Download Free Guillaume De Dole Book in PDF and EPUB Free Download. You can read online Guillaume De Dole and write the review.

Published in 1995: The author of at least two noteworthy romances of the early thirteenth century, Le Roman de la Rose or Guillaume de Dole and L'Escoufle (The Kite), as well as Le Lai de l'Ombre, Jean Renart is today recognized as the most accomplished practitioner of the "realistic romance" in Old French literature.
The author of at least two noteworthy romances of the early thirteenth century, Le Roman de la Rose or Guillaume de Dole and L'Escoufle (The Kite), as well as Le Lai de l'Ombre, Jean Renart is today recognized as the most accomplished practitioner of the "realistic romance" in Old French literature.
Published in 1995: The author of at least two noteworthy romances of the early thirteenth century, Le Roman de la Rose or Guillaume de Dole and L'Escoufle (The Kite), as well as Le Lai de l'Ombre, Jean Renart is today recognized as the most accomplished practitioner of the "realistic romance" in Old French literature.
Clothing was used in the Middle Ages to mark religious, military, and chivalric orders, lepers, and prostitutes. The ostentatious display of luxury dress more specifically served as a means of self-definition for members of the ruling elite and the courtly lovers among them. In Courtly Love Undressed, E. Jane Burns unfolds the rich display of costly garments worn by amorous partners in literary texts and other cultural documents in the French High Middle Ages. Burns "reads through clothes" in lyric, romance, and didactic literary works, vernacular sermons, and sumptuary laws to show how courtly attire is used to negotiate desire, sexuality, and symbolic space as well as social class. Reading through clothes reveals that the expression of female desire, so often effaced in courtly lyric and romance, can be registered in the poetic deployment of fabric and adornment, and that gender is often configured along a sartorial continuum, rather than in terms of naturally derived categories of woman and man. The symbolic identification of the court itself as a hybrid crossing place between Europe and the East also emerges through Burns's reading of literary allusions to the trade, travel, and pilgrimage that brought luxury cloth to France.
Medieval literature is to a large degree shaped by orality, not only with regard to performance, but also to transmission and composition. Although problems of orality have been much discussed by medievalists, there is to date no comprehensive handbook on this topic. ‘Medieval Oral Literature’, a volume in the ‘De Gruyter Lexikon’ series, was written by an international team of twenty-five scholars and offers a thorough discussion of theoretical approaches as well as detailed presentations of individual traditions and genres. In addition to chapters on the oral-formulaic theory, on the interplay of orality and writing in the Early Middle Ages, on performance and performers, on oral poetics and on ritual aspects of orality, there are chapters on the Older Germanic, Romance, Middle High German, Middle English, Celtic, Greek-Byzantine, Russian, Hebrew, Arabic, Persian and Turkish traditions of oral literature. There is a special focus on epic and lyric, genres that are also discussed in separate chapters, with additional chapters on the ballad and on drama.
Modern historians have generally approached the study of medieval society through chronicles, charters, and other documents composed in Latin by members of the clergy. Although these records may be satisfactory for studying the affairs of ecclesiastics, kings, and high barons, they are inadequate for assessing the major preoccupations of the aristocracy—living extravagantly, fighting, making love, entertaining, eating and dressing ostentatiously, and, generally, earning the disapproval of the clergy. In Aristocratic Life in Medieval France, the respected medieval scholar John Baldwin undertakes a study of this segment of society using, for the first time in nearly a century, the vernacular romances written exclusively for the amusement of aristocratic audiences. Rather than attempting to encompass all of Middle Age Europe, this study selects two writers, Jean Renart and Gerbert de Montreuil, and their four romances. It focuses with depth and specificity on the discrete area of northern France during a precise period, 1190–1230. Since Jean and Gerbert framed their fictional stories with contemporary and realistic features that could be recognized by their audiences, their works provide a wealth of detail on aristocratic living. Employing such literary techniques as "reality effects" and "horizons of expectations," Baldwin successfully discerns the historical content in these romance narratives.
The carole was the principal social dance in France and England from c. 1100 to c. 1400 and was frequently mentioned in French and English medieval literature. However, it has been widely misunderstood by contributors in recent citations in dictionaries and reference books, both linguistic and musical. The carole was performed by all classes of society - kings and nobles, shepherds and servant girls. It is described as taking place both indoors and outdoors. Its central position in the life of the people is underlined by references not only in what we might call fictional texts, but also in historical (or quasi-historical) writings, in moral treatises and even in a work on astronomy. Dr Robert Mullally's focus is very much on details relevant to the history, choreography and performance of the dance as revealed in the primary sources. This methodology involves attempting to isolate the term carole from other dance terms not only in French, but also in other languages. Mullally's groundbreaking study establishes all the characteristics of this dance: etymological, choreographical, lyrical, musical and iconographical.