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(Guitar Recorded Versions). Our official songbook for the third installment of this wildly popular video game features notes & guitar tab for 36 hits: Barracuda * Black Magic Woman * The Devil Went Down to Georgia * Even Flow * La Grange * Mississippi Queen * Paint It Black * Pride and Joy * Rock You like a Hurricane * School's Out * Talk Dirty to Me * Welcome to the Jungle * When You Were Young * and more.
(Guitar Collection). A great collection of 50 "standards" that you really need to know if you want to call yourself a guitarist! Includes: All Along the Watchtower * Beat It * Born to Be Wild * Brown Eyed Girl * Cocaine * Communication Breakdown * Detroit Rock City * Hallelujah * (I Can't Get No) Satisfaction * Iron Man * Oh, Pretty Woman * Peter Gunn * Pride and Joy * Seven Nation Army * Should I Stay or Should I Go * Smells like Teen Spirit * Smoke on the Water * Sunshine of Your Love * When I Come Around * Wild Thing * You Really Got Me * and more.
The definitive story of a game so great, even the Cold War couldn't stop it Tetris is perhaps the most instantly recognizable, popular video game ever made. But how did an obscure Soviet programmer, working on frail, antiquated computers, create a product which has now earned nearly 1 billion in sales? How did a makeshift game turn into a worldwide sensation, which has been displayed at the Museum of Modern Art, inspired a big-budget sci-fi movie, and been played in outer space? A quiet but brilliant young man, Alexey Pajitnov had long nurtured a love for the obscure puzzle game pentominoes, and became obsessed with turning it into a computer game. Little did he know that the project that he labored on alone, hour after hour, would soon become the most addictive game ever made. In this fast-paced business story, reporter Dan Ackerman reveals how Tetris became one of the world's first viral hits, passed from player to player, eventually breaking through the Iron Curtain into the West. British, American, and Japanese moguls waged a bitter fight over the rights, sending their fixers racing around the globe to secure backroom deals, while a secretive Soviet organization named ELORG chased down the game's growing global profits. The Tetris Effect is an homage to both creator and creation, and a must-read for anyone who's ever played the game-which is to say everyone.
(Guitar Solo). One hundred timeless songs from a wide variety of musical genres are featured in this collection of solo guitar arrangements in standard notation and tab. Includes: Angel * Bless the Broken Road * Chances Are * Don't Know Why * Faithfully * Hallelujah * I Will Always Love You * Killing Me Softly with His Song * Memory * Stardust * Tears in Heaven * Woman * You Raise Me Up * and many more.
(Easy Piano Songbook). 50 top classic rock hits arranged for easy piano, perfect for beginners who want to play their favorite songs! Includes: Angie * Behind Blue Eyes * Changes * Dream On * The End of the Innocence * Free Bird * Gimme Some Lovin' * Hey Jude * In Your Eyes * Jump * Kiss on My List * Listen to Your Heart * More Than a Feeling * November Rain * Open Arms * Proud Mary * Sweet Home Alabama * We Are the Champions * and more.
MacLife is the ultimate magazine about all things Apple. It’s authoritative, ahead of the curve and endlessly entertaining. MacLife provides unique content that helps readers use their Macs, iPhones, iPods, and their related hardware and software in every facet of their personal and professional lives.
BradyGames' Guitar Hero II Official Strategy Guide includes the following: Detailed information on the game, including how it was made. Exclusive interviews with RedOctane. Expert strategies for all modes of gameplay. Game secrets revealed! Bonus sticker sheet included for players to decorate their guitar for ultimate customization! Platform: PlayStation 2 Genre: SimulationThis product is available for sale worldwide.
(Music Pro Guide Books & DVDs). New technologies are revolutionizing the music business. While these changes may be smashing traditional business models and creating havoc among the major record companies, they are also providing new opportunities for unsigned artists, independent labels, and music business entrepreneurs. The Future of the Music Business provides a legal and business road map for success in today's music business by setting forth a comprehensive summary of the rules pertaining to the traditional music business, including music licensing, as well as the laws governing online distribution of music and video. The book also provides practical tips for: Selling music online; Using blogs and social networks; Developing an online record company; Creating an Internet radio station; Opening an online music store; Raising money for recording projects online; Creating a hit song in the Digital Age; Taking advantage of wireless technologies, and much more. This revised third edition is the most up-to-date and thorough examination of current trends, and offers special sections on: What to do if someone steals your song; Protecting the name of your band or label ; How to find and get a music lawyer to shop your music; How to land a deal with an indie, or a major label. The video includes a comprehensive lecture, "How to Succeed in Today's Music Business," delivered by the author at the Tisch School of the Arts at NYU.
The overriding aim of this groundbreaking volume—whether the subject is vocal ornamentation in 19th-century opera or the collective improvisation of the Grateful Dead—is to give new recognition to performance as the core of musical culture. The collection brings together renowned scholars from performance studies and musicology (including Philip Auslander, David Borgo, Daphne Brooks, Nicholas Cook, Maria Delgado, Susan Fast, Dana Gooley, Philip Gossett, Jason King, Elisabeth Le Guin, Aida Mbowa, Ingrid Monson, Roger Moseley, Richard Pettengill, Joseph Roach, and Margaret Savilonis), with the intent of sparking a productive new dialogue on music as performance. Taking It to the Bridge is on the one hand a series of in-depth studies of a broad range of performance artists and genres, and on the other a contribution to ongoing methodological developments within the study of music, with the goal of bridging the approaches of musicology and performance studies, to enable a close, interpretive listening that combines the best of each. At the same time, by juxtaposing musical genres that range from pop and soul to the classics, and from world music to games and web-mediated performances, Taking It to the Bridge provides an inventory of contrasted approaches to the study of performance and contributes to its developing centrality within music studies.