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Despite the perks of living with her rich aunt, Ella’s new life in Napper, Indiana, is pretty much tragically boring. Until Ella starts hearing strange voices. As rogue wolves begin to stalk the edges of town and a serial killer with a penchant for silver bullets draws closer, the city of Napper seems to wake up. Ella, with her new friends, Sam and Sarah, might be able to find out what the strange occurrences mean. Except that they’re all being pulled in different directions by people who love them; and some who don’t. Before they lose their way to the whispers they hear from the past, or the call to a future they’re not sure they want to create, the friends will need to confront who they really are and figure out what’s hiding in the silence of their sleepy little town.
This omnibus features the novels 'Grey Knights', 'Dark Adeptus', and 'Hammer of Daemons'.
THIS VALUABLE ANATOMY BOOK, Written in the 1850s by a young doctor, Henry Gray. Gray's Anatomy was the most comprehensive and accessible anatomy of its time. This beautifully produced slipcased volume contains the historic text of the second edition and all of Henry Vandyke Carter's masterly drawings. It is essential reading for anyone with an interest in the history of medicine or in the amazingly complex machine that is the human body. HENRY GRAY [1827 - 1861] was an English anatomist and surgeon most notable for publishing the book Gray's Anatomy. He was elected a Fellow of the Royal Society (FRS) at the age of 25. While still a student, Gray secured the triennial prize of Royal College of Surgeons in 1848 for an essay entitled The Origin, Connexions and Distribution of nerves to the human eye and its appendages, illustrated by comparative dissections of the eye in other vertebrate animals. In 1852, at the early age of 25, he was elected a Fellow of the Royal Society, and in the following year he obtained the Astley Cooper prize of three hundred guineas for a dissertation "On the structure and Use of Spleen."
A wicked feline shifter. A cruel warlock. And a dark secret that can devour worlds. A bloody heart. That has been my birthday gift every year from the warlock I once loved. He used me, so I left him. And found the love of my life. We shared a blissful life together until Sebastian destroyed it all with one sweeping declaration. You will always be mine. After failing in my attempt to get revenge and barely escaping. I find myself once again starting over with the support of my friends, and trying to let go of the past. When I meet the sweet and adorably innocent local werewolf, Andrei, I think I might finally have a real shot at finding happiness again. I should have known better. Sebastian has found me and he’ll do what he always does—hurt those I love. But I have a secret. The dark magic I keep chained deep within my soul is a weapon just waiting to be unleashed. I could finally claim my revenge and protect everyone important to me. But my kind of magic is forbidden. And the price for using it may be my life. A Shift in Shadows is the first novel of the Lost Legacies fantasy romance series. For fans of LJ Andrews, Raven Kennedy, or Amber V. Nicole and anyone who enjoys urban fantasy vibes, snarky morally grey characters, all the found family, and slow burning romance subplots!
When Anastasia Steele, a young literature student, interviews wealthy young entrepreneur Christian Grey for her campus magazine, their initial meeting introduces Anastasia to an exciting new world that will change them both forever. Reissue. Movie tie-in.
In the land of the great red sun, dogs sing, wolves kill, humans serve, and wolf-shifters rule with magic and menace. Pietre is a human boy who has spent the last thirteen years afraid of the sunset, the Blodguard, and the wolf-shifting masters who rule his world. Wittendon is a werewolf prince who has spent the last nineteen years afraid of his father, his inability to do magic, and the upcoming tournament he's sure to lose. But when Pietre finds an orphaned pup in the woods and Wittendon is forced to arrest the boy's father soon after, both of them begin to realize that keeping the rules might be just as terrifying as breaking them. Now serf and master must learn to cut through their own prejudices and work together in order to turn their world before it turns on them. Grey Stone is a story of dogs who talk, wolves who kill, and a stone that-for better or worse-can change all that."
Gray's Anatomy is probably one of the most iconic scientific books ever published: an illustrated textbook of anatomy that is still a household name 150 years since its first edition, known for its rigorously scientific text, and masterful illustrations as beautiful as they are detailed. The Making of Mr Gray's Anatomy tells the story of the creation of this remarkable book, and the individuals who made it happen: Henry Gray, the bright and ambitious physiologist, poised for medical fame and fortune, who was the book's author; Carter, the brilliant young illustrator, lacking Gray's social advantages, shy and inclined to religious introspection; and the publishers - Parkers, father and son, the father eager to employ new technology, the son part of a lively circle of intellectuals. It is the story of changing attitudes in the mid-19th century; of the social impact of science, the changing status of medicine; of poverty and class; of craftsmanship and technology. And it all unfolds in the atmospheric milieu of Victorian London - taking the reader from the smart townhouses of Belgravia, to the dissection room of St George's Hospital, and to the workhouses and mortuaries where we meet the friendless poor who would ultimately be immortalised in Carter's engravings. Alongside the story of the making of the book itself, Ruth Richardson reflects on what made Gray's Anatomy such a unique intellectual, artistic, and cultural achievement - how it represented a summation of a long half century's blossoming of anatomical knowledge and exploration, and how it appeared just at the right time to become the 'Doctor's Bible' for generations of medics to follow.
One of America's great philosophers says the time has come to reform philosophy. Putnam calls upon philosophers to attend to the gap between the present condition of their subject and the human aspirations that philosophy should and once did claim to represent. His goal is to embed philosophy in social life.
The Aesthetic Commonplace is a study of the everyday as a region of overlooked value in the work of William Wordsworth, George Eliot, and Ludwig Wittgenstein. The Romantic poet, the realist novelist, and the modern philosopher are each separately associated with a commitment to the common, the ordinary, and the everyday as a vital resource for reflection on language, on feeling, on ethical insight, and social attunement. The Aesthetic Commonplace is the first study to draw substantive lines of connection between Wittgenstein and the cultural and literary history of nineteenth century England. Tracing conceptual and formal affinities between the poet, the novelist, and the philosopher, the book brings to light significant links between the intellectual history of the nineteenth century and the early decades of the twentieth, making the case for a continuous cultural commitment to the aesthetic as a distinctive mode of investigating thought, feeling, and the everyday language upon which we depend for their articulation. Addressed to both literary studies and to philosophy, The Aesthetic Commonplace makes a compelling case for the interdependence of form, concept, and emotion in the history and interpretive practices of both disciplines.