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Although physically crooked and a social reject, he came out on top anyway. The story of the human spirit's triumph over the daunting obstacles of a deformed body and a dysfunctional family.
This “meticulously plotted” novel explores “the mysteries of dysfunctional families . . . and adolescents’ imperfect . . . understanding of the world of adults” (Sarah Lyall The New York Times Book Review). “The night we left Ellen on the road, we drove up the mountain in silence.” It is the early 1980s and fifteen-year-old Libby is obsessed with The Field Guide to the Trees of North America, a gift her Irish immigrant father gave her before he died. She finds solace in “The Kingdom,” a stand of red oak and thick mountain laurel near her home in suburban Pennsylvania, where she can escape from her large and unruly family and share menthol cigarettes and lukewarm beers with her best friend. One night, while driving home, Libby’s mother, exhausted and overwhelmed with the fighting in the backseat, pulls over and orders Libby’s little sister Ellen to walk home. What none of this family knows as they drive off leaving a twelve-year-old girl on the side of the road five miles from home with darkness closing in, is what will happen next. A Crooked Tree is a surprising, indelible novel, both a poignant portrayal of an unmoored childhood giving way to adolescence, and a gripping tale about the unexpected reverberations of one rash act. “Beautifully written with tenderness and wisdom.” — Elizabeth Wetmore, New York Times bestselling author of Valentine “Suspenseful, affecting, and disarmingly evocative of childhood and the not-so-distant era of the 1980s.” —Kirkus Reviews “Filled with pathos, nostalgia, and the best kind of suspense..” — Liz Moore, New York Times bestselling author of Long Bright River “Completely entrancing.” —Julia Pierpont, New York Times–bestselling author of Among the Ten Thousand Things
This book is a powerful portrayal of class inequalities in the United States. It contains insightful analysis of the processes through which inequality is reproduced, and it frankly engages with methodological and analytic dilemmas usually glossed over in academic texts.
“A masterful debut” that follows four generations of Cherokee women across four decades—from the Plimpton Prize–winning author (Sarah Jessica Parker). It’s 1974 in the Cherokee Nation of Oklahoma and fifteen-year-old Justine grows up in a family of tough, complicated, and loyal women, presided over by her mother, Lula, and Granny. After Justine’s father abandoned the family, Lula became a devout member of the Holiness Church—a community that Justine at times finds stifling and terrifying. But Justine does her best as a devoted daughter, until an act of violence sends her on a different path forever. Crooked Hallelujah tells the stories of Justine—a mixed-blood Cherokee woman—and her daughter, Reney, as they move from Eastern Oklahoma’s Indian Country in the hopes of starting a new, more stable life in Texas amid the oil bust of the 1980s. However, life in Texas isn’t easy, and Reney feels unmoored from her family in Indian Country. Against the vivid backdrop of the Red River, we see their struggle to survive in a world—of unreliable men and near-Biblical natural forces, like wildfires and tornados—intent on stripping away their connections to one another and their very ideas of home. In lush and empathic prose, Kelli Jo Ford depicts what this family of proud, stubborn, Cherokee women sacrifices for those they love, amid larger forces of history, religion, class, and culture. This is a big-hearted and ambitious novel of the powerful bonds between mothers and daughters by an exquisite and rare new talent. “A compelling journey through the evolving terrain of multiple generations of women.” —The Washington Post
While the violent boys at the detention center alarm most adults, Sophia sees possibility where others see hopelessness and is drawn to them despite their volatile natures. Mindful of the impact of their past traumas, her determination to seek justice on their behalf leads to battles with administrators as heart-breaking decisions and events affect those she strives to support. Will punishment be the answer? Or can they be helped to find new ways? Will they survive once released?Struggling to endure these challenges, Sophia's own world is rocked by a family death that exposes agonizing long-buried secrets. Unraveling the web of her past forces Sophia to see herself and those around her through new eyes, when everything she once believed gets challenged.Available at https://www.amazon.com/dp/1975628500/ref=sr_1_1?ie=UTF8&qid=1505846897&sr=8-1&keywords=crooked+grow+the+trees
Into the Crooked Place begins a gritty two-book YA fantasy series from Alexandra Christo, the author of To Kill a Kingdom. The streets of Creije are for the deadly and the dreamers, and four crooks in particular know just how much magic they need up their sleeve to survive. Tavia, a busker ready to pack up her dark-magic wares and turn her back on Creije for good. She’ll do anything to put her crimes behind her. Wesley, the closest thing Creije has to a gangster. After growing up on streets hungry enough to swallow the weak whole, he won’t stop until he has brought the entire realm to kneel before him. Karam, a warrior who spends her days watching over the city’s worst criminals and her nights in the fighting rings, making a deadly name for herself. And Saxony, a resistance fighter hiding from the very people who destroyed her family, and willing to do whatever it takes to get her revenge. Everything in their lives is going to plan, until Tavia makes a crucial mistake: she delivers a vial of dark magic—a weapon she didn’t know she had—to someone she cares about, sparking the greatest conflict in decades. Now these four magical outsiders must come together to save their home and the world, before it’s too late. But with enemies at all sides, they can trust nobody. Least of all each other.
The Questions Would Teach Her More Than the Answers It wasn't long after arriving in Oxford for graduate school that twenty-two-year-old Andrea Lucado - preacher's daughter from Texas - faced not only culture shock, a severe lack of coffee, but also some unexpected hard questions: Who am I? Who is God? Why do I believe what I believe? "So many nights in Oxford, I felt like the details of my faiths were getting fuzzier. Nights turned restless with the questions and the thoughts. I questioned God's existence and the doubt, it was getting into my bones...." In this engaging memoir, Andrea speaks to all of us who wrestle with faith, doubt, and spiritual identity. Join Andrea as she navigates the Thames River, the Oxford Atheist Society, romance in ancient pubs--and a new perspective on who God is. As Andrea learned, sometimes it takes letting go of old ideas to discover lasting truth.
“[Allred] interrogates Beyoncé’s music and videos to explore the complicated spaces where racism, sexism, and capitalism collide.” —Kirkus Reviews In 2010, Professor Kevin Allred created the university course “Politicizing Beyoncé” to both wide acclaim and controversy. He outlines his pedagogical philosophy in Ain’t I a Diva?, exploring what it means to build a syllabus around a celebrity. Topics range from a capitalist critique of “Run the World (Girls)” to the politics of self-care found in “Flawless”; Beyoncé’s art is read alongside black feminist thinkers including Kimberlé Crenshaw, Octavia Butler, and Sojourner Truth. Combining analysis with classroom anecdotes, Allred attests that pop culture is so much more than a guilty pleasure, it’s an access point—for education, entertainment, critical inquiry, and politics. “Proving himself a worthy member of the BeyHive, Kevin Allred takes us on a journey through Beyoncé’s greatest hits and expansive career—peeling back their multiple layers to explore gender, race, sexuality, and power in today’s modern world. A fun, engaging, and important read for long-time Beyoncé fans and newcomers alike.” —Franchesca Ramsey, author of Well, That Escalated Quickly “Ain’t I a Diva? explores the phenomenon of Beyoncé while explicitly championing not only her immense talent and grace but what we can learn from it. In this celebration of Beyoncé, and through her, other Black women, Allred is giving us room to be exactly who we are so that maybe we, too, can stop the world then carry on!” —Keah Brown, author of The Pretty One “A must-read for any fan of Beyoncé and of fascinating feminist discourse.” —Zeba Blay, senior culture writer, HuffPost