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Inspired by the fabled journals in which acclaimed filmmaker Guillermo del Toro records his innermost thoughts and unleashes his vivid imagination, this deluxe sketchbook is designed to spark boundless creativity in its owner. Opening with an inspirational message from del Toro, this sketchbook includes reproductions of a number of pages from his own visionary journals, before giving way to blank pages on which you can create your own unique works of art. With sturdy construction and sewn binding, this sketchbook lies flat, and the 192 blank, acid-free pages of high-quality heavy stock paper take both pen and pencil nicely to invite a flow of inspiration. Includes a ribbon placeholder, elastic enclosure, and 6.5 x 9.75-inch back pocket, perfect for holding photographs and mementos. Copyright © 2015 Guillermo del Toro
Inspired by the fabled journals in which acclaimed filmmaker Guillermo del Toro records his innermost thoughts and unleashes his vivid imagination, this is a replica sketchbook aimed at the directors legion of fans.
Don’t Be Afraid of the Dark: Blackwood’s Guide to Dangerous Fairies is a dark and disturbing illustrated novel based on the world of Guillermo del Toro’s film “Don’t Be Afraid of the Dark.” Taking place a hundred years before the movie begins, the book chronicles the travels and explorations of Emerson Blackwood, a young and ambitious natural scientist who quickly discovers there is a mysterious world beyond what his education and peers understand. Follow Blackwood as he travels, discovering more and more about this secret world and the creatures that inhabit it -- creatures that Blackwood quickly realizes are just as interested in him as he is in them, particularly a long-lived and dangerous group of beings that have had centuries of encounters with humanity, creatures that live by eating enamel and bone.... The book, co-written by del Toro and the award-winning Christopher Golden, features illustrations by the director of “Don’t Be Afraid of the Dark,” Troy Nixey.
Until now, the single most important unpublished work by C.G. Jung—The Black Books. In 1913, C.G. Jung started a unique self- experiment that he called his “confrontation with the unconscious”: an engagement with his fantasies in a waking state, which he charted in a series of notebooks referred to as The Black Books. These intimate writings shed light on the further elaboration of Jung’s personal cosmology and his attempts to embody insights from his self- investigation into his life and personal relationships. The Red Book drew on material recorded from 1913 to 1916, but Jung actively kept the notebooks for many more decades. Presented in a magnificent, seven-volume boxed collection featuring a revelatory essay by noted Jung scholar Sonu Shamdasani—illuminated by a selection of Jung’s vibrant visual works—and both translated and facsimile versions of each notebook, The Black Books offer a unique portal into Jung’s mind and the origins of analytical psychology.
A fairy-tale reimagining of Snow White and Rose Red from the New York Times bestselling author-illustrator Emily Winfield Martin. Filled with stunning illustrations. "Emily Winfield Martin — reimagine[s] Brothers Grimm fairy tales, treating delight, with a few grisly bits folded in, as its own reward. The deeper meanings of these stories do emerge, but the pleasure they give is paramount." —The New York Times Snow and Rose didn’t know they were in a fairy tale. People never do. . . . Once, they lived in a big house with spectacular gardens and an army of servants. Once, they had a father and mother who loved them more than the sun and moon. But that was before their father disappeared into the woods and their mother disappeared into sorrow. This is the story of two sisters and the enchanted woods that have been waiting for them to break a set of terrible spells. In Snow & Rose, bestselling author-illustrator Emily Winfield Martin retells the traditional but little-known fairy tale “Snow White and Rose Red.” The beautiful full-color illustrations throughout and unusual yet relatable characters will bring readers back to this book again and again.
