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Life in Fairfield in the decades after World War II was an unparalleled experience. From cruising down Texas Street on weekends to catching a carnival in the Wonder World parking lot, fond memories of long-lost times haven't been forgotten. People flocked to vintage eateries like Joe's Buffet and Smorga Bob's and played on the rocket ship slide at Allan Witt Park. Roller rinks like the M&M Skateway hosted not only skaters but also dances featuring Fats Domino and Roy Orbison. Commuters hopped aboard the FART bus to save on gas, and frequenting Dave's Giant Hamburgers was a rite of passage. Longtime Daily Republic columnist and accidental historian Tony Wade takes a deep dive into the Fairfield of yesteryear.
The trade paperback reprint of James Franco’s thoughtful reflection on childhood through a series of personal snapshots, sketches, paintings, poems, and short stories. An actor treads the line between reality and fiction every time he plays a part, and for James Franco, that exploration isn’t limited to the screen—he’s also a visual artist with several exhibitions under his belt as well as the author of the widely praised story collection Palo Alto. In A California Childhood he plays with the concept of memoir through personal snapshots, sketches, paintings, poems, and stories. “I was born in 1978 at Stanford Hospital and spent my first eighteen years in a single house at the end of a cul-de-sac in Palo Alto,” Franco writes in his introduction. Steve Jobs’s daughter and the grandson of one of the Hewlett-Packard founders may have both been in his graduating class, but just across the freeway from his home turf lay East Palo Alto, which in 1992 had the highest murder rate per capita in the country. For Franco, the terrain of his upbringing is fraught with the complication of a city divided. But within that diversity, universal aspects of adolescence rise to the surface, and those are the subjects at the heart of Franco’s work. Ultimately this is a portrait of a childhood brightened by California sunshine, but with trouble waiting in the shadows. At turns funny, dark, and emotional, the journey of this book delivers an undeniable immediacy. And at the end, the reader is left wondering just where the boundary lies between Franco’s art and his true life.
Seldom has a biography produced such a ribald cast of characters, from saints to scoundrels, from war heros to draft dodgers, from movie stars to could-have-beens. Growing up in a show business family during World War II, the author relishes in prose unique glimpses of the lives and times of those who entertained and enlightened the greatest generation.
Before he had turned twenty years old, Jake Harlan had met the Donners before their disastrous journey, served under John C. Fremont (the Pathfinder) in California, owned a livery stable in San Francisco, opened a store to sell equipment to miners for the '49 Gold Rush, hit paydirt in the gold fields, and become a father. Before he turned twenty! That was just the beginning of Jake Harlan's life. Though he apologizes for offering this book as a "non-lettered man," we should be grateful that he wrote it. His story is the story of the early wild west and of California. It is exciting, well-written, colloquial, sad, and funny. On a return trip to California from the east, he saw Abraham Lincoln speak in the Illinois senate before Lincoln was known to the nation. On finding his mate for life, he writes: "Boy-like, I had fallen dead in love with one or both of those two Fowler girls. For a good while I didn't exactly know what was the matter with me. Just as General Grant says in his book, that when he was in the same fix, he by and by found out what was the matter with him, when he fell in love; so by and by I found out what was the matter with me, and I simplified my case by centering my affection upon one of them." For the first time, this long out-of-print volume is available as an affordable, well-formatted book for e-readers and smartphones. Be sure to LOOK INSIDE by clicking the cover above or download a sample.
"For fans of Ian McGuire's The North Water and Michael Punke's The Revenant, Child in the Valley by Gordy Sauer is a coming-of-age story set in the harsh landscape of Gold Rush America, centering on a orphan's journey to California in a wagon train of ruthless 49ers. Seventeen-year-old Joshua Gaines is suddenly orphaned in 1849, and after discovering that his foster father has left him deeply in debt, he flees his St. Louis home for Independence, Missouri. There, he plans to offer his medical expertise in exchange for passage to California in a Gold Rush party. Joshua is initially rebuffed given his youth and inexperience, but as his resentment and greed grow, a chance encounter with a ruthless adventurer and an ex-slave enlists him in a party comprised of provincial identical twins and a wealthy Englishman. The party departs overland along a 1,500-mile trail carved out by hardship, disease, violence, and death. When finally they arrive starving and exhausted in California's Sacramento Valley, Joshua discovers that attaining those riches is not as simple as pulling them from the riverbed, forcing him to redefine his sense of morality within the context of his greed; his complex sexuality; and the growing, though still-fledgling, American government. This novel is part of the Cold Mountain Fund Series, in partnership with Charles Frazier"--
You can leave Belvedere and Tiburon, but Belvedere-Tiburon never leaves you. Paige Peterson discovered that when she moved to New York City. For many years now, she has visited Belvedere, where she stays with her mother in the house her grandfather built on the Belvedere Lagoon.Paige and her sister packed sandwiches in paper bags and rode off on their bikes to explore the Tiburon Peninsula. Swimming, sailing, hiking, clamming, daredevil bike riding-their day was a long, unsupervised adventure. There was no interaction with parents until the Tiburon Fire Department blew the 4:30 whistle, signaling that it was time to head home. Her family's photographs confirm the story of fit, sun-kissed kids enjoying a charmed, idyllic childhood.Dave Gotz, the Archivist for the Belvedere-Tiburon Landmarks Society, deepens that personal story with archival photographs. His captions reveal his extensive knowledge of Tiburon Peninsula history: Mexican Ranchos, Portuguese dairymen, the many changes on Beach Road, Main Street, the Lagoon and the Cove, the importance of the railroad.Along the way, Paige and Dave showcase some of the area's remarkable characters. Tiburon's "Goat Lady," who so loved nature that she donated her land for open space. Blackie the horse. The artists who lived on West Shore and created a bohemian colony. And the residents of Belvedere and Tiburon who, again and again, rallied to protect open land and the special charm of their towns.Taken together, Paige's cinematic stories and Paige and Dave's curated images and capsule histories deliver an authoritative portrait of a historically diverse community.
