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The clever peasant Arnaud du Tilh had almost persuaded the learned judges at the Parlement of Toulouse when, on a summer’s day in 1560, a man swaggered into the court on a wooden leg, denounced Arnaud, and reestablished his claim to the identity, property, and wife of Martin Guerre. The astonishing case captured the imagination of the continent. Told and retold over the centuries, the story of Martin Guerre became a legend, still remembered in the Pyrenean village where the impostor was executed more than 400 years ago. Now a noted historian, who served as consultant for a new French film on Martin Guerre, has searched archives and lawbooks to add new dimensions to a tale already abundant in mysteries: we are led to ponder how a common man could become an impostor in the sixteenth century, why Bertrande de Rols, an honorable peasant woman, would accept such a man as her husband, and why lawyers, poets, and men of letters like Montaigne became so fascinated with the episode. Natalie Zemon Davis reconstructs the lives of ordinary people, in a sparkling way that reveals the hidden attachments and sensibilities of nonliterate sixteenth-century villagers. Here we see men and women trying to fashion their identities within a world of traditional ideas about property and family and of changing ideas about religion. We learn what happens when common people get involved in the workings of the criminal courts in the ancien régime, and how judges struggle to decide who a man was in the days before fingerprints and photographs. We sense the secret affinity between the eloquent men of law and the honey-tongued village impostor, a rare identification across class lines. Deftly written to please both the general public and specialists, The Return of Martin Guerre will interest those who want to know more about ordinary families and especially women of the past, and about the creation of literary legends. It is also a remarkable psychological narrative about where self-fashioning stops and lying begins.
La Guess, Yes Sir! is a wedding, a funeral, and best of all, a full company of Carrier's joyful, blaspheming, vigorous characters.
International Booker Prize Finalist The Spectator (UK): Best Book of the Year From the award-winning author of The Order of the Day, a powerful account of the German Peasants’ War (1524–25) that shows striking parallels to class conflicts of our time. In the sixteenth century, the Protestant Reformation launched an attack on privilege and the Catholic Church, but it rapidly became an established, bourgeois authority itself. Rural laborers and the urban poor, who were still being promised equality in heaven, began to question why they shouldn’t have equality here and now on earth. There ensued a furious struggle between the powerful—the comfortable Protestants—and the others, the wretched. They were led by a number of theologians, one of whom has left his mark on history through his determination and sheer energy. His name was Thomas Müntzer, and he set Germany on fire. The War of the Poor recounts his story—that of an insurrection through the Word. In his characteristically bold, cinematic style, Éric Vuillard draws insights from this revolt from nearly five hundred years ago, which remains shockingly relevant to the dire inequalities we face today.
A boy's account of the nasty goings-on in a French village during World War II, some narrated in prose-poetry: "The man clips off the kneeling woman's hair. / The people shout with joy. / The hair is falling all around the woman. / The woman is crying. / The people yell piece of shit."
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The Baron des Canolles is a man torn apart by the civil war that dominates mid-seventeenth century France. For while the naïve Gascon soldier cares little for the politics behind the battles, he is torn apart by a deep passion for two powerful women on opposing sides of the war: Nanon de Lartigues, a keen supporter of the Queen Regent Anne of Austria, and the Victomtesse de Cambes, who supports the rebellious forces of the Princess de Condé. Set around Bordeaux during the first turbulent years of the reign of Louis XIV, The Women's War sees two women taking central stage in a battle for all France. Humorous, dramatic and romantic, it offers a compelling exploration of political intrigue, the power of redemption, the force of love and the futility of war.
Explores World War I through French graphics from books, magazines, and prints of the period, presenting a wide range of perspectives.