A funny and entertaining history of printed books as told through absurd moments in the lives of authors and printers, collected by television’s favorite rare-book expert from HISTORY’s hit series Pawn Stars. Since the Gutenberg Bible first went on sale in 1455, printing has been viewed as one of the highest achievements of human innovation. But the march of progress hasn’t been smooth; downright bizarre is more like it. Printer’s Error chronicles some of the strangest and most humorous episodes in the history of Western printing, and makes clear that we’ve succeeded despite ourselves. Rare-book expert Rebecca Romney and author J. P. Romney take us from monasteries and museums to auction houses and libraries to introduce curious episodes in the history of print that have had a profound impact on our world. Take, for example, the Gutenberg Bible. While the book is regarded as the first printed work in the Western world, Gutenberg’s name doesn’t appear anywhere on it. Today, Johannes Gutenberg is recognized as the father of Western printing. But for the first few hundred years after the invention of the printing press, no one knew who printed the first book. This long-standing mystery took researchers down a labyrinth of ancient archives and libraries, and unearthed surprising details, such as the fact that Gutenberg’s financier sued him, repossessed his printing equipment, and started his own printing business afterward. Eventually the first printed book was tracked to the library of Cardinal Mazarin in France, and Gutenberg’s forty-two-line Bible was finally credited to him, thus ensuring Gutenberg’s name would be remembered by middle-school students worldwide. Like the works of Sarah Vowell, John Hodgman, and Ken Jennings, Printer’s Error is a rollicking ride through the annals of time and the printed word.
In this New York Times bestselling “imperative how-to for creativity” (Nick Offerman), Adam Savage—star of Discovery Channel’s Mythbusters—shares his golden rules of creativity, from finding inspiration to following through and successfully making your idea a reality. Every Tool’s a Hammer is a chronicle of my life as a maker. It’s an exploration of making, but it’s also a permission slip of sorts from me to you. Permission to grab hold of the things you’re interested in, that fascinate you, and to dive deeper into them to see where they lead you. Through stories from forty-plus years of making and molding, building and break­ing, along with the lessons I learned along the way, this book is meant to be a toolbox of problem solving, complete with a shop’s worth of notes on the tools, techniques, and materials that I use most often. Things like: In Every Tool There Is a Hammer—don’t wait until everything is perfect to begin a project, and if you don’t have the exact right tool for a task, just use whatever’s handy; Increase Your Loose Tolerance—making is messy and filled with screwups, but that’s okay, as creativity is a path with twists and turns and not a straight line to be found; Use More Cooling Fluid—it prolongs the life of blades and bits, and it prevents tool failure, but beyond that it’s a reminder to slow down and reduce the fric­tion in your work and relationships; Screw Before You Glue—mechanical fasteners allow you to change and modify a project while glue is forever but sometimes you just need the right glue, so I dig into which ones will do the job with the least harm and best effects. This toolbox also includes lessons from many other incredible makers and creators, including: Jamie Hyneman, Nick Offerman, Pixar director Andrew Stanton, Oscar-winner Guillermo del Toro, artist Tom Sachs, and chef Traci Des Jardins. And if everything goes well, we will hopefully save you a few mistakes (and maybe fingers) as well as help you turn your curiosities into creations. I hope this book serves as “creative rocket fuel” (Ed Helms) to build, make, invent, explore, and—most of all—enjoy the thrills of being a creator.
"Astounding... extraordinary... Jumping between highlighting his indie cult status as an artist and the mindset behind the abstraction of some of comics most beloved characters, the collection ultimately acts as a stunning visual love letter to one of comics most revered artists."-- Comics Beat Bill Sienkiewicz (pronounced sin-KEV-itch) is an Eisner-winning, Emmy-nominated artist best known for revolutionizing the way comic books are drawn and made. His work has graced the National Museum of Fine Arts in Rio de Janeiro, Brazil; art galleries in Paris, Barcelona, and Tuscany; and advertising campaigns for Nike, MTV, Nissan, the 2006 Winter Olympics, and dozens of Hollywood movies. Sienkiewicz is a classically trained painter whose artworks incorporate abstract and expressionist influences and combine oil painting, acrylics, watercolor, mixed media, collage, and mimeograph. Bill Sienkiewicz: Revolution is the first time the artist's work and career have been taken out of the context of comic books and evaluated as fine art. Ben Davis, award-winning Senior Writer for Artnet News, considers Sienkiewicz's process and places him within the context of art and popular culture. Edited by Sal Abbinanti, Sienkiewicz's representative and colleague for 12 years, Bill Sienkiewicz: Revolution features an introduction by Neil Gaiman, who collaborated with Sienkiewicz on the New York Times bestseller The Sandman, and an interview in which the artist explains his influences and techniques and offers his view on the future of comic book art. The book is covered in luxurious 100% cloth fabric, with two embossed, tipped-in images on the front and back cover.