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THIS BOOK DOES not intend to portray the history of the period, but it is only a recollection of the early years of my life, the way I experienced it. I thought that the period I lived during the early years of my life was very unique and interesting from a social and human point of view, since it depicts a kind of lifestyle that many people are not aware of. Also, it shows how people in different part of the world coped with the same difficult problems of making a living, striving to improve living conditions, and secure a better future for their children. In general, it shows that when life and family goals are very clear and strong, people can go through the most difficult hardships and still achieve the desired results regardless of the political regime and the economic conditions that control the daily life.
E D U C A T I O N: A View From The Inside - The book describes the teaching experience of the author in different public school systems of the country. A close reading will clearly show that most of the problems that slow down the process of education are generated not only by the uneven distribution of the financial resources, and the enormous numbers of school districts, but mainly by the lack of a proper leadership and realistic goals on the part of the administrators in charge of it. Their selection is not very accurate, and the result is that many of them are not competent enough to handle this very sensitive position. Also some of them give in to the different pressures from the public at large in order to protect their jobs and the relative large salaries. The personal experience and observation of other international systems provides the author with several suggestions to improve education in the financial and educational area of this nation.
Gaetano Salvemini (1873 – 1957), one of the most influential Italian intellectuals of his generation, was an historian, a professor, and a tireless anti-fascist who mentored a new generation of young intellectuals and political activists, such as Piero Gobetti, Ernesto Rossi, and Carlo & Nello Rosselli. After losing his wife and children in the 1908 Messina earthquake, Salvemini began a new family with his second wife, Fernande Dauriac, and her two children, Jean and Ghita. Yet, despite its marked influence on his life and politics, Salvemini’s second family and its involvement with fascism has never been studied before. By exploiting hitherto unused archival sources, The Inimical Son explores an until-now little known dimension of Salvemini's life; it uncovers the personal costs of his anti-fascism, including the tragic embrace of fascism by his stepson, Jean Luchaire.
Peeking into the home through the eyes of artists and image-makers, this book unveils the untold story of Italian domestic experiences from the 1940s to the 1970s. Torn between the trauma of World War II and the frenzied optimism of the postwar decades, and haunted by the echoes of fascism, the domestic realm embodied contrasting and often contradictory meanings: care and violence, oppression and emotional fulfillment, nourishment and privation. Silvia Bottinelli casts a fresh light on domestic experiences that are easily overlooked and taken for granted, finding new expressions of home - as an idea, an emotion, a space, and a set of habits - in a variety of cultural and artistic movements, including new realism, visual poetry, pop art, arte povera, and radical architecture, among others. Double-Edged Comforts finds nuance by viewing artistic interpretations of domestic life in dialogue with contemporaneous visual culture: the advertisements, commercials, illustrations, and popular magazines that influenced and informed art, even materially, and often triggered the critical reactions of artists. Bottinelli pays particular attention to women's perspectives, discussing artworks that have fallen through the cracks of established art historical narratives and giving specific consideration to women artists: Carla Accardi, Marisa Merz, Maria Lai, Ketty La Rocca, Lucia Marcucci, and others who were often marginalized by the Italian art system in this period. From sleeping and bathing, chores, and making and eating food to the arrival of television, Double-Edged Comforts provides a fresh account of modern domesticity relevant to anyone interested in understanding how we make sense of the places we live and what we do there, showing how art complicates the familiar comforts and meanings of home.
