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No other guide on the market covers the volume of comic book listings and range of eras as Comic Book Checklist & Price Guide does, in an easy-to-use checklist format. Readers can access listings for 130,000 comics, issued since 1961, complete with names, cover date, creator information and near-mint pricing. With super-hero art on the cover and collecting details from the experts as America's longest-running magazine about comics in this book, there is nothing that compares.
PREFACE The Third International Mathematics and Science Study (TIMSS), sponsored by the International Association for the Evaluation of Educational Achievement (lEA) and the gov ernments of the participating countries, is a comparative study of education in mathematics and the sciences conducted in approximately 50 educational systems on five continents. The goal of TIMSS is to measure student achievement in mathematics and science in participating coun tries and to assess some of the curricular and classroom factors that influence student learning in these subjects. The study will provide educators and policy makers with an unparalleled and multidimensional perspective on mathematics and science curricula; their implementation; the nature of student performance in mathematics and science; and the social, economic, and edu cational context in which these occur. TIMSS focuses on student learning and achievement in mathematics and science at three different age levels, or populations. • Population 1 is defined as all students enrolled in the two adjacent grades that contain the largest proportion of 9-year-old students; • Population 2 is defined as all students enrolled in the two adjacent grades that contain the largest proportion of 13-year-old students; and • Population 3 is defined as all students in their final year of secondary education, includ ing students in vocational education programs. In addition, Population 3 has two "specialist" subpopulations: students taking advanced courses in mathematics (mathematics specialists), and students taking advanced courses in physics (science specialists).
In the midst of the Great Depression, Americans were nearly universally literate--and they were hungry for the written word. With an eye to this market and as a response to unemployment, Roosevelt's Works Progress Administration created the Federal Writers' Project. They produced the Project's American Guides, an impressively produced series that set out not only to direct travelers on which routes to take and what to see throughout the country, but also to celebrate the distinctive characteristics of each individual state. The series unintentionally diversified American literary culture's cast of characters--promoting women, minority, and rural writers--while it also institutionalized the innovative idea that American culture comes in state-shaped boxes.
This book presents watercolor renderings along with a selection of the artifacts in the Index of American Design, a visual archive of decorative, folk, and popular arts made in America from the colonial period to about 1900. Three essays explore the history, operation, and ambitions of the Index of American Design, examine folk art collecting in America during the early decades of the twentieth century, and consider the Index's role in the search for a national cultural identity in the early twentieth-century United States.
This collection of fifty outlaw tales includes well-knowns such as Butch Cassidy and the Sundance Kid, Frank and Jesse James, Belle Starr (and her dad), and Pancho Villa, along with a fair smattering of women, organized crime bosses, smugglers, and of course the usual suspects: highwaymen, bank and train robbers, cattle rustlers, snake-oil salesmen, and horse thieves. Men like Henry Brown and Burt Alvord worked on both sides of the law either at different times of their lives or simultaneously. Clever shyster Soapy Smith and murderer Martin Couk survived by their wits, while the outlaw careers of the dimwitted DeAutremont brothers and bigmouthed Diamondfield Jack were severely limited by their intellect, or lack thereof. Nearly everyone in these pages was motivated by greed, revenge, or a lethal mixture of the two. The most bloodthirsty of the bunch, such as the heartless (and, some might argue, soulless) Annie Cook and trigger-happy Augustine Chacón, surely had evil written into their very DNA.
A refreshing new perspective on some of the most infamous reprobates of the West and Midwest.
The first and only full-scale technical and stylistic analysis of 200 years of architectural evolution in northern New England