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Excerpt from Guide to the Old Moravian Cemetery of Bethlehem, Pa., 1742-1897 1. Nathaniel Seidel, 1718 - 82, a Bishop of the Moravian Church, and for twenty years the President of the American Provincial Board. He was born at Lauban, Silesia, on October 2, 1718, the son of a Bohe mian emigrant, and learned the trade of cloth-weaving. Having found Jesus as his Saviour he joined the Moravian Church at Herrn hut in 1739, and came to Bethlehem in 1742 to engage in evangelistic work. He was appointed itinerant missionary among the Indians and white settlers, and to this end made many journeys, always on foot, laboring with great zeal and success. In 1748 he was ordained a Presbyter. Five years later he was sent on an official visitation to the Danish West Indies, the next year to North Carolina, (where he founded the church at Bethabara, ) and the following year to the mission in Surinam, S. A. In 1758 he was consecrated a Bishop, and after Zinzendorf's death became President of the Provincial Board of Elders in place of Bishop Spangenberg, who returned to Germany. He was married to Anna Joanna Fiesch, a niece of Anna Nitschmann. They left no children. He departed this life on May. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
In Moravian Soundscapes, Sarah Eyerly contends that the study of sound is integral to understanding the interactions between German Moravian missionaries and Native communities in early Pennsylvania. In the mid-18th century, when the frontier between settler and Native communities was a shifting spatial and cultural borderland, sound mattered. People listened carefully to each other and the world around them. In Moravian communities, cultures of hearing and listening encompassed and also superseded musical traditions such as song and hymnody. Complex biophonic, geophonic, and anthrophonic acoustic environments—or soundscapes—characterized daily life in Moravian settlements such as Bethlehem, Nain, Gnadenhütten, and Friedenshütten. Through detailed analyses and historically informed recreations of Moravian communal, environmental, and religious soundscapes and their attendant hymn traditions, Moravian Soundscapes explores how sounds—musical and nonmusical, human and nonhuman—shaped the Moravians' religious culture. Combined with access to an interactive website that immerses the reader in mid-18th century Pennsylvania, and framed with an autobiographical narrative, Moravian Soundscapes recovers the roles of sound and music in Moravian communities and provides a road map for similar studies of other places and religious traditions in the future.
The Moravians, or Bohemian Brethren, early Protestants who settled in Pennsylvania and North Carolina in the eighteenth century, brought a musical repertoire that included hymns, sacred vocal works accompanied by chamber orchestra, and instrumental music by the best-known European composers of the day. Moravian composers -- mostly pastors and teachers trained in the styles and genres of the Haydn-Mozart era -- crafted thousands of compositions for worship, and copied and collected thousands of instrumental works for recreation and instruction. The book's chapters examine sacred and secular works, both for instruments -- including piano solo -- and for voices. The Music of the Moravian Church demonstrates the varied roles that music played in one of America's most distinctive ethno-cultural populations, and presents many distinctive pieces that performers and audiences continue to find rewarding. Contributors: Alice M. Caldwell, C. Daniel Crews, Lou Carol Fix, Pauline M. Fox, Albert H. Frank, Nola Reed Knouse, Laurence Libin, Paul M. Peucker, and Jewel A. Smith. Nola Reed Knouse, director of the Moravian Music Foundation since 1994, is active as a flautist, composer, and arranger. She is the editor of The Collected Wind Music of David Moritz Michael.
Anyone wishing to know what has been written on the Pennsylvania Germans will welcome the reappearance of this classic bibliography. Anyone aspiring to a command of the literature on the Pennsylvania Germans must master its contents; and anyone doing research in Pennsylvania-German genealogy must have it at his side. It is basic, and no efficient research can be done without it. Divided into subject categories, the bibliography contains citations to all published writings dealing with the Germans in colonial North America (chiefly Pennsylvania), whether in the form of general histories, magazine articles, newspapers, pamphlets, mug-books, church records, town, county, and state histories, or printed genealogies, and it attempts to give as complete an account of the printed source material as possible. It is in effect the starting point in Pennsylvania-German research because it acquaints the researcher with everything that had been published up through the cut-off year of 1933.