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Guan Yu was a minor general in the early third century CE, who supported one of numerous claimants to the throne. He was captured and executed by enemy forces in 219. He eventually became one the most popular and influential deities of imperial China under the name Lord Guan or Emperor Guan, of the same importance as the Buddhist bodhisattva Guanyin. This is a study of his cult, but also of the tremendous power of oral culture in a world where writing became increasingly important. In this study, we follow the rise of the deity through his earliest stage as a hungry ghost, his subsequent adoption by a prominent Buddhist monastery during the Tang (617-907) as its miraculous supporter, and his recruitment by Daoist ritual specialists during the Song dynasty (960-1276) as an exorcist general. He was subsequently known as a rain god, a protector against demons and barbarians, and, eventually, a moral paragon and almost messianic saviour. Throughout his divine life, the physical prowess of the deity, more specifically Lord Guan's ability to use violent action for doing good, remained an essential dimension of his image. Most research ascribes a decisive role in the rise of his cult to the literary traditions of the Three Kingdoms, best known from the famous novel by this name. This book argues that the cult arose from oral culture and spread first and foremost as an oral practice.
An adaptation of one of China's most famous epics, now put into graphic novel form.
Romance of the Three Kingdoms, a classic historical novel of enormous influence, is considered to be one of the four great Chinese classic novels. Written by Luo Guanzhong, a scholar who lived in the late Yuan and early Ming dynasties, it chronicled the efforts of the Wei, Shu, and Wu kingdoms to reunite the empire at the end of the Eastern Han Dynasty. This fascinating period in Chinese history inspired many other authors, poets, artists, and playwrights, including Luo Guanzhong's novel, which is a work of enduring historical and literary impact and beauty. Guan Yu, the hero, has had a significant impact on Chinese culture and the arts. That influence has spread to Japan, Korea, Vietnam, and to all Chinese communities in the world. Guan Yu is well respected and worshiped in Taoism, Buddhism, Shintoism, and Caodaiism. He has also influenced modern entertainment and mass media as well, including television, video games, Manga, and more. The study and critical interpretation of Romance of the Three Kingdoms and Guan Yu has captivated scholars, artists, and writers for centuries. Now, modern-day scholar and collector Frankie KT Neo offers the best of his research. Readers are invited to a detailed tour of his extensive collection of antiques and other artifacts commemorating Three Kingdoms and its hero, Guan Yu. His collection, called the Sanfen Tang Collection, currently features more than a thousand pieces, many of which are detailed within.
Guan Yu was a minor general in the early third century CE, who supported one of numerous claimants to the throne. He was captured and executed by enemy forces in 219. He eventually became one the most popular and influential deities of imperial China under the name Lord Guan or Emperor Guan, of the same importance as the Buddhist bodhisattva Guanyin. This is a study of his cult, but also of the tremendous power of oral culture in a world where writing became increasingly important. In this study, we follow the rise of the deity through his earliest stage as a hungry ghost, his subsequent adoption by a prominent Buddhist monastery during the Tang (617-907) as its miraculous supporter, and his recruitment by Daoist ritual specialists during the Song dynasty (960-1276) as an exorcist general. He was subsequently known as a rain god, a protector against demons and barbarians, and, eventually, a moral paragon and almost messianic saviour. Throughout his divine life, the physical prowess of the deity, more specifically Lord Guan's ability to use violent action for doing good, remained an essential dimension of his image. Most research ascribes a decisive role in the rise of his cult to the literary traditions of the Three Kingdoms, best known from the famous novel by this name. This book argues that the cult arose from oral culture and spread first and foremost as an oral practice.
DIVNoted origamist presents step-by-step instructions and diagrams for 20 challenging projects: treehopper, spotted ladybug, orb weaver, tarantula, butterfly, grasshopper, dragonfly, praying mantis, more. Intermediate to advanced level. /div
This book contains a complete analysis of the legendary myths of civilizations like Roman, Greek, Celtic, Arabian, British, Japanese and Chinese. From the stories of the Trojan war and adventures of Hercules, Perseus and Theseus to the stories of the White Snake and Battle of Red Cliffs, this book is about the mesmerizing past of our ancestors.
Why did traditional Chinese literati so often identify themselves with women in their writing? What can this tell us about how they viewed themselves as men and how they understood masculinity? How did their attitudes in turn shape the martial heroes and other masculine models they constructed? Martin Huang attempts to answer these questions in this valuable work on manhood in late imperial China. He focuses on the ambivalent and often paradoxical role played by women and the feminine in the intricate negotiating process of male gender identity in late imperial cultural discourses. Two common strategies for constructing and negotiating masculinity were adopted in many of the works examined here.The first, what Huang calls the strategy of analogy, constructs masculinity in close association with the feminine; the second, the strategy of differentiation, defines it in sharp contrast to the feminine. In both cases women bear the burden as the defining "other." In this study,"feminine" is a rather broad concept denoting a wide range of gender phenomena associated with women, from the politically and socially destabilizing to the exemplary wives and daughters celebrated in Confucian chastity discourse.
This book is a comparative exploration of the impact of a celebrated Chinese historical novel, the Sanguozhi yanyi (Three Kingdoms) on the popular culture of Korea since its dissemination in the sixteenth century. It elucidates not only the reception of Chinese fiction in Chosŏn Korea (1392–1910), but also the fascinating ways in which this particular story lives on in modern Korea. The author specifically explores the dissemination, adaptations, and translations of the work to elucidate how Three Kingdoms has spoken to Korean readers. In short, this book shows how a quintessentially Chinese work equally developed into a Korean work.
Providing comprehensive coverage of a variety of Asian American cultural forms, including folk tradition, literature, religion, education, politics, sports, and popular culture, this two-volume work is an ideal resource for students and general readers that reveals the historical, regional, and ethnic diversity within specific traditions. An invaluable reference for school and public libraries as well as academic libraries at colleges and universities, this two-volume encyclopedia provides comprehensive coverage of a variety of Asian American cultural forms that enables readers to understand the history, complexity, and contemporary practices in Asian American culture. The contributed entries address the diversity of a group comprising people with geographically discrete origins in the Far East, Southeast Asia, and the Indian subcontinent, identifying the rich variations across the category of Asian American culture that are key to understanding specific cultural expressions while also pointing out some commonalities. Entries are organized alphabetically and cover topics in the arts; education and politics; family and community; gender and sexuality; history and immigration; holidays, festivals, and folk tradition; literature and culture; media, sports, and popular culture; and religion, belief, and spirituality. Entries also broadly cover Asian American origins and history, regional practices and traditions, contemporary culture, and art and other forms of shared expression. Accompanying sidebars throughout serve to highlight key individuals, major events, and significant artifacts and allow readers to better appreciate the Asian American experience.
Covers the major historical problems of China in the twentieth century, namely imperialism, nationalism, state-building, religion and the role of history from the perspective of global and regional circulations and interactions.