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Denmark 1995. In 1960, the post-war period, architecture in Denmark underwent dramatic changes. Volume 2 includes about 330 houses with almost 1000 illustrations. The guide is divided into 3 periods and takes as its subject categories of building whose function dictates special planning and expression. This guide is arranged thematically; individual categories of building are divided into time segments of about a decade. Housing, single-family houses, educational facilities, churches, cultural centers, sports facilities, social welfare and medical facilities-all are discussed here. The guide is supplemented with a comprehensive index and eight maps, which mean that the books may also be used as travel-guides.
This new account of international modernism explores the complex motivations behind this revolutionary movement and assesses its triumphs and failures. The work of the main architects of the movement such as Frank Lloyd Wright, Adolf Loos, Le Corbusier, and Mies van der Rohe is re-examined shedding new light on their roles as acknowledged masters. Alan Colquhoun explores the evolution of the movement fron Art Nouveau in the 1890s to the megastructures of the 1960s, revealing the often contradictory demands of form, function, social engagement, modernity and tradition.
Here Comes the Sun looks at how social reformers, planners and architects in the early twentieth century tried to remake the city in the image of a sunlit, ordered utopia. While much has been written about architectural modernism, Worpole concentrates less on buildings and more on the planning of the spaces in-between – the parks, public squares, open-air museums, promenades, public pools and other public leisure facilities. Life in the open was of particular concern to early urban planners and reformers, with their dreams of release from the confines of overcrowded, unsanitary slums. Picturing youthful working-class bodies made healthy by exercise and tanned by the sun, they imagined an escape route from cities. Worpole demonstrates how open-air public spaces became sought-after commissions for many early modernist architects in the early 1900s, resulting in the transformation of the European cityscape. "...a fascinating account of the political idealism that informed urban planning for the first two-thirds of the twentieth-century...full of insights into how public space influences a sense of belonging and ownership."—The Guardian "This is one of those books you stroke lovingly. Open it, and there is page after page of beautiful photographs...this book combines history, society, politics, environment and place in a well-written and emotive text. The strength of the book is the way it crosses these traditional boundaries and disciplines."—Town and Country Planning "Drawing on architectural theories, philosophy, literature and even film-making, Worpole's book is wide-ranging and erudite and should be of interest to the layperson as well as to the urban planner. It is also elegantly written and complemented by a mixture of black and white and colour photographs to provide a visual emphasis to the points he raises."—N16 Magazine
The building of religious structures represents a rare opportunity for the architect to concentrate on the creation of volume, space, and form. Sacred architecture is far less determined than other building tasks by functional requirements, norms, and standards. As a rule, it is free to unfold as pure architecture. Thus in design terms this building task offers enormous freedoms to the architect. At the same time, however, the special atmospherics of sacred spaces call, on the part of the architect, for a highly sensitive treatment of religion and the relevant cultural and architectural traditions. In a systematic section, this volume introduces the design, technical, and planning fundamentals of building churches, synagogues, and mosques. In its project section, it also presents about seventy realized structures from the last three decades. Drawing upon his in-depth knowledge of the subject and his many years of publishing experience, the author offers a valuable analysis of the conceptual and formal aspects that combine to create the religious impact of spaces (e.g., the ground plan, the shapes of the spaces, the incidence of light, and materiality).
Comprising of the proceedings of the Sixth International Conference on Harmonisation between Architecture and Nature, the papers deal with topics such as building technologies, design by passive systems, design with nature, cultural sensitivity, life cycle assessment, resources and rehabilitation as well as many others. This book follows five successful meetings which started in the New Forest, UK in 2006, then followed in the Algarve (2008), A Coruna (2010), Kos (2012) and Siena, Italy (2014). Eco-Architecture signifies a new approach to the design process intended to harmonise its products with nature. This involves concepts such as minimum use of energy at each stage of the building process, taking into account the amount required during the extraction and transportation of materials, their fabrication, assembly, building formation, maintenance and eventual future recycling. The adaptation of the architectural design to the natural environment, is another important issue. The book will be of interest to architects, engineers, planners, physical scientists, sociologists and economists and contained within these proceedings are case studies from many different places around the world. Topics covered consist of: Design with nature; Energy efficiency; Tall buildings and environment; Ecological impacts of materials; Biomaterials; Bioclimatic design; Water quality; Green facades; Ecological; Education and training; Adapted reuse; Transformative design; Sustainability indices in architecture; Bioclimatic design and passive systems; Recycle, reuse, reduce and recovery; Mixing it up and building flexibility; Architectural visualisation and New techniques: building information modelling.
The Sydney Opera House is the most famous modern building designed by the Danish architect, who in the 20th century joined the ranks of the architectural elite. Christian Norberg-Schulz, internationally renowned Norwegian architect and theoretician, describes the wonderful world of Utzon. This highly readable book offers fascinating insights into Utzon’s contribution to world architecture. It features reference works from all over the world and presents a selection of Utzon’s most significant projects.