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Excerpt from Guide to the World's Fair Grounds, Buildings and Attractions The State Buildings are all grouped around the lagoon, the Illinois Building, and the Art Galleries in the northern portion of the grounds. The New England States are grouped on the lake shore directly east of the entrance of the route marked on map and north of the Art Gallery Annex. The buildings of the southern States are grouped directly east of entrance of route marked on map and north of Western annex of Art Galleries. The location of the buildings of the Territories of the United States is northeast of the entrance of route marked on map and at the northern extremity of the grounds. The buildings are ranged between the Texas and Iowa structures. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. The study investigates the cultural production of the visual iconography of popular pleasure grounds from the eighteenth century pleasure garden to the contemporary theme park. Deborah Philips identifies the literary genres, including fairy tale, gothic horror, Egyptiana and the Western which are common to carnival sites, tracing their historical transition across a range of media to become familiar icons of popular culture.Though the bricolage of narratives and imagery found in the contemporary leisure zone has been read by many as emblematic of postmodern culture, the author argues that the clash of genres and stories is less a consequence of postmodern pastiche than it is the result of a history and popular tradition of conventionalised iconography.
The 1964-1965 New York World's Fair was the largest international exhibition ever built in the United States. More than one hundred fifty pavilions and exhibits spread over six hundred forty-six acres helped the fair live up to its reputation as "the Billion-Dollar Fair." With the cold war in full swing, the fair offered visitors a refreshingly positive view of the future, mirroring the official theme: Peace through Understanding. Guests could travel back in time through a display of full-sized dinosaurs, or look into a future where underwater hotels and flying cars were commonplace. They could enjoy Walt Disney's popular shows, or study actual spacecraft flown in orbit. More than fifty-one million guests visited the fair before it closed forever in 1965. The 1964-1965 New York World's Fair captures the history of this event through vintage photographs, published here for the first time.
Contains captioned, archival photographs that trace the history of the 1904 World's Fair in St. Louis, Missouri, from the groundbreaking to the closing ceremonies.
What came to be known as the World s Columbian Exposition was planned to commemorate the 400th anniversary of Christopher Columbus s 1492 landfall in the New World. Chicago beat out New York City, St. Louis, Missouri, and Washington, DC, in its bid as host a coup for the Windy City. The site finally selected for the fair was Jackson Park, originally designed by Frederick Law Olmsted and Calvert Vaux, a marshy area covered with dense, wild vegetation. Daniel H. Burnham and John W. Root were selected as chief architects, creating the famous White City. The fair featured several different thematic areas: the Great Buildings, Foreign Buildings, State Buildings, and the Midway Plaisance, a nearly mile-long area that featured exotic exhibits. The exposition also showcased the world s first Ferris Wheel and introduced fairgoers to new sensations like Cracker Jack, Pabst Beer, and ragtime music. The World s Columbian Exposition, covering 633 acres, opened on May 1, 1893. Admission prices were 50cents for adults, 25cents for children under 12 years of age, and free for children under six. Unfortunately, by 1896, most of the fair s buildings had been removed or destroyed, but this collection takes readers on a tour of the grounds as they looked in 1893."
After enduring 10 harrowing years of the Great Depression, visitors to the 1939-1940 New York World's Fair found welcome relief in the fair's optimistic presentation of the "World of Tomorrow." Pavilions from America's largest corporations and dozens of countries were spread across a 1,216-acre site, showcasing the latest industrial marvels and predictions for the future intermingled with cultural displays from around the world. Well known for its theme structures, the Trylon and Perisphere, the fair was an intriguing mixture of technology, science, architecture, showmanship, and politics. Proclaimed by many as the most memorable world's fair ever held, it predicted wonderful times were ahead for the world even as the clouds of war were gathering. Through vintage photographs, most never published before, The 1939-1940 New York World's Fair recaptures those days when the eyes of the world were on New York and on the future.
An engaging pictorial history that explores the triumphs and tragedies of a historic exposition hosted in Buffalo a century ago. About 330 vintage photographs, postcards and sketches are paired with an informative text by Thomas Leary and Elizabeth Sholes. They worked with the Buffalo and Erie County Historical Society and Arcadia Publishing to create a unique snapshot of a prospering region at turn of the century.