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All the requirements for the Irreducible Minimum Musicianship Tests and Musicianship Phases of the National Guild of Piano Teachers Auditions, from elementary through preparatory (advanced) levels, are presented here. But this book isn't just to prepare students for National Guild auditions. It offers a solid regimen of theory and technical practice for the benefit of any student. The first part of the book contains sections on scales, chords and cadences, and arpeggios from elementary through intermediate levels. The second part expands these subjects through advanced levels to include diminished and augmented chords and seventh-chord arpeggios. The book ends with examples suggesting how to practice transposition, sight-reading, and ear training.
The stage musical constitutes a major industry not only in the US and the UK, but in many regions of the world. Over the last four decades many countries have developed their own musical theatre industries, not only by importing hit shows from Broadway and London but also by establishing or reviving local traditions of musical theatre. In response to the rapid growth of musical theatre as a global phenomenon, The Oxford Handbook of the Global Stage Musical presents new scholarly approaches to issues arising from these new international markets. The volume examines the stage musical from theoretical and empirical perspectives including concepts of globalization and consumer culture, performance and musicological analysis, historical and cultural studies, media studies, notions of interculturalism and hybridity, gender studies, and international politics. The thirty-three essays investigate major aspects of the global musical, such as the dominance of Western colonialism in its early production and dissemination, racism and sexism--both in representation and in the industry itself--as well as current conflicts between global and local interests in postmodern cultures. Featuring contributors from seventeen countries, the essays offer informed insider perspectives that reflect the diversity of the subject and offer in-depth examinations of specific cultural and economic systems. Together, they conduct penetrating comparative analysis of musical theatre in different contexts as well as a survey of the transcultural spread of musicals.
Vols. for 1957-61 include an additional (mid-January) no. called Directory issue, 1st-5th ed. The 6th ed. was published as the Dec. 1961 issue.