"The Ideology of Fascism" was written by Oswald Mosley in 1967 and provides a post WW2 analysis of the strengths and weaknesses of Fascism as a political doctrine, and utilising its strengths proposes a United Europe, in union with science, as a prime requirement for the 21st Century. "The Doctrine of Fascism" was written by Benito Mussolini and the Italian philosopher Giovanni Gentile. A key concept of which was that fascism was a rejection of previous models: "If the 19th century was the century of the individual we are free to believe that this is the 'collective' century, and therefore the century of the State." Giovanni Gentile was inspired by Italian intellectuals such as Mazzini, Rosmini, Gioberti, and Spaventa from whom he developed the idea of "self-construction," but also was strongly influenced by the German idealist and materialist schools of thought - namely Marx, Hegel, Fichte, and Nietzsche. Gentile was described by Mussolini, as 'the philosopher of Fascism'. Alfredo Rocco developed the economic and political theory of corporatism which would become part of the Fascist Manifesto of the National Fascist Party. Rocco denounced the European powers for imposing foreign culture on Italy and criticized the European powers for endorsing too much liberalism and individualism. The Fascist Manifesto was endorsed by a large number of intellectuals, and writers, including Luigi Pirandello, Gabriele D'Annunzio, Filippo Tommaso Marinetti and Giuseppe Ungaretti.
Today Mussolini is remembered as a hated dictator who, along with Hitler and Stalin, ushered in an era of totalitarian repression unsurpassed in human history. But how was he viewed by ordinary Italians during his lifetime? In Fascist Voices, Christopher Duggan draws on thousands of letters sent to Mussolini, as well as private diaries and other primary documents, to show how Italian citizens lived and experienced the fascist regime under Mussolini from 1922-1943. Throughout the 1930s, Mussolini received about 1,500 letters a day from Italian men and women of all social classes writing words of congratulation, commiseration, thanks, encouragement, or entreaty on a wide variety of occasions: his birthday and saint's day, after he had delivered an important speech, on a major fascist anniversary, when a husband or son had been killed in action. While Duggan looks at some famous diaries-by such figures as the anti-fascist constitutional lawyer Piero Calamandrei; the philosopher Benedetto Croce; and the fascist minister Giuseppe Bottai-the majority of the voices here come from unpublished journals, diaries, and transcripts. Utilizing a rich collection of untapped archival material, Duggan explores "the cult of Il Duce," the religious dimensions of totalitarianism, and the extraordinarily intimate character of the relationship between Mussolini and millions of Italians. Duggan shows that the figure of Mussolini was crucial to emotional and political engagement with the regime; although there was widespread discontent throughout Italy, little of the criticism was directed at Il Duce himself. Duggan argues that much of the regime's appeal lay in its capacity to appropriate the language, values, and iconography of Roman Catholicism, and that this emphasis on blind faith and emotion over reason is what made Mussolini's Italy simultaneously so powerful and so insidious. Offering a unique perspective on the period, Fascist Voices captures the responses of private citizens living under fascism and unravels the remarkable mixture of illusions, hopes, and fears that led so many to support the regime for so long.
This lively collection of essays presents a range of innovative research on the history of the private sphere in Liberal and Fascist Italy, with a particular focus on sexuality, gender and race - all aspects which have received scarce attention in much of the existing historiography. It includes articles on foundlings and their mothers, the role of midwives, changing attitudes to sexuality, adultery trials, the Fascist persecution of homosexuals, debates about divorce and (going beyond Italy to its empire) the treatment of mixed race children and their mothers in Eritrea. Key themes of this collection include the contrasting attitudes of the Liberal and Fascist governments to the role of the state in the private sphere, the influence of the Church and the impact of new 'scientific' and medical approaches to maternity, sexuality and demography.
Small Town is a fictional story of a familys generational navigation through the Jim Crow South. The book is a collection of fictional stories woven together to describe the lives, times, and struggles of a black family living in the Deep South in a climate of racial animus. Three generations of family members experiences are depicted in a plethora of colorful characters. The only thing that helped this family through precarious and challenging times was their faith, family, and friends. Ultimately, the book Small Town shows us that no matter what we encounter or embark on in life, we can achieve and be successful under even the most distressful circumstances. This familys accomplishments were typical of a generation of people who were persistent and who instilled perseverance in their children, passed down from generation to generation. The Southern town where the setting of the book is depicted is a typical southern small town as they existed after the Civil War Reconstruction. Small Town refers not only to the population of the Southern town but also its mentality. Small towns were microcosms of the racist and white-supremacist attitudes that were pervasive below the Mason-Dixon line before and after landmark civil rights legislations. Rumors and rumors of rumors were a constant in this environment. Everyone knew your comings and goings in this small American town, and similarly, just like the major cities, only a few prominent families dictated who would be the haves and the have-nots. The fictional family in this book displayed the balance and flexibility to walk the tightrope of race and bigotry to maintain a social status that was rare and unique for black families in the Deep South. Religion and education were the foundations for this family and were their main weapons against any adversity that they encountered.
