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From 1960s folk to alternative rock of the 1990s, this new addition to the Guitar Styles series studies the sounds and techniques of many of today's top female singer-songwriters and some of the artists who've influenced them. With easy-to-play examples, a suggested listening list and much more, this is the perfect resource for learning the styles of some of today's hottest performers. 48 pages.
Explores the many ways glam rock paved the way for new explorations of identity in terms of gender, sexuality, and performance
A must-have for any woman serious about learning to play guitar! Guitarist, singer-songwriter, performer, and instructor Nikki O'Neill helps you find your way around the electric guitar in this groundbreaking, comprehensive method! Learn how to play rhythm guitar for different rock styles using power chords, riffs, barre chords, strum patterns, and more. You'll also learn how to play solos across the neck. Nikki walks you through lead guitar techniques like bends, hammer-ons, pinched harmonics, and the whammy bar, and offers tips on how to build strength in your hands. Nikki's in-depth and easy-to-understand style will have you playing along with the accompanying audio tracks in no time. The book also covers song structure, writing chord charts for your songs, the basics on amps, pedals and guitar care, and even shows you how to figure out songs by ear. Included are essential tips from important female guitarists that Nikki interviewed, a quick history note on the first female electric guitarists, and a list of music by great female rock and blues guitarists to check out. Women's Road to Rock Guitar also features ideas on how to practice, work with other musicians, and stay inspired. Features: * Examples written in TAB, so you don't have to read music to learn! * Essential information on guitar care, amps, pedals, and other equipment * An accompanying CD that includes play-along tracks for practice and demonstrations of the examples in the book. "Nikki O'Neill does a fantastic job of covering the most important things that someone who wants to learn the essentials of rock guitar. She's clear, to the point."---Martina Fasano, Playing with Chaos "It's amazing how much musical material is encompassed in this book, yet it's presented in such an accessible manner that literally anyone who possesses an ounce of good will can follow along and learn."---Top Guitar Magazine "There's such diversity of g
Essays by leading music critics look at the most important female rock musicians, singers, and groups, with profiles of Bonnie Raitt, Carol King, Tina Turner, Janis Joplin, Madonna, and many others.
This “crisp, absorbing” fully illustrated tribute to fifty iconic female musicians and bands is “a must for rock and roll and women's studies enthusiasts.” (Library Journal) Award-winning radio personality Meredith Ochs takes an insightful look at fifty rock icons who indelibly shook up the music scene, whether solo or in a band. Profiling women from the 1950s to today, and from multiple genres, Ochs tells the dramatic stories behind their journeys to success, their music, and their enduring impact. More than 100 photographs make this a rich volume, and the idols include Aretha Franklin, Tina Turner, Grace Slick, Janis Joplin, Stevie Nicks, Heart, Chrissie Hynde, Patti Smith, Joan Jett and the Runaways, the Go-Go’s, Karen O, Sleater-Kinney, Grace Potter, and more.
With a foreword by Jennifer Baumgardner and Amy Richards Girls Rock! explores the many ways women have defined themselves as rock musicians in an industry once dominated and controlled by men. Integrating history, feminist analysis, and developmental theory, the authors describe how and why women have become rock musicians—what inspires them to play and perform, how they write, what their music means to them, and what they hope their music means to listeners. As these musicians tell their stories, topics emerge that illuminate broader trends in rock's history. From Wanda Jackson's revolutionary act of picking up a guitar to the current success of independent artists such as Ani DiFranco, Girls Rock! examines the shared threads of these performers' lives and the evolution of women's roles in rock music since its beginnings in the 1950s. This provocative investigation of women in rock is based on numerous interviews with a broad spectrum of women performers—those who have achieved fame and those just starting bands, those playing at local coffeehouses and those selling out huge arenas. Girls Rock! celebrates what female musicians have to teach about their experiences as women, artists, and rock musicians.
In Britain during the late 1970s and early 1980s, a new phenomenon emerged, with female guitarists, bass-players, keyboard-players and drummers playing in bands. Before this time, women's presence in rock bands, with a few notable exceptions, had always been as vocalists. This sudden influx of female musicians into the male domain of rock music was brought about partly by the enabling ethic of punk rock ('anybody can do it!') and partly by the impact of the Equal Opportunities Act. But just as suddenly as the phenomenon arrived, the interest in these musicians evaporated and other priorities became important to music audiences. Helen Reddington investigates the social and commercial reasons for how these women became lost from the rock music record, and rewrites this period in history in the context of other periods when female musicians have been visible in previously male environments. Reddington draws on her own experience as bass-player in a punk band, thereby contributing a fresh perspective on the socio-political context of the punk scene and its relationship with the media. The book also features a wealth of original interview material with key protagonists, including the late John Peel, Geoff Travis, The Raincoats and the Poison Girls.
Autobiography of Carol Kaye
The first book of its kind, Gender & Rock introduces readers to how gender operates in multiple sites within rock culture, including its music, lyrics, imagery, performances, instruments, and business practices. Additionally, it explores how rock culture, despite a history of regressive gender politics, has provided a place for musicians and consumers to experiment with alternate identities and ways of being. Drawing on feminist and queer scholarship in popular music studies, musicology, cultural studies, sociology, performance studies, literary analysis, and media studies, Gender & Rock provides readers with a survey of the topics, theories, and methods necessary for understanding and conducting analyses of gender in rock culture. Via an intersectional approach, the book examines how the gendering of particular roles, practices, technologies, and institutions within rock culture is related to discourses of race, sexuality, age, and class.