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From the Nobel Prize-winning author comes a novel of exile, displacement, and the agonizing cruelty and pain of colonialism, both for those who rule and those who are their victims. “A brilliant novel in every way.… [It] shimmers with artistic certainty.” —The New York Times Book Review Set on a troubled Carribbean island, where “everybody wants to fight his own little war,” where “everyone is a guerrilla,” the novel centers on an Englishman named Roche, once a hero of the South African resistance, who has come to the island – subdued now, almost withdrawn – to work and to help. Soon his English mistress arrives: casually nihilistic, bored, quickly enticed – excited – by fantasies of native power and sexuality, and blindly unaware of any possible consequences of her acts. At once Roche and Jane are drawn into fatal connection with a young guerrilla leader named Jimmy Ahmed, a man driven by his own raging fantasies of power, of perverse sensuality, and of the England he half remembers, half sentimentalizes. Against the larger anguish of the world they inhabit, these three act out a drama of death, hideous sexual violence, and political and spiritual impotence that profoundly reflects the ravages history can make on human lives.
Prior to gaining international renown for his definitive biography of Che Guevara and his firsthand reports on the war in Iraq in the acclaimed THE FALL OF BAGHDAD, Jon Lee Anderson wrote GUERRILLAS, a daring on-the-ground account of five diverse insurgent movements around the world: the mujahedin of Afghanistan, the FMLN of El Salvador, the Karen of Burma, the Polisario of Western Sahara, and a group of young Palestines fighting against Israel in the Gaza Strip. Making the most of unprecedented, direct access to his subjects, Anderson combines powerful storytelling with a balanced, penetrating analysis of each situation. A work of phenomenal range, analytical acuity, and human empathy, GUERRILLAS amply demonstrates why Jon Lee Anderson is one of our most important chroniclers of societies in crisis.
The first documented, systematic study of a truly revolutionary subject, this 1937 text remains the definitive guide to guerrilla warfare. It concisely explains unorthodox strategies that transform disadvantages into benefits.
From the hills and valleys of the eastern Confederate states to the sun-drenched plains of Missouri and "Bleeding Kansas," a vicious, clandestine war was fought behind the big-battle clashes of the American Civil War. In the east, John Singleton Mosby became renowned for the daring hit-and-run tactics of his rebel horsemen. Here a relatively civilized war was fought; women and children usually left with a roof over their heads. But along the Kansas-Missouri border it was a far more brutal clash; no quarter given. William Clarke Quantrill and William "Bloody Bill" Anderson became notorious for their savagery.
A remarkably clear explication of the tenets of Object-Oriented Philosophy and an acute critique of the movement's ramifications for philosophy today. How does the patience and rigour of philosophical explanation fare when confronted with an irrepressible desire to commune with the object and to escape the subjective perplexities of reference, meaning, and sense? Moving beyond the hype and the inflated claims made for “Object-Oriented” thought, Peter Wolfendale considers its emergence in the light of the intertwined legacies of twentieth-century analytic and Continental traditions. Both a remarkably clear explication of the tenets of OOP and an acute critique of the movement's ramifications for philosophy today, Object-Oriented Philosophy is a major engagement with one of the most prevalent trends in recent philosophy.
In this comparative study of the guerrilla movements of Latin America, the author explores the origins and outcomes of rural insurgencies in cases since 1956. Focusing on the personal backgrounds of guerrilla leaders, the book explores why some groups acquired greater military strength than others.
Guerrilla Girls: The Art of Behaving Badly is the first book to catalog the entire career of the Guerrilla Girls from 1985 to present. The Guerrilla girls are a collective of political feminist artists who expose discrimination and corruption in art, film, politics, and pop culture all around the world. This book explores all their provocative street campaigns, unforgettable media appearances, and large-scale exhibitions. • Captions by the Guerrilla Girls themselves contextualize the visuals. • Explores their well-researched, intersectional takedown of the patriarchy In 1985, a group of masked feminist avengers—known as the Guerrilla Girls—papered downtown Manhattan with posters calling out the Museum of Modern Art for its lack of representation of female artists. They quickly became a global phenomenon, and the fearless activists have produced hundreds of posters, stickers, and billboards ever since. • More than a monograph, this book is a call to arms. • This career-spanning volume is published to coincide with their 35th anniversary. • Perfect for artists, art lovers, feminists, fans of the Guerrilla Girls, students, and activists • You'll love this book if you love books like Wall and Piece by Banksy, Why We March: Signs of Protest and Hope by Artisan, and Graffiti Women: Street Art from Five Continents by Nicholas Ganz
While the Civil War is famous for epic battles involving massive armies engaged in conventional warfare, A Savage Conflict is the first work to treat guerrilla warfare as critical to understanding the course and outcome of the Civil War. Daniel Sutherland argues that irregular warfare took a large toll on the Confederate war effort by weakening support for state and national governments and diminishing the trust citizens had in their officials to protect them.
Analyses African insurgencies and their relationship to the societies in which they are set and to the outside world.
The experience of Central Americans in the United States is marked by a vicious contradiction. In entertainment and information media, Salvadorans, Guatemalans, Nicaraguans, and Hondurans are hypervisible as threatening guerrillas, MS-13 gangsters, maids, and “forever illegals.” Central Americans are unseen within the broader conception of Latinx community, foreclosing avenues to recognition. Yajaira M. Padilla explores how this regime of visibility and invisibility emerged over the past forty years—bookended by the right-wing presidencies of Ronald Reagan and Donald Trump—and how Central American immigrants and subsequent generations have contested their rhetorical disfiguration. Drawing from popular films and TV, news reporting, and social media, Padilla shows how Central Americans in the United States have been constituted as belonging nowhere, imagined as permanent refugees outside the boundaries of even minority representation. Yet in documentaries about cross-border transit through Mexico, street murals, and other media, US Central Americans have counteracted their exclusion in ways that defy dominant paradigms of citizenship and integration.