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In this first biography of Alexander Griboyedov in English, Laurence Kelly paints a vivid picture of a man of remarkable literary talent and diplomatic gifts that were nevertheless overshadowed by ill-fortune. Involved in the 1825 Decembrist plot to overthrow the Tsarist state and the mission to further Russia's expansionist agenda in the Caucasus, the famous writer was eventually murdered by zealous mobs in Tehran. This book makes an invaluable contribution to the diplomatic history of Russia, the Caucasus and Iran at the same time illuminating the life and works of a writer who was among ninteenth-century Russia's most respected and prominent writers.
This collection of essays resituates poetic works by Derzhavin, Krylov, Batisushkov, Pushkin, Girboedov, Lermontov, Baratynsky and Pavlova, within the force fields of contradicoty cultural pressures, as are the once best-selling prose narratives of Narezhnyi, Karamzin, Viazemsky and others.
Timo von Bock's release by the Czar from nine years' incarceration does not spell the end of the Baron's troubles: he is confined to his Livonian estate to live under the constant eye of police informers planted among his own household, and is subjected to endless humiliations. It is claimed that he is a madman and in need of "protection:" a man would need to be insane, after all, to have taken a Czar at his word when asked for a candid appraisal of the state's infirmities. From the year of his release from prison and return to his wife Eeva, a woman of peasant stock to whom, with her brother Jakob, he has given a solid education, the Baron's life is recorded in a secret journal by this same Jakob, a shrewd and observant house-guest. Reconstructing the events leading up to the Baron's incarceration in 1818 and subsequent to his release in 1827, Jakob little by little brings to light mysteries surrounding the "Czar's madman." Was his madness genuine? What was the secret understanding between him and his boon companion Czar Alexander I, who committed him to prison? In The Czar's Madman, Jaan Kross weaves together the elements of intrigue surrounding those historical characters who survived in post-Napoleonic Russia, and by a skillful shifting of chronology and viewpoints, creates a superbly rich and moving narrative.
"Red Virgin Soil is a detailed study of the eponymous journal that was the most significant Soviet literary journal of the 1920's. The journal published belles lettres, theory, and criticism and represented the first serious attempt in Russia in nearly half a century to shape an entire generation of writers, readers, and critics through the energy and authority of such a forum." "Maguire's work is also a survey of Soviet literary culture in that critical period between the end of the Civil War and the onslaught of the Stalinist era, a period when writers could still engage in public debate about literature's role in the building of a revolutionary culture." --Book Jacket.
This introduction to the study of the Russian novel demonstrates how the form evolved from imitative beginnings to the point in the 1860s when it reached maturity and established itself as part of the European tradition. Professor Freeborn considers selected novels by Pushkin, Lermontov, Gogol, Dostoyevsky and Tolstoy. Extended introductory sections to the studies of Dostoyevsk and Tolstoy deal with their earlier works. A final chapter summarises the principal points of contrast between Crime and Punishment and War and Peace, and argues that in certain specific ways, they represent the peaks in the evolution of the form of the Russian novel. Quotations are translated, but key passages are also given in the original. Professor Freeborn treats the novel as a literary form and avoids the overworked formulae on which much historical writing on Russian literature has been based. He is concerned with the literary development of a great form.