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Dr. Rogers was a New Zealander who, after duty with British troops in North Africa during the early years of the war, made the decision to enter guerrilla warfare in the Balkans and was accepted for training to join the Jugoslav partisans. The account of his experiences, written a decade ago after he had just left the country, has the freshness of recently known people and events and the detachment of a thoughtful mind which could pause to analyse and indicate their meaning for the course of victory and for future Balkan politics. On one level the narrative is full of the scenes of daily life. There are conversations with his aids Bill and Ian (important people in the book), the work in makeshift hospitals, the dangers of movement and escapes and the developing friendships with many of the partisani. But these last, for example, are also geared to show their tendency towards Russian sympathies and the unfortunate handling of British propaganda which made the partisansi think that Britain’s main contribution to the war was in helping Mikhailovich. We see too Dr. Rogers’ concern with medical methods. He was appalled at the rough and unsympathetic operation room techniques he found among German trained doctors; he saw the possibility for a system of evacuating the wounded to Italy. Eventually he became so valuable that Tito commandeered him from the base in Croatia, where Rogers was beginning to feel at home, to start a medical school in Bosnia. A personal history which is exciting and perceptive enough to hold its own in the war annals market.—Kirkus Book Review
"War brings strange fates to many men but to none more than Lindsay Rogers, a New Zealand surgeon who had been serving with the Eighth Army in the desert. He volunteered for special service in S.O.E. and then found himself set down on one dark night on the Isle of Vis, off the Dalmation coast. His job was to work as a surgeon among Yugoslav partisans; to fight with them, to tend the wounded and to act as an unofficial liaison officer between them and the Allied troops. For many months to come, in caves and deep in forests, up mountains, he brought all his skill as a surgeon, his staunchness and bravery as a serving soldier to his strange job. He was soon attached to the British Mission under Fitzroy Maclean, and was interviewed by Tito, who held him in the highest regard. In Guerilla Surgeon he tells his story - it is an inspiring and intensely exciting one - a story of sudden flights, of attacks by night, a story of incredibly brave men and, perhaps particularly, women. Above all it is the story of a man whose job it was to save life, not destroy it. And this job Lindsay Rogers performed under the most fantastic conditions, in makeshift shelters, with little or no equipment, sometimes with untrained assistants, and with the barriers of a different language and a different ideology between him and those amongst whom he work. Among many first hand stories of the war Guerilla Surgeon will stand out for its compassion and understanding of an alien people fighting for their freedom."--Jacket.
The 4 volumes in this set, originally published between 1980 and 1983, bring to light and focus on the conflict between Japan and Australia and Japan and the USA. Timothy Hall’s volumes, richly illustrated with black & white photographs, used highly contentious documents as their sources and give fascinating insights into a period of Australian history which is sometimes less than gloious. John J. Sbrega’s tour de force is not only one of the most extensive annotated bibliographies on the USA and Japan in World War 2 ever published, but it also provides invaluable information on lesser known but no less important aspects of the conflict.
Reproduction of the original: Young Captain Jack by Horatio Alger, Arthur M. Winfield
Movies have provided a record of the war veteran as he was viewed within his own culture and within the culture in which the movies were produced. Thus, movies account for a significant portion of what people "know" about the war veteran and how he fared during and after the war. In this book, the author examines 125 movies from the classical era to the 20th century that feature the war veteran. The author provides commentary on specific categories the films can be organized into and notes similarities between films produced in different periods. The categories deal with the wounded veteran returning home (e.g., The Sun Also Rises, The Best Years of Our Lives, Born on the Fourth of July, The Manchurian Candidate); the veteran struggling with guilt, revenge and post-traumatic stress disorder (Anatomy of a Murder, Lethal Weapon, Desert Bloom, In Country, Jacob's Ladder); the war veteran returning in disguise (Ulysses, Ivanhoe, The Seventh Seal, The Man in the Gray Flannel Suit); the war veteran as a social symbol (Dances with Wolves, Gosford Park, The Legend of Bagger Vance, The Big Chill, Gods and Monsters, Cornered); the war veteran in action (The Born Losers, Conspiracy Theory, She Wore a Yellow Ribbon, Saint Jack, Looking for Mr. Goodbar); and the war veteran before, during and after the war (The Deer Hunter, Forrest Gump).
Past And Future Lives In China is Love And Death In China: Book Two and The Sequel To "The Way Of The Dragon" by Martin Avery