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At first he was just a voice on the other end of the line. Just another crank caller. Now they know he's not kidding. He has a definite plan he intends to execute. Now, the talk show cameras are rolling, and America is about to meet a real-life serial killer face to face.
Television Production offers you a very practical guide to professional TV and video production techniques. Here you will find straightforward descriptions and explanations of the equipment you will use, and discover the best ways to use it. The authors also tell you how to anticipate and quickly overcome commonly-encountered problems in television production. You will explore in detail all the major features of television production, learning the secrets of top-grade camerawork, persuasive lighting techniques, effective sound treatment, as well as the subtle processes of scenic design and the art of video editing. Successful program-making is about communication and persuasion. It is not merely a matter of knowing which buttons to press, but how to influence and persuade your audience, hold their attention, develop their interest, and arouse their emotions. This book tells you how to do all this - and much more. The 15th edition has been completely revamped to include lessons on: * 3D- how to use 3D cameras, field-tested 3D workflows, and more * Shooting with DSLRs * Lighting with LEDs
Gain the skills you need to succeed in the television industry and master the production process, from shooting and producing, to editing and distribution. This new and updated 17th edition of Television Production offers a thorough and practical guide to professional TV production techniques. Learn how to anticipate and quickly overcome commonly encountered problems in television production as author Jim Owens details each role and process, including the secrets of top-grade camerawork, persuasive lighting techniques, and effective sound treatment, as well as the subtle processes of scenic design, directing, and the art of video editing. Updated throughout, containing a range of new figures and diagrams, the 17th edition of this classic text includes: A discussion of the changing definition of "television" and how new technology alters viewing habits; Interviews with professionals in the industry about the challenges they face during the production process and the advice they would give to those trying to break into the production and television industries; A review of production practices and techniques for VR; A description of the latest cameras and equipment, including LED lighting and remote production; Guidance and techniques for low-budget, DIY-style productions; A comprehensive resource page for instructors, containing slides and testing materials to aid in the learning process can be found at www.routledge.com/cw/owens.
Portable Video: ENG and EFP, Fifth Edition" focuses on the techniques and technology of single camera electronic news gathering and electronic field production. Covering everything from basic creative and technical editing techniques to budgets and copyright issues, it is accessible to the home videomaker or amateur and to the professional seeking information on the newest advances in technique and equipment. It includes special focus on TV news production and field production and is suitable for complete beginners.
All studio directors need to know the basics of studio directing, whether they go on to direct news, drama, children's programmes or light entertainment. Learning the ropes on air can be costly: this book gives you all the practical and technical guidance you need to deliver a trouble free programme. All studio directors need to know the basics of studio directing, whether they go on to direct news, drama, children's programmes or light entertainment. Learning the ropes on air can be costly: this book gives you all the practical and technical guidance you need to deliver a trouble free programme. Starting with an emphasis on the skills that make a good director, the essential day to day know-how is outlined - from different presentation formats to the roles of the production team, camera technology, composition, lighting, digital video, chroma key, make-up and wardrobe. Whether you are a student or practitioner wishing to sharpen up your technique, this manual is an excellent guide to the technology and skills required. This book: · Provides essential day to day information in one handy source · Offers a combination of theory and practice, technical data and intuitive skill · Is an excellent introductory text for anyone embarking on a career in directing Contents: Networks * Cameras and Pictures * Pre-Production * Cutting and Combining Pictures * The Studio Team * Interviews * Magazines * Script Layouts * Electronic Newsrooms * Practical Directing * Communications * Directors Technology * Dealing with Problems. Rod Fairweather is a freelance director and has worked for companies such as SKY TV, GMTV, ITN and MTV Europe. He conducts training courses on directing all over the world including Singapore, India and Australia.
Previous ed. by Medoff and Tanquary, c2002.
Since the beginning of network television, many shows have been preceded by an announcement or theme song that served various purposes. In the 1950s and ’60s, it was common for announcers to declare that a program had been “brought to you by” a sponsor who paid for the privilege of introducing a show. Other programs, such as The Twilight Zone, Star Trek, and The Odd Couple,provided a brief encapsulation of the show’s subject matter, a practice that has continued for recent shows like Alias, Battlestar Galactica, Person of Interest, and the various editions of Law & Order. In Television Introductions: Narrated TV Program Openings since 1949, Vincent Terrace has assembled openings for more than nine hundred television shows from the past seven decades. The only documented history of narrated television program introductions, this volume is arranged by type of programming, such as comedy, drama, Western, game show, soap opera, and children’s show. In addition to quoting the opening material, entries provide information about each show’s network history and years of broadcast. Many entries include descriptions of the show, the names of announcers, and a list of main cast members, as well as a sponsor pitch exactly as spoken. Openings for programs with multiple introductions like The Adventures of Ozzie and Harriet and Charlie’s Angels are also included. For programs that featured new guest stars every episode—such as game shows and variety programs—Terrace has selected a representative introduction. In addition to the theme song credits found in the main text, there are also appendixes of theme songs and their composers and/or singers, as well as a listing of commercial releases (on DVD, VHS, CD, and LP) of shows and their soundtracks. A comprehensive resource for researchers and pop culture aficionados alike, Television Introductions provides a fascinating look at this neglected part of TV history.
The Red Skelton Show was on the air for 20 years, the longest-running primetime network comedy variety series on television. It was a top 10 series for nine years--an accomplishment surpassed only by Gunsmoke and Home Improvement. The series has a few unimpressive achievements too, such as becoming the first top 10 series to be cancelled by a network. Here is the history of The Red Skelton Show, beginning with its debut in 1951, one of the top five that year. The show then declined in popularity, moved from CBS to NBC in 1953, slowly rose back to the top. In its glory days of the 1960s it became an hour long show and finished at number two in two different years. The cancellation of the show by CBS in 1970 despite its place in the top 10 was a surprise; the last season back with NBC was a failure. Appendices list cast and crew credits and special guests by season, and offer information on the post-Red Skelton lives of many of the principal players.
When Lance Redding put on his full-body fox costume, with a smiling fox head, and then changed back to regular clothes, some women found him irresistible. But as a rule, Lance was anything but nice to those women. When Lance was shot to death shortly after hosting a "fox party" at his home, his business colleague and good friend, George, hired smart and sexy supersleuth Amy Bell to investigate. She quickly discovered that while there were lots of suspects, they all had seemingly airtight alibis. Clearly, she was missing something--something big. It would require all of Amy's talents to solve this case. Or would Amy end up being outfoxed? Author David Schwinger, when not writing Amy Bell mysteries --there are now seventeen --enjoys composing songs, playing trivia, and traveling the world with his wife, Sherryl. David first met Sherryl when she was his student in a mathematics class he taught at City College of New York. Their secret romance became the inspiration for his first Amy Bell mystery, The Teacher's Pet Murders.
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