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(Guitar Educational). This book for both acoustic and electric guitarists is designed to be a handy guide to the two most important components of playing: chords and scales. More than just a reference, it will also help you understand how chords and scales are created, named and used, and how they are related to each other. Includes over 1,400 chord diagrams; major, minor, pentatonic, blues and diminished scales; and modes. Teaches how to understand intervals and build major, minor, augmented, diminished and extended chords.
3NPS (three-note-per-string) scales, as used by legions of guitarists but popularized mainly by Joe Satriani, are one of the most efficient ways to navigate the fretboard and get your scales down IF you follow the guidelines in this book. As the name suggests, a 3NPS scale is any scale that contains three notes on each string, and as you'll see in this eBook, this makes for a very consistent way to map out scales on the guitar fretboard. What we’ve done here is revamped the 3NPS scale system and turned it into an incredibly effective means to learn a wide variety of scales all over the fretboard by streamlining the number of patterns, as well as the picking system. This is not a scale theory book, and contains no pentatonic scales. This is a quick and dirty (and very effective) method for learning 3NPS scales all over the fretboard; something to work on in the woodshed. It will improve your picking technique and speed. It does not require a great amount of thinking as you only need to learn two picking patterns, which is really one in two directions, and only three scale patterns instead of the usual seven per scale.
(Guitar Method). Learn to play arpeggios on the guitar with this comprehensive yet easy-to-use book, a supplement to the Hal Leonard Guitar Method. The Arpeggio Finder contains more than 1,300 arpeggio shapes, covering 28 different qualities for each key, with each quality presented in four different shapes. Great for guitarists looking to hone their skills!
We believe this to be the most complete and thorough book of its kind in print! the Scale Section contains major and minor scales in numerous forms and positions. the Arpeggio Section contains a multi- octave presentation of each chord-related arpeggio. the Chord Section presents carefully voiced, powerful-sounding chords in every key. In addition, chord spelling, chord notes, and scale tones are shown. A wealth of information for daily practice performance.
The purpose of this book is to give you a single source to refer to when looking for information regarding the use of scales for improvisation. This is not a method. Rather, it is a reference book. You can look up any chord to learn what scales will work with it. You can also look up any scale to learn every chord it works with. You will find two fingering diagrams for every scale and several voicings for the chords. Standard notation and TAB.
I actually wrote this book as a practice guide for myself because I wanted a way to get different and outside sounds using pentatonic scales, as well as to improve my chops and have a huge variety of new sounds at my fingertips to play over the chords you see 90% of the time such as major/major7, minor/minor7, and dominant chords, among others. As well as being a scales book Alternative Pentatonics is also a method to practice improvising over common chords using uncommon groups of five notes. Five notes are somewhere between an arpeggio and a scale, as well as being the ideal number of notes to craft some really nice phrasing (in my opinion), as I’m sure you realized when you first learned your minor pentatonic scale and started jamming over a 12-bar blues. This book contains 28 new pentatonic scales divided into chord types so that you’ll know exactly what chords you can use them over. For the intermediate player: this book will give you plenty of new and interesting options for playing over common chords and force you out of standard pentatonic scales and/or the major scale modes. For the more advanced player: this book could be more about exploring possibilities than learning scale patterns; in fact, I would suggest that advanced players avoid even remembering the patterns in this book. Instead, they can be used to explore the improvisational terrain and find new sounds, then filed away in your subconscious and allowed to seep into your playing while you’re in the throes of improvisation. So, if you’re stuck in a soloing rut or are looking for new sounds, outside sounds, exotic sounds, or even a few downright weird sounds, this is the book for you.
Due to the rise in popularity of 8-string guitar, as well as the added complexity of learning scales, chords and arpeggios on the instrument, we’ve come up with a novel system for learning scales and arpeggios on 8-string guitar using the minimum amount of scale patterns possible, so that you can get straight to the good stuff: making music. I’d like to show the most efficient and least time-consuming way to learn scales and arpeggios on an 8 string guitar in standard tuning (F#, B, E, A, D, G, B, E), which will both up your game technically and allow you, through consistent practice, to quickly gain a working knowledge of the most useful scales and arpeggios in music. In this book, we cover 21 scales and arpeggios includes the major scale and its modes, pentatonic scales, the most common seventh arpeggios and a selection of exotic scales to broaden your tonal palette.
Expand the boundaries of your knowledge and improvisation skills with this exciting book, which picks up where the improv lessons in Intermediate Jazz Guitar leave off. Topics include improvising over altered dominant chords, the diminished scale, the whole-tone scale, targeting the altered chords, revamping licks, modes of the minor scales and more! Loaded with easy-to-read scale diagrams and example phrases, this book is packed with essential information for the improvising jazz guitarist. All music is shown in standard notation and TAB.
“3 Shape Fretboard by Gareth Evans is a thorough workbook for learning to understand and play scales on the guitar. The sheer number of different scales and modes may seem overwhelming, but the knowledge of the three basic shapes and a basic understanding of intervals will help a lot in seeing through the jungle. A tour de force of fretboard and scale knowledge” -- Mathias Lang, Guitar Teacher & Composer (Netherlands) 3-Shape Fretboard is for intermediate to advanced guitarists interested in learning how to work out guitar scales and arpeggios for themselves. Being able to create guitar scales and arpeggios yourself can give a better understanding, while knowing the logic behind them can make them more meaningful and therefore easier to learn. The Major Scale: It all starts with the major scale, the basis of music. All other scales and arpeggios can be defined in comparison to this scale. The book reflects this in practical terms by categorising the major scale into three different fundamental shapes, which once understood, can be used as templates to figure out other guitar scales and arpeggios. The CAGED System: This system can help to understand the larger CAGED guitar scale shapes in terms of their single octave components. For example, the five CAGED shapes for the major (or minor) pentatonic scales that each contain twelve notes, can be learned as only two shapes of five notes, which are joined end to end to give us the five full CAGED shapes. What Else? >> Various 3-Note per string scales can be understood as the same combination of single octave component types. >> See how basic major and minor chords are formed from within scales and look at triad and 7th chord based harmony. >> Each scale and arpeggio type has a question, with the answer at the back of the book in guitar tablature. >> 3-Shape Fretboard contains 600 fretboard diagrams. >> Intervals are grouped together in the context of the scales they are intended for, which can provide a foundation for learning intervals individually on the fretboard. Please Note: The eBook includes diagrams not suitable for smaller screens. "A logical and thorough approach to understanding scales, intervals and arpeggios on the guitar. All related to the universal CAGED idea of fretboard layout. Plenty to study and apply to your playing." -- Hedley Timbs, BA(Mus), Grad.Dip. Teaching (New Zealand) "I think the 3 pattern approach is very interesting and well documented. There is lots of good material and I like the approach. Very well organised, complete and clear with plenty of diagrams." -- Fabien Aubry, Composer, Arranger & Producer (Switzerland)