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The Historical Society of Washington, D.C., an educational and cultural institution serving the residents of metropolitan Washington, presents Growing Up in Washington, D.C.: An Oral History, a book of memories excerpted from dozens of oral history interviews about childhood in Washington during the twentieth century. Telling stories of the past-from playing soccer on the National Mall to visiting the Zoo, from marching in inaugural parades to riding the roller coasters at Suburban Gardens-residents from all four quadrants of the city, from different racial and religious backgrounds, have documented the vital history of our nation's capital in their hearts and minds. In this collection, they share their personal experiences of attending school, celebrating holidays, playing games with friends, riding the streetcars and metro, and growing up in families and neighborhoods that, early on, shaped the course of their lives. Their fascinating tales and anecdotes provide a window into the city's development as seen through the innocent, yet discerning, eyes of its children. Illustrated with historic images of city life, such as eating at the Hot Shoppes and ice skating on the mall, and of recognizable local landmarks, such as Hains Point, the fun house at Glen Echo, and Rock Creek Park, Growing Up in Washington, D.C. brings to life the people and places that have helped to create the city's singular character. A one-of-a-kind testament to the variety of life in the great capital of the United States, this collection of personal childhood stories and vintage photographs offers a wealth of perspectives on growing up in Washington during the twentieth century.
Begun in 1923 as a cluster of summer cottages, Holland Point has developed into a jewel-like residential community on the western shore of the Chesapeake Bay at the southern tip of Anne Arundel County. Vintage photographs here capture the history of this community's early beach life that virtually vanished in an August 1933 storm. Behind rock seawalls, residents continued to celebrate with seafood, boating, and parties. Fourth generations of founding families now build luxury homes around "Grandma's cottage" but appreciate the same waves, waterfowl, and wildlife that their ancestors admired when they first cut through the forest to discover the bay.
This is a personal history of the life of Pittsburgh's South Side during the city post-World War II renaissance. It is also the intimate story of an American boy who played baseball on the city's dilapidated playgrounds and rooted for his beloved sports teams while struggling in Pittsburgh's blue-collar neighbourhoods.
A definitive history of the MC5 that considers the band’s musical legacy and revolutionary political roots.
A compelling intellectual and political study of a leading post–civil rights era African American political theorist and strategist. It is rare that a major leader of a protest movement also becomes an accomplished scholar who provides valuable insight into the movement in which he participated. Yet this was precisely what Ronald W. Walters (1938–2010) did. Born in Wichita, Kansas, the young Walters led the first modern sit-in protest during the summer of 1958, nearly two years before the more famous Greensboro sit-in of 1960. After receiving a doctorate from American University, Walters embarked on an extraordinary career of scholarship and activism. Shaped by the civil rights and black power movements and the African and Caribbean liberation struggles, Walters was a pioneer in the development of black studies and “black science” in political science. A public intellectual, as well as advisor and strategist to African American leaders, Walters founded numerous organizations that shaped the post–civil rights era. A must read for scholars, students, pundits, political leaders, and activists, What Has This Got to Do with the Liberation of Black People? is a major contribution to the historiography of the civil rights and black power movements, African American intellectual history, political science, and black studies.
John Cooper vividly recalls the dark days of the Second World War - air raids, rationing, Home Guard manoeuvres, prisoners of war on the doorstep and the excitement of VE Day - and the long, carefree days of post-war childhood that followed, when the pace of life was much gentler than today. The author recalls local shops, now long gone, such as Harriden's grocery store and Mr Lines the blacksmith, as well as Harpenden's two cinemas, in one of which he was briefly employed as a projectionist. Memories of the glittering Festival of Britain and Queen Elizabeth II's Coronation celebrations, together with a nostalgic journey back to Harpenden, round off this trip down memory lane, which will surely appeal to anyone interested in the history of Hertfordshire within living memory.
