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If there was one man, other than Napoleon himself, who determined the course of the Napoleonic Wars, it was Jacques-Antoine-Hippolyte, comte de Guibert, the foremost military theorist in France from 1770 to his death in 1790. Taking in the full scope of the times, from the ideas of the Enlightenment to the passions of the French Revolution, Jonathan Abel’s Guibert is the first book in English to tell the remarkable story of the man who, through his pen and political activity, truly earned the title of Father of the Grande Armée. In his Essai général de tactique, published in 1771, Guibert set forth the definitive institutional doctrine for the French army of the Revolutionary and Napoleonic Wars. But unlike many other martial theorists, Guibert, who served in the French Ministry of War from 1775 to 1777 and again from 1787 to 1789, was able to put his ideas into practice. Drawing on a wealth of primary source documents—including Guibert’s own papers and the letters and memoirs of his friends and associates—Jonathan Abel re-creates the temper of an era of great turbulence and remarkable creativity. More than a military theorist, Guibert was very much a man of his day; he attended salons, wrote poetry and plays, and was inducted into the Académie française. A fiery figure, he rose and fell from power, lived and loved fiercely, and died swearing that he would “find justice.” In Abel’s account, Guibert does at last receive a measure of justice: a thorough, painstakingly documented picture of this complex man in the thick of extraordinary times, building the foundation for Napoleon's success between 1796 and 1807—and in significant ways, changing the course of European history.
Stories that map the writer's artistic development, written with candor, detachment, and passion. Hervé Guibert published twenty-five books before dying of AIDS in 1991 at age 36. An originator of French "autofiction" of the 1990s, Guibert wrote with aggressive candor, detachment, and passion, mixing diary writing, memoir, and fiction. Best known for the series of books he wrote during the last years of his life, chronicling his coexistence with illness, he has been a powerful influence on many contemporary writers. Written in Invisible Ink maps the writer's artistic development, from his earliest texts—fragmented stories of queer desire—to the unnervingly photorealistic descriptions in Vice and the autobiographical sojourns of Singular Adventures. Propaganda Death, his harsh, visceral debut, is included in its entirety. The volume concludes with a series of short, jewel-like stories composed at the end of his life. These anarchic and lyrical pieces are translated into English for the first time by Jeffrey Zuckerman. From midnight encounters with strangers to tormented relationships with friends, from a blistering sequence written for Roland Barthes to a tender summoning of Michel Foucault upon his death, these texts lay bare Guibert's relentless obsessions in miniature.
Ghost Image is made up of sixty-three short essays—meditations, memories, fantasies, and stories bordering on prose poems—and not a single image. Hervé Guibert’s brief, literary rumination on photography was written in response to Roland Barthes’s Camera Lucida, but its deeply personal contents go far beyond that canonical text. Some essays talk of Guibert’s parents and friends, some describe old family photographs and films, and spinning through them all are reflections on remembrance, narcissism, seduction, deception, death, and the phantom images that have been missed. Both a memoir and an exploration of the artistic process, Ghost Image not only reveals Guibert’s particular experience as a gay artist captivated by the transience and physicality of his media and his life, but also his thoughts on the more technical aspects of his vocation. In one essay, Guibert searches through a cardboard box of family portraits for clues—answers, or even questions—about the lives of his parents and more distant relatives. Rifling through vacation snapshots and the autographed images of long-forgotten film stars, Guibert muses, “I don’t even recognize the faces, except occasionally that of an aunt or great-aunt, or the thin, fair face of my mother as a young girl.” In other essays, he explains how he composes his photographs, and how—in writing—he seeks to escape and correct the inherent limits of his technique, to preserve those images lost to his technical failings as a photographer. With strains of Jean Genet and recurring themes that speak to the work of contemporary artists across a range of media, Guibert’s Ghost Image is a beautifully written, melancholic ode to existence and art forms both fleeting and powerful—a unique memoir at the nexus of family, memory, desire, and photography.
With a foreword by Maggie Nelson, an introduction from Frieze editor Andrew Durbin and afterword from Edmund White 'Unforgettable, heartbreaking' New York Times 'Brilliant' - Dazed 'As brutal as it is elegant' - Neil Bartlett 'Electrifying' - Colm Tóibín 'Dazzling' - Katherine Angel After being diagnosed with AIDS, Hervé Guibert wrote this devastating, darkly humorous and personal novel, chronicling three months in the penultimate year of the narrator's life. In the wake of his friend Muzil's death, he goes from one quack doctor to another, from holidays to test centres, and charts the highs and lows of trying to cheat death. On publication in 1990, the novel scandalized French media, which quickly identified Muzil as Guibert's close friend Michel Foucault. The book became a bestseller, and Guibert a celebrity. The book has since attained a cult following for its tender, fragmented and beautifully written accounts of illness, friendship, sex, art and everyday life. It catapulted Guibert into notoriety and sealed his reputation as a writer of shocking precision and power.
This is a well written and valuable study of the life of a familiar but still somehow shadowy figure and an important contribution to medieval intellectual history, with insights into the meaning of the twelfth-century renaissance, the monastic mindset, the invention of psychological thought, the birth of the university, and the historiography of the Crusades.
"Arthur's Whims" is the tale of "a modern saint," a love story born of a childhood dream of being "alone on a boat with a boy, a friend." Arthur and his beloved Bichon-a young man who, after drinking Arthur's tears, becomes pregnant with his child-drift through a stream of identities and circumstances: birdcatchers for a French taxidermist; sailors shipwrecked in an ice fortress; explorers of the Isles of Traitors, Babies, and Sadness; famous magicians in Oklahoma; religious and medical marvels. It is an anarchic, outrageous novel, in the tradition of Edgar Allan Poe and Comte de Lautréamont, now available in English for the first time in translation by Daniel Lupo. This edition includes Hervé Guibert's essay "The Bear," in which he compares his books to rooms in a house, writing: "Arthur's Whims would be the library of the house, and the bedroom of a child who will never be." It is "a true adventure novel in the tradition of the genre, or what I believed to be its tradition, with great journeys, disasters, shipwrecks, cataclysms."
Winner of the Society for Military History Distinguished Book Award 2023 (Reference) “’The God of War’ is near to revealing himself, because we have heard his prophet.” So wrote Jean Colin, naming Napoleon the God of War and Jacques-Antoine-Hippolyte, comte de Guibert, as his prophet. Guibert was the foremost philosopher of the Military Enlightenment, dedicating his career to systematizing warfare in a single document. The result was his magnum opus, the General Essay on Tactics, which helped to lay the foundation for the success of French armies during the French Revolutionary and Napoleonic Wars. It is presented here in English for the first time since the 1780s, with extensive annotation and contextualization.
The long-awaited English-language translation of Hervé Guibert's arresting journals
The essays in this volume examine the historical place of revolutionary warfare on both sides of the Atlantic, focusing on the degree to which they extended practices common in the eighteenth century or introduced fundamentally new forms of warfare.
A novel about the relationships between the author and his friends, doctors, and fellow AIDS patients and his experiences with the experimental drug DDI.