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"Nan Jun" Jiang Haonan and "Commander of the North" Hong Beifei were the most dazzling constellations in the martial arts world. They shone brightly like the sun and moon in the sky. Duo Xiong's confrontation between the North and the South became the main theme of this flourishing Jianghu. As a daughter of the Wangchuan City, the Overlord Flower, Qin Yue-er, had fled her marriage and fled to Zhenjiang in order to become a victim of the war between the Venerable families. The men of the four noble families poured into Zhenjiang, stirring up the martial arts world. Close]
"Taiping Guangji" （太平广记） is the first collection of ancient classical Chinese documentary novels. The book has 500 volumes with 10 catalogues . It is a kind of book based on the documentary stories of the Han Dynasty and the Song Dynasty. 14 people including Li Fang, Hu Mongolian ﹑ Li Mu , Xu Xuan , Wangke Zhen , Song white , Lv Wenzhong worked under Song Taizong Emperor’s command for the compilation. It began in the second year of Taiping Xingguo (977 A.D) and was completed in the following year (978 Ad.). This book is basically a collection of ancient stories compiled by category. The book is divided into 92 categories according to the theme, and is divided into more than 150 details. The story of the gods and spirits in the book accounts for the largest proportion, such as the fifty-five volumes of the gods, the fifteen volumes of the female fairy, the twenty-five volumes of the gods, the forty volumes of the ghosts, plus the Taoism, the alchemist, the aliens, the dissidents, the interpretation and Spirit vegetation of birds and so on, basically belong to the weird story of nature, represents the mainstream of Chinese classical story. The book includes the volume of Immortals and Fairies (Vol. 1 - 70) from Tai Ping Guang Ji.
Female model crossed into a blockhead? Accept your destiny? Hum! Look down on her!
A betrayal and a sneak attack. Thirteen years in a deep slumber. A golden killer who was carrying a desire for revenge had reappeared in the human world. Withdrawal of the marriage? He wouldn't lose anything. A duel? He definitely wouldn't be at a disadvantage. A conspiracy? He could deal with it freely. Wearing red makeup to fight the Son of Heaven, fresh clothes and anger horse play the dukes, proud bone leading change. However, there seemed to be some changes as well... "Whoever marries you, their ancestors will knock on their coffins, and smoke will rise from their graves." "Then why are you so thick-skinned as to come and propose every day?" "Who asked me to be kind and merciful? Let me bear the hardships of marrying you for the rest of the world. " ... .... Come, who's going to drag this shameless Hei Zhi away?!
The Complete Poetry of Du Fu presents a complete scholarly translation of Chinese literature alongside the original text in a critical edition. The English translation is more scholarly than vernacular Chinese translations, and it is compelled to address problems that even the best traditional commentaries overlook. The main body of the text is a facing page translation and critical edition of the earliest Song editions and other sources. For convenience the translations are arranged following the sequence in Qiu Zhao’an’s Du shi xiangzhu (although Qiu’s text is not followed). Basic footnotes are included when the translation needs clarification or supplement. Endnotes provide sources, textual notes, and a limited discussion of problem passages. A supplement references commonly used allusions, their sources, and where they can be found in the translation. Scholars know that there is scarcely a Du Fu poem whose interpretation is uncontested. The scholar may use this as a baseline to agree or disagree. Other readers can feel confident that this is a credible reading of the text within the tradition. A reader with a basic understanding of the language of Chinese poetry can use this to facilitate reading Du Fu, which can present problems for even the most learned reader.
This book documents the relationship and wisdom of Asian cartographers in the Islamic and Chinese worlds before the Europeans arrived.
Seven, diverse papers, written by ancient and medieval historians, are collected in this volume. These papers were presented at the academic conference "Politics and Religion in Ancient and Medieval Europe and Asia," organized by the Department of History and New Asia College of The Chinese University of Hong Kong in March 1996. Although the papers vary widely in the region and time-span, they are joined by their concern about the relationship between politics and different religions Christianity, Buddhism, Taoism and others in ancient and medieval Europe and Asia.
Luo Ping is one of the most distinguished artists of later Chinese painting. The exhibition is the first comprehensive show devoted to this artist. It explores not only the art, but also the life of Luo Ping and how his teacher, his family and the cities of Yangzhou and Bejing shaped his life and career.
The Frontiers in Materials Editorial Office team are delighted to present the “Horizons in Materials” article collection, showcasing high-impact, authoritative, and accessible Review articles covering important topics at the forefront of the materials science and engineering field. All contributing authors were nominated by the Chief Editors and Editorial Office in recognition of their prominence and influence in their respective fields. The cutting-edge work presented in this article collection highlights the diversity of research performed across the entire breadth of the materials science and engineering field and reflects on the latest advances in theory, experiment, and methodology with applications to compelling problems. This Editorial features the corresponding author(s) of each paper published within this important collection, ordered by section alphabetically, highlighting them as the great researchers of the future. The Frontiers in Materials Chief Editors and Editorial Office team would like to thank each researcher who contributed their work to this collection. We are excited to see each article gain the deserved visibility and traction within the wider community, ensuring the collection’s truly global impact and success. Emily Young Journal Manager
A collection of seminal primary readings on the social, intellectual, and religious traditions of China, Sources of Chinese Tradition, Volume 1 has been widely used and praised for almost forty years as an authoritative resource for scholars and students and as a thorough and engaging introduction for general readers. Here at last is a completely revised and expanded edition of this classic sourcebook, compiled by noted China scholars Wm. Theodore de Bary and Irene Bloom. Updated to reflect recent scholarly developments, with extensive material on popular thought and religion, social roles, and women's education, this edition features new translations of more than half the works from the first edition, as well as many new selections. Arranged chronologically, this anthology is divided into four parts, beginning at the dawn of literate Chinese civilization with the Oracle-Bone inscriptions of the late Shang dynasty (1571–1045 B.C.E.) and continuing through the end of the Ming dynasty (C.E. 1644). Each chapter has an introduction that provides useful historical context and offers interpretive strategies for understanding the readings. The first part, The Chinese Tradition in Antiquity, considers the early development of Chinese civilization and includes selections from Confucius's Analects, the texts of Mencius and Laozi, as well as other key texts from the Confucian, Daoist, and Legalist schools. Part 2, The Making of a Classical Culture, focuses on Han China with readings from the Classic of Changes (I Jing), the Classic of Filiality, major Han syntheses, and the great historians of the Han dynasty. The development of Buddhism, from the earliest translations from Sanskrit to the central texts of the Chan school (which became Zen in Japan), is the subject of the third section of the book. Titled Later Daoism and Mahayana Buddhism in China, this part also covers the teachings of Wang Bi, Daoist religion, and texts of the major schools of Buddhist doctrine and practice. The final part, The Confucian Revival and Neo-Confucianism, details the revival of Confucian thought in the Tang, Song, and Ming periods, with historical documents that link philosophical thought to political, social, and educational developments in late imperial China. With annotations, a detailed chronology, glossary, and a new introduction by the editors, Sources of Chinese Tradition will continue to be a standard resource, guidebook, and introduction to Chinese civilization well into the twenty-first century.