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There's nothing safe about Haven, nor is there justice, truth, or honesty. The only thing stemming the forces of darkness from overtaking the city is the Guard, but even they are susceptible to bribes, threats, and general maliciousness. However, two members of the Guard hope to change that. Hawk and Fisher, the husband and wife team, are the only pure forces of good in Haven. They can't be bought. They can't stand for injustice. But they can kick your ass. For Hawk and Fisher, the job is about honor. But when their current case goes wrong, they face their most daunting challenge yet: working apart. Hawk has to investigate a powerful and lethal new drug while Fisher is delegated to policing a potential peace treaty talk, a suicide mission if ever there was one. Soon enough, the couple manages to find themselves in trouble, dishonored, and on the run. Even worse, a bounty has been placed on their heads, a bounty so large that even the nicest guy in Haven would kill them without blinking an eye. Is this the mission that's finally too much for Hawk and Fisher?
A guide to series fiction lists popular series, identifies novels by character, and offers guidance on the order in which to read unnumbered series.
Reproduction of the original.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
This book provides an ethnography of love-marriages in the late 1990s in Delhi, identifying the ways in which marriage is ever more a pitch of intense political contestation. It bears upon anthropological understandings of marriageability, urban morality, gender, kinship and the study of the individual and the couple in contemporary India.
Wolfram von Eschenbach (fl. c. 1195-1225), best known as the author of Parzival, based Willehalm, his epic poem of military prowess and courtly love, on the style and subject matter of an Old French chanson de geste. In it he tells of the love of Willehalm for Giburc, a Saracen woman converted to Christianity, and its consequences. Seeking revenge for the insult to their faith, her relatives initiate a religious war but are finally routed. Wolfram's description of the two battles of Alischanz, with their massive slaughter and loss of heroes, and of the exploits of Willehalm and the quasicomic Rennewart, well displays the violence and courtliness of the medieval knightly ideal. Wolfram flavors his brutal account, however, with tender scenes between the lovers, asides to his audience, sympathetic cameos of his characters—especially the women—and, most unusually for his time, a surprising tolerance for 'pagans'.