Wild Bill’s ever-evolving legend When it came to the Wild West, the nineteenth-century press rarely let truth get in the way of a good story. James Butler “Wild Bill” Hickok’s story was no exception. Mythologized and sensationalized, Hickok was turned into the deadliest gunfighter of all, a so-called moral killer, a national phenomenon even while he was alive. Rather than attempt to tease truth from fiction, coauthors Paul Ashdown and Edward Caudill investigate the ways in which Hickok embodied the culture of glamorized violence Americans embraced after the Civil War and examine the process of how his story emerged, evolved, and turned into a viral multimedia sensation full of the excitement, danger, and romance of the West. Journalists, the coauthors demonstrate, invented “Wild Bill” Hickok, glorifying him as a civilizer. They inflated his body count and constructed his legend in the midst of an emerging celebrity culture that grew up around penny newspapers. His death by treachery, at a relatively young age, made the story tragic, and dime-store novelists took over where the press left off. Reimagined as entertainment, Hickok’s legend continued to enthrall Americans in literature, on radio, on television, and in the movies, and it still draws tourists to notorious Deadwood, South Dakota. American culture often embraces myths that later become accepted as popular history. By investigating the allure and power of Hickok’s myth, Ashdown and Caudill explain how American journalism and popular culture have shaped the way Civil War–era figures are remembered and reveal how Americans have embraced violence as entertainment.
Residents of the South Bronx during its promising postwar decades tell their stories in their own words. In the 1930s, word spread in Harlem that there were spacious apartments for rent in the Morrisania section of the Bronx. Landlords, desperate to avoid foreclosure, began putting signs in windows and placing ads in New York’s black newspapers that said “We rent to select colored families”—by which they meant those with a securely employed wage earner and light complexions. Black families moved in by the score, beginning a period in which the Bronx served as a borough of hope and upward mobility. Chronicling a time when African Americans were suspended between the best and worst possibilities of New York City, Before the Fires tells the personal stories of men and women who lived in the South Bronx before the social and economic decline of the late 1960s. Located on a hill overlooking a large industrial district, Morrisania offered migrants from Harlem, the South, and the Caribbean an opportunity to raise children in a neighborhood with better schools, strong churches, more shopping, less crime, and clean air. It also boasted vibrant music venues, giving rise to such titans as Herbie Hancock, Eddie Palmieri, Valerie Simpson, the Chantels, and Jimmy Owens. Rich in detail, these interviews describe growing up and living in communities rarely mentioned in other histories. Before the Fires captures the optimism of the period—as well as the heartache of what was lost in the urban crisis and the burning of the Bronx. “Excellent . . . profound, moving.” —Robert W. Snyder, Rutgers University, Newark
The Decades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major playwrights and their works to receive in-depth coverage in this volume include: * Eugene O'Neill: The Iceman Cometh (1946), A Moon for the Misbegotten (1947), Long Day's Journey Into Night (written 1941, produced 1956), and A Touch of the Poet (written 1942, produced 1958); * Tennessee Williams: The Glass Menagerie (1944), A Streetcar Named Desire (1947), Summer and Smoke (1948); * Arthur Miller: All My Sons (1947), Death of a Salesman (1949), and The Crucible (1953); * Thornton Wilder: Our Town (1938), The Skin of Our Teeth (1942), Shadow of a Doubt (1943), and The Alcestiad (written 1940s).
The Cleavers Didn't Live on Our Street chronicles one man's tales of growing up on the other side of the tracks in Windsor, Ontario, Canada, where father didn't always know best and the Cleavers never came to visit. J.V. Trott, a former humour columnist, shares his witty pie-in-the-face childhood reflections that illustrate his innate ability to laugh at his family's antics even as they co-existed in the sticks without a refrigerator, furnace, telephone, or car. His essays detail once-in-a-lifetime experiences such as building a Christmas tree from scratch, celebrating Thanksgiving with a "best friend" on the menu, taking driving lessons in a garbage truck, inviting a drunken Santa to spend Christmas Eve with the children, and babysitting in a tomato field. As Trott cleverly illustrates the value of family and the importance of humour, his anecdotes will transport others back to a time when a previous generation both lived-and laughed-through their own set of unique challenges. "Utilizing humour, emotion and wit, John engages the reader with his many hilarious, sentimental and sometimes painful anecdotes from his childhood memories. His family stories will remind you of your own childhood adventures and misadventures." -Nora Zylstra-Savage, Instructor, Hailburton School of Fine Arts