Foreword by Naomi Ostwald Kawamura of Densho Introduction by William Fujioka of JANM Afterword by Jonathan Eig The first comprehensive biography of unjustly forgotten Japanese American war hero Ben Kuroki, who fought the Axis powers during World War II and battled racism, injustice, and prejudice on the home front. Ben Kuroki was a twenty-four-year-old Japanese American farm boy whose heritage was never a problem in remote Nebraska—until Pearl Harbor. Among the millions of Americans who flocked to military stations to enlist, Ben wanted to avenge the attack, reclaim his family honor, and prove his patriotism. But as anti-Japanese sentiment soared, Ben had to fight to be allowed to fight for America. And fight he did. As a gunner on Army Air Forces bombers, Ben flew fifty-eight missions spanning three combat theaters: Europe, North Africa, and the Pacific, including the climactic B-29 firebombing campaign against Japan that culminated with the atomic bombing of Hiroshima and Nagasaki. He flew some of the war’s boldest and bloodiest air missions and lived to tell about it. In between his tours in Europe and the Pacific, he challenged FDR’s shameful incarceration of more than one hundred thousand people of Japanese ancestry in America, and he would be credited by some with setting in motion the debate that reversed a grave national dishonor. In the euphoric wake of America’s victory, the decorated war hero used his national platform to carry out what he called his “fifty-ninth mission,” urging his fellow Americans to do more to eliminate bigotry and racism at home. Told in full for the first time, and long overdue, Ben’s extraordinary story is a quintessentially American one of patriotism, principle, perseverance, and courage. It’s about being in the vanguard of history, the bonding of a band of brothers united in a just cause, a timeless and unflinching account of racial bigotry, and one man’s transcendent sense of belonging—in war, in peace, abroad, and at home.
A Lithub, Good Reads, Bustle, and The Millions Most Anticipated Book of 2021 "The Vietri Project is a riveting, shifting quest, an evocative trip to Rome, and a beautiful portrayal of the ways you need to return to the past in order to move forward. A great delight from start to finish.”--Lily King, New York Times bestselling author of Writers and Lovers A search for a mysterious customer in Rome leads a young bookseller to confront the complicated history of her family, and that of Italy itself, in this achingly intimate debut with echoes of Lily King and Elif Batuman. Working at a bookstore in Berkeley in the years after college, Gabriele becomes intrigued by the orders of signor Vietri, a customer from Rome whose numerous purchases grow increasingly mystical and esoteric. Restless and uncertain of her future, Gabriele quits her job and, landing in Rome, decides to look up Vietri. Unable to locate him, she begins a quest to unearth the well-concealed facts of his life. Following a trail of obituaries and military records, a memoir of life in a village forgotten by modernity, and the court records of a communist murder trial, Gabriele meets an eclectic assortment of the city’s inhabitants, from the widow of an Italian prisoner of war to members of a generation set adrift by the financial crisis. Each encounter draws her unexpectedly closer to her own painful past and complicated family history—an Italian mother diagnosed with schizophrenia and institutionalized during her childhood, and an extended family in Rome still recovering from the losses and betrayals in their past. Through these voices and histories, Gabriele will discover what it means to be a person in the world; a member of a family and a citizen of a country—and how reconciling these stories may be the key to understanding her own.