Download Free Grettir The Outlaw Book in PDF and EPUB Free Download. You can read online Grettir The Outlaw and write the review.

It is now just thirty years since I first began to read the “Saga of Grettir the Strong” in Icelandic. At that time I had only a Danish grammar of Icelandic and an Icelandic-Danish dictionary, and I did not know a word of Danish. So I had to learn Danish in order to learn Icelandic. It was laborious work making out the Saga, and every line when I began took me some time to understand. Moreover, I had not much time at my disposal, for then I was a master in a school. Now, after I had worked a little way into the Saga, I became intensely interested in it myself, and it struck me that my boys whom I taught might like to hear about Grettir. So I tried every day to translate, after school hours, a chapter, hardly ever more at first, and sometimes not even as much as that. Then, when on half-holidays I proposed a walk to some of my scholars, they were keen to hear the story of Grettir. Well, Grettir went on for some months in this way, a fresh instalment of the tale coming every half-holiday, and it was really wonderful how interested and delighted the boys were with the story. Nor was I less so; the labour of translation which was so great at first became rapidly lighter, and I was as much interested in the adventures of the hero as were the boys. The other day I met an old pupil of mine, and almost the first thing he said to me was: “Oh! do you remember Grettir? Thirty years ago! Fancy! I am a married man and have boys of my own, and I have often tried to tell them the story which made such an impression on me, but I cannot remember all the incidents nor their order. I do wish you would write it as a story for boys. I should like to read it myself again, and my boys would love it.” “Very well,” I said, “I will do so.” Now my boy readers must understand that I have told them the story in my own words and in my own way. I went to Iceland in 1861, and went over nearly every bit of the ground made famous by the adventures of Grettir. Consequently, I am able to help out and illustrate the tale by what I actually saw. In the original book there is a great deal more than I have attempted to retell, but much has to do with the ancestors of Grettir, and there are other incidents introduced of no great importance and very confusing to the memory. So I have taken the leading points in the story, and given them...FROM THE BOOKS.
Here are three epic stories of exile and adventure: the heroes condemned to wander their lands in expiation of crimes committed in honour's name. The book includes an introduction, notes, a text summary and a chronology of early Icelandic literature.
The Saga of Gisli was written early in the thirteenth century. It offers an imaginative reconstruction of the story of a man and his family who came to Iceland from Norway about AD 960. Soon after 960 Gisli, the central figure, was outlawed for killing his brother-in-law, and then, for thirteen years or more, he lived in hiding in remote parts of the northwest of Iceland until he was finally caught and killed by his enemies. Around this imaginative core the author has spun a web of conflicting passions - love, hare and jealousy between man and wife, brother and sister, brother-in-law - intricate emotional bonds which are here seen ironically patterned against a background of inevitable fate. Gisli, the hero, is portrayed not only as a man of strength and courage, but also a poet and dreamer, tormented in his outlawry by nightmarish visions which seem gradualy to sap his will to resist. The author's probing into the emotional depths of his characters, the superbly effective architecture of his narrative leading to the central climax, his sense of the dramatic, and his cool, compelling style all combine to make this one of the most memorable of all the Icelandic sagas.
A sweeping epic of the Viking Age, Grettir's Saga follows the life of the outlaw Grettir the Strong as he battles against sorcery, bad luck, and the vengefulness of his enemies. Among the most famous and widely read of Iceland's sagas, this new translation features extensive illustrative material to elucidate the story.
Grettir's saga is the last of the great Icelandic sagas. It tells the life and death of Grettir, a great rebel, individualist, and romantic hero. This volume includes genealogies and a study of the legal system.
Sworn Brother by Tim Severin is the thrilling second volume in the Viking trilogy - an epic adventure in a world full of Norse mythology and bloodthirsty battles. London, 1019: a few months have passed since Thorgils has escaped the clutches of the Irish Church only to find himself at the centre of a capricious love affair with Aelfgifu, wife of Knut the Great, ruler of England, and one of the most powerful men of the Viking empire. A passionate relationship between two unlikely lovers begins to unfold, which forebodes uncontrollable consequences... When Thorgils is finally on the run again, he meets Grettir, an outlaw who is feared by most for his volatile and brooding behaviour. The two men become travel companions and sworn brothers – which binds them together beyond death, but at the gates of Byzantium Thorgils' loyalty is put to the ultimate test . . .
This book is an overview and analysis of the global tradition of the outlaw hero. The mythology and history of the outlaw hero is traced from the Roman Empire to the present, showing how both real and mythic figures have influenced social, political, economic and cultural outcomes in many times and places. The book also looks at the contemporary continuations of the outlaw hero mythology, not only in popular culture and everyday life, but also in the current outbreak of global terrorism. The book also presents a more general argument related to the importance of understanding folk and popular mythologies in historical contexts. Outlaw heroes have a strong purchase in high and popular culture, appearing in film, books, plays, music, drama, art, even ballet. To simply ignore and discard such powerful expressions without understanding their origins, persistence and especially their ongoing cultural consequences, is to refuse the opportunity to comprehend some profoundly important aspects of human behaviour. These issues are pursued through discussion of the processes through which real and mythical outlaw heroes are romanticised, sentimentalised, sanitised, commodified and mythologised. The result is a new position in the continuing controversy over the existence the 'social bandit' that highlights the central role of mythology in the creation and perpetuation of outlaw heroes.