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This volume offers annotated texts with biographical and historical introductions of four previously unpublished travel journals from the period 1775-1874. The first of these is the journal of a participant in a Spanish expedition sent from Mexico to explore the north-west coast of America. From the outset, difficulties plagued the voyage. Bodega's ship, a small schooner named Sonora, was not designed for open-ocean voyaging. A landing party was attacked and killed; midway into the voyage the Sonora became separated from her flagship; and later she was nearly capsized by a massive wave. Bodega's journal records the voyage's travails, hardships, discoveries, and eventual return. Next comes the journal of Commander Stokes, who served in command of HMS Beagle, under Captain P. P. King during the survey of the Straits of Magellan in 1827. This is an account of a detached operation, in very difficult weather conditions, in the western part of the strait. It is introduced by remarks on the expedition and the hydrographic history of the strait from its discovery to the inception of the survey and supplemented by remarks from Captain King's account and also that of the clerk, Macdouall. The third text is the journal of a young midshipman in HMS Chanticleer, a small vessel commanded by Henry Foster, RN, who had recently been elected a Fellow of the Royal Society for his scientific work in the Arctic. The voyage of 1828-31 was to make observations in the South Atlantic to determine the shape of the Earth and to ascertain the longitudes of a number of ports. Kay's lively diary describes the Chanticleer's encounters with warships of the Brazilian navy, largely manned by Englishmen. He records his struggle to take observations at Deception Island during gales and snowstorms, and near Cape Horn in fierce squalls and constant chilling rain, nevertheless remaining cheerful in the company of his fellow midshipmen. The final piece is the diary of Jacob Wainwright.
On January 1 of 2016, Stefanie Payne, a creative professional working at NASA Headquarters, and Jonathan Irish, a photographer with National Geographic, left their lives in Washington, D.C. and hit the open road on an expedition to explore and document all 59 of America's national parks during the centennial celebration of the U.S. National Park Service - 59 parks in 52 weeks - the Greatest American Road Trip. Captured in more than 300,000 digital photographs, written stories, and videos shared by the national and international media, their project resulted in an incredible view of America's National Park System seen in its 100th year. 'A Year in the National Parks, The Greatest American Road Trip' is a gorgeous visual journey through our cherished public lands, detailing a rich tapestry of what makes each park special, as seen along an epic journey to visit them all within one special celebratory year.
In celebration of Ferlinghetti’s 100th birthday comes this “stunning portrait” of the intrepid life of “one of America’s best poets” (Huffington Post). Over the course of an adventured-filled life, now in its tenth decade, Lawrence Ferlinghetti has been many things: a poet, painter, pacifist, publisher, courageous defender of free speech, and owner of San Francisco’s legendary City Lights bookstore. Now the man whose A Coney Island of the Mind became a generational classic reveals yet another facet of his manifold talents, presenting here his travel journals, spanning over sixty years. Selected from a vast trove of mostly unpublished, handwritten notebooks, and edited by Giada Diano and Matthew Gleeson, Writing Across the Landscape becomes a transformative work of social, cultural, and literary history. Beginning with Ferlinghetti's account of serving as a commanding officer on a Navy sub-chaser during D-Day, Writing Across the Landscape dramatically traverses the latter half of the twentieth century. For those only familiar with his poetry, these pages present a Lawrence Ferlinghetti never before encountered, an elegant prose stylist and tireless political activist who was warning against the pernicious sins of our ever-expansive corporate culture long before such thoughts ever seeped into mainstream consciousness. Yet first and foremost we see an inquisitive wanderer whose firsthand accounts of people and places are filled with pungent descriptions that animate the landscapes and cultures he encounters. Evoking each journey with a mixture of travelogue and poetry as well as his own hand-drawn sketches, Ferlinghetti adopts the role of an American bard, providing panoramic views of the Cuban Revolution in Havana, 1960, and a trip through Haiti, where voodoo and Catholicism clash in cathedrals "filled with ulcerous children's feet running from Baron Hunger." Reminding us that poverty is not only to be found abroad, Ferlinghetti narrates a Steinbeck-like trip through California's Salton Sea, a sad yet exquisitely melodic odyssey from motel to motel, experiencing the life "between cocktails, between filling stations, between buses, trains, towns, restaurants, movies, highways leading over horizons to another Rest Stop…Sad hope of all their journeys to Nowhere and back in dark Eternity." Particularly memorable is his journey across the Trans-Siberian Railway in 1957, which turns into a Kafkaesque nightmare in which he, lacking a proper visa, is removed from a Japan-bound freighter and forced back across the Russian steppe to Moscow, encountering a countryside more Tolstoy than Khrushchev, while nearly dying in the process. Readers are also treated to glimpses of Ezra Pound, "looking like an old Chinese sage," whom Ferlinghetti espies in Italy, as well as fellow Beat legends Allen Ginsberg and a dyspeptic William S. Burroughs, immured with his cats in a grotto-like apartment in London. Embedded with facsimile manuscript pages and an array of poems, many never before published, Writing Across the Landscape revives an era when political activism coursed through the land and refashions Lawrence Ferlinghetti, not only as a seminal poet but as an historic and singular American voice.
Mina travels across various decades, leaving a trail of magazine clippings and print snippets. Her bead jewelry and clay animal kingdom, packed in the travel case, move across continents and oceans. Come along to the Quantum Dimension.
Includes list of members.