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The term “guerrilla” may bring to mind a small band of armed soldiers, moving in the dead of night on a stealth mission. In the case of guerrilla gardening, the soldiers are planters, the weapons are shovels, and the mission is to transform an abandoned lot into a thing of beauty. Once an environmentalist’s nonviolent direct action for inner-city renewal, this movement is spreading to all types of people in cities around the world. These modern-day Johnny Appleseeds perform random acts of gardening, often without permission. Typical targets are vacant lots, railway land, underused public squares, and back alleys. The concept is simple, whimsical, and has the cheeky appeal of being a not-quite-legal call to action. Dig in some soil, plant a few seeds, or mend a sagging fence—one good deed inspiring another, with win-win benefits all around. Guerrilla Gardening outlines the power-to-the-people campaign for greening our cities. Tips for effective involvement include: • Finding plants and seeds cheap (or free) • Handling city officials • Getting the dirt on soil • Planting to bring back the birds • Knowing when to ask first Social activists, city dwellers, and longtime gardeners will delight in this fast-paced and funny call to arms. David Tracey is a journalist and environmental designer who operates EcoUrbanist in Vancouver. He is executive director of Tree City Canada, a nonprofit ecological engagement group.
Forget the 100-mile eat-local diet; try the 300-square-foot-diet &— grow squash on the windowsill, flowers in the planter box, or corn in a parking strip. Apartment Gardening details how to start a garden in the heart of the city. From building a window box to planting seeds in jars on the counter, every space is plantable, and this book reveals that the DIY future is now by providing hands-on, accessible advice. Amy Pennington's friendly voice paired with Kate Bingham-Burt's crafty illustrations make greener living an accessible reality, even if readers have only a few hundred square feet and two windowsills. Save money by planting the same things available at the grocery store, and create an eccentric garden right in the heart of any living space.
On Guerrilla Gardening is an activist's call to arms to all citizens - green-fingered, green-thinking or curious - to join the revolution of guerrilla gardening: transforming public space into oases of colour and life. The enemy: neglect, apathy and the disintegration of community spirit. The arsenal: daring, a packet of seeds and a passionate commitment to social change. When Richard Reynolds first embarked on guerrilla gardening, growing flowers by moonlight outside his tower block, he had no idea it was part of a growing global movement committed to cultivating the potential in the land regardless of all obstacles. Charting the battles fought across thirty different countries and the revolutionary history of this subculture, On Guerrilla Gardening is an inspirational take on gardening in the 21st century.
Interwoven Wild: An Ecologist Loose In the Garden begins with an intimate look at Don Gayton in his BC garden with his dog Spud. Striking a series of premises - the first one being that gardening is essentially an irrational act - he logically and humorously begins to unravel the work and rituals of gardening. Engaging the reader with real gardening experiences, Gayton takes us on the microscopic steps of a gardening season and his interest in ecological succession. While commenting on the inter-reliance of species, types of soil, why weeds invade, how foreign planets appear, insects, disease and frost, he also speculates on gardeners -- their needs to landscape, to purchase specialized tools, to use chemicals, to emotionally bond with trees, shrubs, flowers and vegetables. The "back story" of Interwoven Wild is much more universal. In it Gayton uses his experiences as a working field ecologist to place the garden in the larger context of our present natural world. By interlocking artists such as Monet and Caravaggio; writers such as Walt Whitman, Thoreau, Emily Dickenson, and Ann Dowden; park designer Frederick Law Olmstead, and landscape architect Christopher Alexander, Gayton reminds us that the garden has long held sway in the creative consciousness. His brief excursions into history, whether tracing the apple back to Kazakhstan, explaining how the tulip made its way from Turkey to Holland, or how the industrialist Baylock's introduction of a smuggled Asian cherry tree destroyed the BC cherry orchids fascinate as well as instruct. For Gayton, the garden is a primordial human urge -- a gift, celebration, and revelation buried in human psyche, marked in our collective mythologies --a kind of magical glue binding world culture, science and economics.
A defintive guide to restoring a neglected, damaged garden explains how to work with the tough plant survivors of such devastation, offering detailed instructions on how to rescue castaways and cuttings and how to grow healthy plants to suit any climate from cuttings, leaves, dead bouquets, compost heaps, and more. Original. 15,000 first printing.
War is the natural occupation of man . war-and gardening. Winston Churchill to Siegfried Sassoon, 1918 In the common public perception, contemporary gardening is understood as suburban, as leisure activity, as television makeover opportunity. Its origins are seen as religious or spiritual (Garden of Eden), military (the clipped lawn, the ha-ha and defensive ditches), aristocratic or monarchical (the stately home, the Royal Horticultural Society). Radical Gardening travels an alternative route, through history and across landscape, linking propagation with propaganda. For everyday garden life is not only patio, barbecue, white picket fence, topiary, herbaceous border.. From window box to veggie box, from political plot to flower power, this book uncovers and celebrates moments, movements, gestures, of a people's approach to gardens and gardening. It weaves together garden history with the counterculture, stories of individual plants with discussion of government policy, the social history of campaign groups with the pleasure and dirt of hands in the earth, as well as original interviews alongside media, pop and art references, to offer an informing and inspiring new take on an old subject.
A history of wartime gardens documents how they humanize landscapes and experience, even under the direst conditions
This collection of writings, assembled at a time of crisis for NYC community gardens, imagines the radical possibilities of urban gardening. Bringing together NYC history, political analysis, utopian schemes, poetic accounts of what gardening can create, and investigations into the dynamics of sustainability, community, high and low technologies, and power, this book challenges the Supermarket to the World ideologies of global capital. Includes work by Sarah Ferguson, Jack Collom, Carmelo Ruiz, the editors, and others.
London is home to over 3 million gardens, from pocket handkershief front yards to historic horticultural sites like Westminster College Garden. This book celebrates the wealth of London's gardens with an inspirational compost of specially commissioned photographs, reviews, practical gardening advice, and much more.
An exciting introduction to a new generation of street artists whose spontaneous craft installations are leaving their mark on cities around the world In the past decade, street art has transformed from a practice carried out by anonymous creators, seen by some as vandalism, into a commercial enterprise and a respectable part of the international art market. One of the richest movements in street art has been the development of an alternative, crafts-based, three-dimensional movement, broadly identified as Street Craft. This new generation of artists is creating uncommissioned, site-specific works employing a range of art and craft techniques, including weaving, crocheting, sculpting, painting, gardening, light installation, and more. Street Craft brings together twenty-eight different artists from different countries whose work has redefined what street art can be. By diversifying materials and techniques, Street Craft artists are pushing beyond the two-dimensionality of graffiti and mural-painting, many of them using craft techniques to bring inventive beauty to bland urban surroundings. Tasha Lewis’s blue butterfly swarms decorate derelict corners of Indianapolis and New York, and Mademoiselle Maurice’s origami and lace graffiti beautifies the streets of Paris and Hong Kong. Other artists create sophisticated urban interventions bearing their personal tags, such as the artist SpiderTag, who intertwines sturdy rope and nails to construct abstract graffiti in Madrid, and GorillaLighting, who haunts Berlin’s industrial estates with impermanent projections. Each artist’s profile includes project descriptions, artist statements, and a selection of photographs of their work: a document of the vibrant panorama of Street Craft, which, like the art form itself, engages with its audience in new and exciting ways.