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Groucho Marx made the transition from screen to paper in Ron Goulart's widely acclaimed first novel, Groucho Marx, Master Detective, where he debuted as a radio star-cum-private eye. Groucho and Frank aren't enjoying their latest costar, singing child prodigy Polly Pilgrim, a spoiled ingenue. When a prominent Beverly Hills plastic surgeon is found dead in his palatial home, and Polly's mother, the faded actress Frances London, is accused of his murder, Polly's request for Groucho and Frank to help prove her mother's innocence surprises them. She is convinced that Frances has been framed, and despite the mounting evidence against the washed-up perfromer, the pair takes on the case.
In this inventive mystery set in Hollywood's golden era, Ron Goulart revives America's favorite cigar-wielding comic--Groucho Marx. Needing a project to occupy him between movie stints, Groucho agrees to act in a radio serial. But when a beautiful starlet is found dead before production even begins, Groucho is determined to find out who killed her.
A collection of whimsical true encounters between famous and infamous individuals describes the unlikely meetings of Marilyn Monroe with Frank Lloyd Wright, Michael Jackson with Nancy Reagan, and Sigmund Freud with Gustav Mahler.
When a body is found in Holmes's 221B Baker Street lodgings on the set at Mammoth Studios during the shooting of The Valley of Fear, Groucho Marx and his sidekick Frank Denby begin investigating, in Ron Goulart's hilarious mystery Elementary, My Dear Groucho. The victim is the German emigre director of the movie who was found in the great detective's favorite armchair, stabbed in the chest with Holmes's pearl-handled letter opener. There is another murder but it takes more than murder to stifle Groucho's quips or to quiet the laughter this surprising reincarnation inspires. "Chance meetings with celebrities and Groucho's constant wordplay keep the action light and snappy." - Publishers Weekly
Born Julius Marx in 1890, the brilliant comic actor who would later be known as Groucho was the most verbal of the famed comedy team, the Marx Brothers, his broad slapstick portrayals elevated by ingenious wordplay and double entendre. In his spirited biography of this beloved American iconoclast, Lee Siegel views the life of Groucho through the lens of his work on stage, screen, and television. The author uncovers the roots of the performer’s outrageous intellectual acuity and hilarious insolence toward convention and authority in Groucho’s early upbringing and Marx family dynamics. The first critical biography of Groucho Marx to approach his work analytically, this fascinating study draws unique connections between Groucho’s comedy and his life, concentrating primarily on the brothers’ classic films as a means of understanding and appreciating Julius the man. Unlike previous uncritical and mostly reverential biographies, Siegel’s “bio-commentary” makes a distinctive contribution to the field of Groucho studies by attempting to tell the story of his life in terms of his work, and vice versa.
Connie Willis has won more Hugo and Nebula awards than any other science fiction author. Now, with her trademark wit and inventiveness, she explores the intimate relationship between science, pop culture, and the arcane secrets of the heart. Sandra Foster studies fads—from Barbie dolls to the grunge look—how they start and what they mean. Bennett O'Reilly is a chaos theorist studying monkey group behavior. They both work for the HiTek corporation, strangers until a misdelivered package brings them together. It's a moment of synchronicity—if not serendipity—which leads them into a chaotic system of their own, complete with a million-dollar research grant, caffé latte, tattoos, and a series of unlucky coincidences that leaves Bennett monkeyless, fundless, and nearly jobless. Sandra intercedes with a flock of sheep and an idea for a joint project. (After all, what better animal to study both chaos theory and the herd mentality that so often characterizes human behavior?) But scientific discovery is rarely straightforward and never simple, and Sandra and Bennett have to endure a series of setbacks, heartbreaks, dead ends, and disasters before they find their ultimate answer. . . . Praise for Bellwether “One of science fiction's best writers.”—The Denver Post “Connie Willis deploys the apparatus of science fiction to illuminate character and relationships, and her writing is fresh, subtle, and deeply moving.”—The New York Times Book Review “Keen social satire touched with genuine humanity . . . Connie Willis's fiction is one of the most intelligent delights of our genre.”—Locus “A sheer pleasure to read . . . Sprightly, intelligent fun.”—Publishers Weekly
This inspired bio musical about The One and Only begins with Groucho as an old man doing his famous Carnegie Hall show. It then goes back to the beginnings of the Marx Brothers and their struggles to make it in vaudeville, their rise to stardom and their eventual break up. All classic Groucho songs are included. One actor plays Groucho, another plays Chico and Harpo, and one actress plays all the wives, girlfriends and Margaret Dumont. A hit in New York, across the U.S. and in London, this show will delight Marx Brothers fans and the as yet uninitiated.
A smart, funny classic about a young and beautiful American woman who moves to Paris determined to live life to the fullest. The Dud Avocado follows the romantic and comedic adventures of a young American who heads overseas to conquer Paris in the late 1950s. Edith Wharton and Henry James wrote about the American girl abroad, but it was Elaine Dundy’s Sally Jay Gorce who told us what she was really thinking. Charming, sexy, and hilarious, The Dud Avocado gained instant cult status when it was first published and it remains a timeless portrait of a woman hell-bent on living. “I had to tell someone how much I enjoyed The Dud Avocado. It made me laugh, scream, and guffaw (which, incidentally, is a great name for a law firm).” –Groucho Marx "[The Dud Avocado] is one of the best novels about growing up fast..." -The Guardian
Looks at the life of the father of Communism focusing primarily on the human side of the man rather than his works.
Susan Fleming appeared in three Broadway shows and twenty-eight films before she turned her back on a show business career she never really enjoyed or wanted. The role of her lifetime came when she married Harpo Marx in 1936. Together, they raised four adopted children and enjoyed one of Hollywood's happiest and most successful unions. But their twenty-year age difference made Susan a young widow in 1964. On her path to Hollywood, Susan worked in Broadway musicals produced by Florenz Ziegfeld and George White and befriended a young dancer who would later be known as Paulette Goddard. In Hollywood, she appeared in films with stars like John Wayne, W.C. Fields, and Katharine Hepburn and worked at all the major studios. But it wasn't until she fell in love with a confirmed bachelor, twenty years older than her, that she found her purpose. Her story is the counterpoint to the beloved and acclaimed Harpo Marx autobiography, Harpo Speaks! Susan's frank, opinionated perspective provides a true look behind the curtain and details Harpo's last years, following the publication of his own book. Susan's account of her more than thirty-year adventure with Harpo includes encounters with people like Charlie Chaplin, William Randolph Hearst, Salvador Dalí, Somerset Maugham, Joan Crawford, Howard Hughes, George S. Kaufman, Helen Keller, Oscar Levant, Jean Harlow, Bugsy Siegel, Samuel Goldwyn, Menachem Begin, Ginger Rogers, Alexander Woollcott, and of course, the Marx Brothers. Susan provides an inside look at the family and pulls no punches when discussing her brothers-in-law, who weren't always her favorite comedians.