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To Morena Darkstorm, fighting for the equality of her citizens in her kingdom, Arisite, is a dangerous game in the vampyre court. The high nobles seek to enslave their lower silver counterparts to enhance their rule and to sign an alliance with their enemy kingdom of 100 years Kindred. She finds herself at odds with her family, speaking against the injustice of their lands with only the support of her closest servants, Lucille an ancient silver of great power and Amelia, a silver-haired maid with more power than she knows. When Alexander Lothbrok, a soulkeeper and the ruling King of the people, enters Arisite capital, Casai, he is beguiled by Morenas affection towards her people. Unknowingly, he finds himself at odds with an unlikely threat Amelia. With the girls' powers unlocking, Morena and Amelia become one in the same to protect the realms.
You've never read a fantasy novel like this one! The deep well of Japanese myth merges with the Western fantasy tradition for a novel that's as rich in place and culture as it is hard to put down. Balsa was a wanderer and warrior for hire. Then she rescued a boy flung into a raging river -- and at that moment, her destiny changed. Now Balsa must protect the boy -- the Prince Chagum -- on his quest to deliver the great egg of the water spirit to its source in the sea. As they travel across the land of Yogo and discover the truth about the spirit, they find themselves hunted by two deadly enemies: the egg-eating monster Rarunga . . . and the prince's own father.
This study addresses the relationship between Japanese aesthetics, a field steeped in philosophy and traditional knowledge, and anime, a prominent part of contemporary popular culture. There are three premises: (1) the abstract concepts promoted by Japanese aesthetics find concrete expression at the most disparate levels of everyday life; (2) the abstract and the concrete coalesce in the visual domain, attesting to the visual nature of Japanese culture at large; and (3) anime can help us appreciate many aspects of Japan's aesthetic legacy, in terms of both its theoretical propositions and its visual, even tangible, aspects.