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"The ""Cort d'Amor"" is a late 12th-century allegorical romance in Occitan which fuses a variety of lyric and narrative genres together and which predates the ""Roman de la Rose"" by some 50 years. In this edition, Matthew Bardell highlights the work's intertextuality with Andreas Capellanus' ""De Amore"" to show how the Occitan work presents a dialogue between gendered approaches to love whilst parodying the exegetical tradition. It juxtaposes lyric passages with some of the standard Ovidian teaching on love and undermines the reader's attempts to distinguish between the two. This volume has a facing English translation and aims to make an important contribution to the study of medieval allegory and courtly love in general, as well as to the dissemination of Ovid in the Middle Ages and the narrative transformations of Old French and Occitan lyric."
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. We have represented this book in the same form as it was first published. Hence any marks seen are left intentionally to preserve its true nature.
V.I:Aach-Apocalyptic lit.--V.2: Apocrypha-Benash--V.3:Bencemero-Chazanuth--V.4:Chazars-Dreyfus--V.5: Dreyfus-Brisac-Goat--V.6: God-Istria--V.7:Italy-Leon--V.8:Leon-Moravia--V.9:Morawczyk-Philippson--V.10:Philippson-Samoscz--V.11:Samson-Talmid--V.12: Talmud-Zweifel.
Writing the Barbarian Past examines the presentation of the non-Roman, pre-Christian past in Latin and vernacular historical narratives composed between c.550 and c.1000: the Gothic histories of Jordanes and Isidore of Seville, the Fredegar chronicle, the Liber Historiae Francorum, Paul the Deacon’s Historia Langobardorum, Waltharius, and Beowulf; it also examines the evidence for an oral vernacular tradition of historical narrative in this period. In this book, Shami Ghosh analyses the relative significance granted to the Roman and non-Roman inheritances in narratives of the distant past, and what the use of this past reveals about the historical consciousness of early medieval elites, and demonstrates that for them, cultural identity was conceived of in less binary terms than in most modern scholarship.