A coming-of-age memoir told through the often unheard voice of a Mexican immigrant girl. Farmworker's Daughter presents an intimate, inspiring view of the immigrant experience from a distinctly female and bicultural perspective.
2020 Miriam Matthews Ethnic History Award from the Los Angeles City Historical Society Alison Rose Jefferson examines how African Americans pioneered America’s “frontier of leisure” by creating communities and business projects in conjunction with their growing population in Southern California during the nation’s Jim Crow era.
This national bestseller chronicles one man’s 650–mile trek on foot from San Diego to San Francisco—sure to appeal to readers of naturalist works like Edward Abbey’s Desert Solitaire, Paul Thoreau’s On the Plain of Snakes, and Mark Kenyon’s That Wild Country. In 1769, an expedition led by Gaspar de Portolá sketched a route that would become, in part, the famous El Camino Real. It laid the foundation for the Golden State we know today, a place that remains as mythical and captivating as any in the world. Despite having grown up in California, Nick Neely realized how little he knew about its history. So he set off to learn it bodily, with just a backpack and a tent, trekking through stretches of California both lonely and urban. For twelve weeks, following the journal of expedition missionary Father Juan Crespí, Neely kept pace with the ghosts of the Portolá expedition—nearly 250 years later. Weaving natural and human history, Alta California relives Neely’s adventure, while telling a story of Native cultures and the Spanish missions that soon devastated them, and exploring the evolution of California and its landscape. The result is a collage of historical and contemporary California, of lyricism and pedestrian serendipity, and of the biggest issues facing California today—water, agriculture, oil and gas, immigration, and development—all of it one step at a time. “Rich in little–known history . . . Up the Santa Barbara and San Luis Obispo county coasts, then inland into the Salinas Valley to Monterey Bay. Somewhere along here, the owl moons and woodpeckers do something you might not have thought possible in 2019: they make you fall, or refall, in love with California, ungrudgingly, wildfires and insane housing prices and all . . . What a journey, you think. What a state." —San Francisco Chronicle
The first comprehensive examination of California''s mid-century modern design, generously illustrated. In 1951, designer Greta Magnusson Grossman observed that California design was "not a superimposed style, but an answer to present conditions.... It has developed out of our own preferences for living in a modern way." California design influenced the material culture of the entire country, in everything from architecture to fashion. This generously illustrated book, which accompanies a major exhibition at the Los Angeles County Museum of Art, is the first comprehensive examination of California''s mid-century modern design. It begins by tracing the origins of a distinctively California modernism in the 1930s by such European émigrés as Richard Neutra, Rudolph Schindler, and Kem Weber; it finds other specific design influences and innovations in solid-color commercial ceramics, inspirations from Mexico and Asia, new schools for design training, new concepts about leisure, and the conversion of wartime technologies to peacetime use (exemplified by Charles and Ray Eames''s plywood and fiberglass furniture). The heart of California Design is the modern California home, famously characterized by open plans conducive to outdoor living. The layouts of modernist homes by Pierre Koenig, Craig Ellwood, and Raphael Soriano, for example, were intended to blur the distinction between indoors and out. Homes were furnished with products from Heath Ceramics, Van Keppel-Green, and Architectural Pottery as well as other, previously unheralded companies and designers. Many objects were designed to be multifunctional: pool and patio furniture that was equally suitable indoors, lighting that was both task and ambient, bookshelves that served as room dividers, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic. of wartime technologies to peacetime use (exemplified by Charles and Ray Eames''s plywood and fiberglass furniture). The heart of California Design is the modern California home, famously characterized by open plans conducive to outdoor living. The layouts of modernist homes by Pierre Koenig, Craig Ellwood, and Raphael Soriano, for example, were intended to blur the distinction between indoors and out. Homes were furnished with products from Heath Ceramics, Van Keppel-Green, and Architectural Pottery as well as other, previously unheralded companies and designers. Many objects were designed to be multifunctional: pool and patio furniture that was equally suitable indoors, lighting that was both task and ambient, bookshelves that served as room dividers, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic. , and fashion, and ten incisive essays that trace the rise of the California design aesthetic.P>California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic.of wartime technologies to peacetime use (exemplified by Charles and Ray Eames''s plywood and fiberglass furniture). The heart of California Design is the modern California home, famously characterized by open plans conducive to outdoor living. The layouts of modernist homes by Pierre Koenig, Craig Ellwood, and Raphael Soriano, for example, were intended to blur the distinction between indoors and out. Homes were furnished with products from Heath Ceramics, Van Keppel-Green, and Architectural Pottery as well as other, previously unheralded companies and designers. Many objects were designed to be multifunctional: pool and patio furniture that was equally suitable indoors, lighting that was both task and ambient, bookshelves that served as room dividers, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic. , and fashion, and ten incisive essays that trace the rise of the California design aesthetic.iders, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic. , and fashion, and ten incisive essays that trace the rise of the California design aesthetic.