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The Rough Guide to Venice and the Veneto is the definitive handbook to Europe''s most beautiful city and its hinterland. The guide includes detailed accounts of all Venice''s monuments and museums, from San Marco to the far-flung islands. There is vivid background on the city''s history and culture, with the lowdown on the Biennale, Carnevale and other special events. For every area, there are comprehensive reviews of restaurants, bars and accommodation in every price range. Finally, there is detailed coverage of Verona, Padua, Vicenza, Treviso and a host of other Veneto towns and sights.
Overzicht van de Venetiaanse architectuur, vanaf de stichting in de Romeinse tijd tot nu.
This book is an introduction to the vernacular (or "minor") architecture of the villages of the Venetian lagoon, excluding the historic centre of the city itself. It is intended as a companion volume to Dr Goy's "Chioggia and the Villages of the Venetian Lagoon".
A guide book for architects, covering 101 buildings in Venice. It is fully illustrated with location maps, plans, sections and photographs, and updated to include buildings from the 1980s.
Long established, The Rough Guide to Venice & the Veneto is the most thorough and reliable guide to the city and its surroundings. With stunning photography to inspire you, in-depth coverage to guide you and clear maps to steer you, this guide will ensure you make the most of your time in Venice, whether you want to visit the big name sights of the Basilica di San Marco and the Palazzo Ducale, escape the crowds in one of the city's off-beat districts, or take a day-trip to the magnificent city of Verona. Fascinating stories illuminate the city's history, while on-the-pulse features on everything from cruise ship controversies and flood barrier scandals to the travail's of the city's football team tell you more about the city today than any other guidebook. Insider reviews reveal the best places to eat, drink and sleep with something for every budget, whether you plan to stay in luxury near the Piazza, picnic along the Sant'Elena waterfront, or enjoy the buzzing bars in Dorsoduro.
`It offers all that the visitor with a concern for beauty and for leisurely sight-seeing will require.' Financial Times`If ever a guidebook were designed to be read as literature it is Mr Honour's. Even those who know Venice welland love it well will add to their appreciation from this seemingly endless store of information.' Economist Offers all that the visitor with a concern for beauty and for leisurely sight-seeing will require. FINANCIAL TIMES The best guide book I have ever encountered... and a book I found it impossible not to read from beginning to end. OBSERVER There are few pleasanter ways of passing a summer's evening than sitting over a cup of coffee, and perhaps a glass of Aurum, in the Piazza San Marco. It is especially agreeable on those nights when the Venetian city band thunders away at some throbbingly romantic piece... And all the while the younger inhabitants parade around the square, chattering, flirting, quarrelling and staring at their visitors with that same unwinking gaze that Venetians have turned on their guests for the past five centuries. The facade of San Marco closes the scene in a glitter of golden mosaic and a bubbling of cupolas, while the great thick red campanile stretches up into the warm mothy darkness of the summer sky. Hugh Honour, it is clear, knows Venice exceptionally well and catches the rhythms of the city's life with unerring skill. His guide, with its winning blend of evocativedetail and precise information, spurs the reader to investigate Venice's wonders: Piazza San Marco is only the beginning of a journey into the heart of Venice and its history.
The master ship builders of seventeenth-century Venice formed part of what was arguably the greatest manufacturing complex in early modern Europe. As many as three thousand masters, apprentices, and laborers regularly worked in the city's enormous shipyards. This is the social history of the men and women who helped maintain not only the city's dominion over the sea but also its stability and peace. Drawing on a variety of documents that include nearly a thousand petitions from the shipbuilders to the Venetian governments as well as on parish records, inventories, and wills, Robert C. Davis offers a vivid and compelling account of these early modern workers. He explores their mentality and describes their private and public worlds (which in some ways, he argues, prefigured the factories and company towns of a later era). He uncovers the far-reaching social and cultural role played by women in this industrial community. He shows how the Venetian government formed its shipbuilders into a militia to maintain public order. And he describes the often colorful ways in which Venetians dealt with the tensions that role provoked—including officially sanctioned community fistfights on the city's bridges. The recent decision by the Italian government to return the Venetian Arsenal to civilian control has sparked renewed interest in the subject among historians. Shipbuilders of the Venetian Arsenal offers new evidence on the ways in which large, state-run manufacturing operations furthered the industrialization process, as well as on the extent of workers' influence on the social dynamics of the early modern European city.
Following Italy's unification in 1861, architects, artists, politicians, and literati engaged in volatile debates over the pursuit of national and regional identity. Growing industrialization and urbanization across the country contrasted with the rediscovery of traditionally built forms and objects created by the agrarian peasantry. Pride in Modesty argues that these ordinary, often anonymous, everyday things inspired and transformed Italian art and architecture from the 1920s through the 1970s. Through in-depth examinations of texts, drawings, and buildings, Michelangelo Sabatino finds that the folk traditions of the pre-industrial countryside have provided formal, practical, and poetic inspiration directly affecting both design and construction practices over a period of sixty years and a number of different political regimes. This surprising continuity allows Sabatino to reject the division of Italian history into sharply delimited periods such as Fascist Interwar and Democratic Postwar and to instead emphasize the long, continuous process that transformed pastoral and urban ideals into a new, modernist Italy.