacific Rim, and deal with such political issues as minority rights and legal reforms, and analyses of academic discourse in Asia.
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Founded in 1411 by Sultan Ahmed Shah on the banks of the river Sabarmati, Ahmedabad is today India's seventh largest city and also one of the subcontinent's few medieval cities which continues to be prosperous and important. Soon after it was established, the royal city of Ahmedabad became the commercial and cultural capital of Gujarat. When the Mughal Empire annexed Gujarat in 1572, Ahmedabad lost its political pre-eminence, but continued to flourish as a great trading centre connecting the silk route with the spice route. Briefly under the Marathas in the eighteenth century, Ahmedabad experienced a dimming of its fortunes, but with the beginning of British control from the early nineteenth century the city reasserted its mercantile ethos, even as it began questioning age-old social hierarchies. The opening of the first textile mill in 1861 was a turning point and by the end of the century Ahmedabad was known as the Manchester of the East. When Gandhi returned to India from South Africa in 1915, looking for a place where he could establish 'an institution for the whole of India', it was Ahmedabad he chose. With the setting up of his Sabarmati Ashram, the great manufacturing centre also became a centre for new awakening. It became the political hub of India, radiating the message of freedom struggle based on truth and non-violence. After Independence, it emerged as one of the fastest-growing cities of India and in the 1960s Ahmedabadis pioneered institutions of higher education and research in new fields such as space sciences, management, design and architecture. Yet, through the centuries, Ahmedabad's prosperity has been punctuated by natural disasters and social discord, from famines and earthquakes to caste and religious violence. Ahmedabadis have tried to respond to these, trying to meld economic progress with a new culture of social harmony. Coinciding with the 600th anniversary of the founding of Ahmedabad, this broad brush history highlights socio-economic patterns that emphasize Indo-Islamic and Indo-European synthesis and continuity, bringing the focus back to the pluralistic heritage of this medieval city. Evocative profiles of Ahmedabadi merchants, industrialists, poets and saints along with descriptions and illustrations of the city's art and architecture bring alive the city and its citizens.