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The purpose of this volume is twofold: to shed some light on the emergence of American literature in the nineteenth century through the genres of the essay, poetry, and the novel; and to characterize a possible next step forward in the formation of American literature, one that Ralph Waldo Emerson and Walt Whitman (respectively, the founder and the guide of American literature, who stood at its beginnings) both considered to be of world historic importance-the promise of the Great American Novel.
Originally published in 1924, this book presents a historical guide to American literature, from the colonial era through to the late nineteenth century. The text is broad in scope, incorporating studies of philosophical, historical and political writers, alongside detailed accounts of key literary figures such as Poe and Whitman. A comprehensive bibliography is also included. This book will be of value to anyone with an interest in literary criticism and the history of American literature.
Originally published in 1904 and republished by City Lights in 1970, this exciting essay is again being placed in the hands of a new generation of writers and readers. In these notes to a lecture never given, Whitman exhorts his readers to explore the potential of an original American language, to practice a great democracy of words: "words that would be welcomed by the nation, being of the national blood--words that would give that taste of identity and locality which is so dear to literature."
Winner of the Bancroft Prize and the Ambassador Book Award and Finalist for the National for the Book Critics Circle Award In his poetry Walt Whitman set out to encompass all of America and in so doing heal its deepening divisions. This magisterial biography demonstrates the epic scale of his achievement, as well as the dreams and anxieties that impelled it, for it places the poet securely within the political and cultural context of his age. Combing through the full range of Whitman's writing, David Reynolds shows how Whitman gathered inspiration from every stratum of nineteenth-century American life: the convulsions of slavery and depression; the raffish dandyism of the Bowery "b'hoys"; the exuberant rhetoric of actors, orators, and divines. We see how Whitman reconciled his own sexuality with contemporary social mores and how his energetic courtship of the public presaged the vogues of advertising and celebrity. Brilliantly researched, captivatingly told, Walt Whitman's America is a triumphant work of scholarship that breathes new life into the biographical genre.
Author of the biography of Whitman and several other books about the poet, general coeditor of The Collected Writings, and for 25 years the leading scholar of Leaves of Grass, Allen has now produced a critical guide for an intelligent reader's analysis and evaluation of current interpretations and approaches to Whitman's poetry. Its five sections are concerned with: a) the Whitman man-or-beast myth; 2) the 'long foreground' to the Leaves; 3) the nine editions, 1855-1892, of Whitman's book...; 4) the central themes or subject matter that give it unity, and the views of critics...; and 5) its form and structure as seen in a dozen individual lyrics. The result is a useful, valuable, and even remarkable capstone to a long career devoted to the study of 'A Bible for Democracy' (Whitman's phrase for Leaves of Grass).
Few authors are so well suited to historical study as Whitman, who is widely considered America's greatest poet. This Guide combines contemporary cultural studies and historical scholarship to illuminate Whitman's diverse contexts. The essays explore dimensions of Whitman's dynamic relationship to working-class politics, race and slavery, sexual mores, the visual arts, and the idea of democracy. The poet who emerges from this volume is no "solitary singer," distanced from his culture, but what he himself called "the age transfigured," fully enmeshed in his times and addressing issues that are still vital today.