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Learn what you need to know to avoid and manage copyright infringement claims that arise from the publication of your book, article, or media project. In this book, intellectual property attorney Stephen E. Gillen covers the unique rights clearance and permission issues related to writing scholarly works.
Copyright Clearance for Creatives contains essential copyright guidelines that will help you navigate your way through US copyright law. It also sets out how to make a copyright permission request. This book addresses practical questions such as "What are the copyright laws that impact my work?" It elaborates on the copyright protections a copyright owner receives from US copyright laws. It includes examples and details on how to get copyright permission for text, graphics, photographs, song lyrics, comic strips, maps, et cetera. The book also illustrates what should be asked for in a copyright permission request and terms to look for in a copyright license. And, these copyright guidelines also describe how to manage and document the permission acquisition process.
This award-winning guide covers processes and procedures for locating existing content that adds value to current works, for determining when permission is needed, and for obtaining permissions when advisable to do so. The guide identifies new approaches to copyright protection, defines new terms related to copyright, and delineates new procedures for licensing of content procedures that writers, publishers, and their support teams will find helpful when using the work of others or sharing their own work. It contains directions for obtaining permissions, templates and tools for tracking permission, examples of request letters, permission request forms, examples of cease and desist letters and take-down notices, a list of myths about copyright that can land a creator in hot water, and considerations regarding self-publishing, copyright ownership, and copyright clearance every self-publisher should read before they begin implementing their project plan.
If a picture is worth a thousand words, then it's a good bet that at least half of those words relate to the picture's copyright status. Art historians, artists, and anyone who wants to use the images of others will find themselves awash in byzantine legal terms, constantly evolving copyright law, varying interpretations by museums and estates, and despair over the complexity of the whole situation. Here, on a white—not a high—horse, Susan Bielstein offers her decades of experience as an editor working with illustrated books. In doing so, she unsnarls the threads of permissions that have ensnared scholars, critics, and artists for years. Organized as a series of “takes” that range from short sidebars to extended discussions, Permissions, A Survival Guide explores intellectual property law as it pertains to visual imagery. How can you determine whether an artwork is copyrighted? How do you procure a high-quality reproduction of an image? What does “fair use” really mean? Is it ever legitimate to use the work of an artist without permission? Bielstein discusses the many uncertainties that plague writers who work with images in this highly visual age, and she does so based on her years navigating precisely these issues. As an editor who has hired a photographer to shoot an incredibly obscure work in the Italian mountains (a plan that backfired hilariously), who has tried to reason with artists' estates in languages she doesn't speak, and who has spent her time in the archival trenches, she offers a snappy and humane guide to this difficult terrain. Filled with anecdotes, asides, and real courage, Permissions, A Survival Guide is a unique handbook that anyone working in the visual arts will find invaluable, if not indispensable.
This is the comprehensively revised second edition of a popular professional book on textbook writing and finding one's way in the higher education publishing world--for academic authors and editors, college instructors, and instructional designers. The second edition has two new chapters on the latest industry trends--such as the pricing revolt, open access movement, and wiki-textbook phenomenon, and on the use of learning objectives to structure textbook package development. Every chapter features new sections, links, forms, models, or examples from an even greater range of college courses. Contains updated and expanded appendices, glossary entries, references, bibliography entries, and index. BISAC: Language Arts & Disciplines/Authorship and Publishing
"Copyright law and contract language are complex, even for attorneys and experts. Authors may be tempted to sign the first version of a publication contract that they receive, especially if negotiating seems complicated, intimidating, or risky. But there is a lot at stake for authors in a book deal, and it is well worth the effort to read the contract, understand its contents, and negotiate for favorable terms. To that end, Understanding and Negotiating Book Publication Contracts identifies clauses that frequently appear in publishing contracts, explains in plain language what these terms (and typical variations) mean, and presents strategies for negotiating "author-friendly" versions of these clauses. When authors have more information about copyright and publication options for their works, they are better able to make and keep their works available in the ways they want"--Publisher.
Explains how to clear rights for copyrighted materials, determine if a work is in the public domain, and define "fair use" of quotations.
This second edition presents information updated as of the end of 1998 regarding the Copyright Act as currently amended. Applicable to both general and specialized audiences, the book covers copyright as it applies to a variety of settings, with numerous usage examples and guideline charts, all presented in an easy-to-read format with the “legalese” reserved for the footnotes. Featured are sections on the use of copyrighted materials, libraries and copyrighted materials, permissions policies, and new technology issues such as computer software, electronic publishing, the Internet, multimedia and distance learning. Resource guides—to services such as the Library of Congress Copyright Office information hotline, circulars, and mailings, as well as the Television Licensing Center, and the Copyright Clearance Center—and to Internet resources, print bibliographies, and other applicable documents and laws, are provided.