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Literature: overrated. Morality: expendable. Midnight is right for some over-the-top sex and violence, and this Grindhouse double feature is packing the aisles with blood 'n' guts! Check your good taste at the door, because GRINDHOUSE is back, and it's meaner, badder and dirtier than ever, with two brand-new exploitation opuses from writer Alex de Campi.
If humankind was not meant to get nasty, we wouldn't have evolved the capacity to make COMICS! Celebrate your proclivity for freaky foulness with another volume in Grindhouse's sweet, sweet flipbook series, this time chronicling mastermind Alex de Campi's collaborations with Chris Peterson and Nolan Woodard on the Bee Vixens from Mars sequel Blood Lagoon, and Ulises Farinas and Ryan Hill on the star-bound sex romp Nebulina! Collects Grindhouse: Drive In, Bleed Out issues #5-#8!
A sick and twisted double feature, including Blood Lagoon and Nebulina! Literature: overrated. Morality: expendable. Midnight is right for some over-the-top sex and violence, and this Grindhouse double feature is packing the aisles with blood 'n' guts! Check your good taste at the door, because Grindhouse is back, and it's meaner, badder and dirtier than ever, with two brand-new exploitation opuses from writer Alex de Campi (Smoke/Ashes [Dark Horse, 2013]). Celebrate your proclivity for freaky foulness with another volume in Grindhouse's flipbook series.
Works issued upside-down and back-to-back.
“In SUBURBAN GRINDHOUSE, Nick Cato becomes the Marcel Proust of trash cinema, resurrecting memories of the kinds of late, lamented, Mom and Pop fleapits in which seeing an anti-social movie with your buddies was a gloriously anti-social act.” — Michael Marano, movie columnist Cemetery Dance Film review books may be a dime a dozen, but how many include the actual experience of witnessing the movie in a theater? Zine editor and online columnist Nick Cato shares his time growing up in seedy NY and NJ theaters, and how these screenings helped to shape opinion of the movies. Whether one of his beloved local theaters in Staten Island, NY, or at a double feature at the infamous 42nd Street in Times Square during its heyday, audiences were always lively and outspoken. Part memoir, part film criticism, SUBURBAN GRINDHOUSE looks at the audiences as much as it is a book about exploitation movies themselves.
The notorious Beast House, the scene of brutal murders for almost a century, is a bigger tourist attraction than ever. There's one very speical tour, given only at midnight on Saturday nights, that's intended for the hardcore fans who will do anything to learn the house's hideous secrets. But not everyone will survive it!
Wherever heavy metal has gone, heavy metal movies have followed, blazing ferocious new celluloid trails; from concert movies and trippy midnight flicks at the dawn of "heaviosity" through inspirational depictions of ancient times and future apocalypses to the raw hand-held video productions of today. "Heavy Metal Movies" rounds up, reviews, and canonizes all known incidents of the heavy metal in motion pictures, from performance films, feature documentaries, occult rock 'n' roll horror, and headbanger characters to soundtrack standouts, namesake inspirations, lyrical references, aesthetic archetypes, and more. As brash, irreverent, and visceral as both the music and the movies themselves, "Heavy Metal Movies" is the ultimate guidebook to the complete molten musical cinema experience.
Cult Films: Taboo and Transgression looks at nine decades of cult films history within American culture. By highlighting three films per decade including a brief summary of the decade's identity and sensibility, the book investigates the quality, ironies, and spirit of cult film evolution. The twenty-seven films selected for this study are analyzed for story content and in their respective transgressions regarding social, aesthetic, and political codes. Characteristic of this book is the notion that many exciting genres make up cult films-including horror, sci-fi, fantasy, film noir, and black comedy. Further, the book reaches out to several foreign film directors over the decades in order to view cult films as an intentional art form. Political and ideological controversies are covered; arresting back-story details that lend perspective on a film fill out the analysis and the historic framework for many film titles. The book, by emphasizing the condensed survey over decades and by choosing outstanding titles, differs from other general studies on cult films.
RPG set in 1970's pop culture