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It's 1945, and the world is in the grip of war. Hideki lives with his family on the island of Okinawa, near Japan. When the Second World War crashes onto his shores, Hideki is drafted to fight for the Japanese army. He is handed a grenade and a set of instructions: Don't come back until you've killed an American soldier. Ray, a young American Marine, has just landed on Okinawa. This is Ray's first-ever battle, and he doesn't know what to expect -- or if he'll make it out alive. All he knows that the enemy is everywhere. Hideki and Ray each fight their way across the island, surviving heart-pounding ambushes and dangerous traps. But then the two of them collide in the middle of the battle... And choices they make in that single instant will change everything. Alan Gratz, New York Times bestselling author of Refugee, returns with this high-octane story of how fear and war tear us apart, but how hope and redemption tie us together. Reviews for Refugee: "An absolute must read for people of all ages" - Hannah Greendale, Goodreads "Like RJ Palacio's Wonder, this book should be mandatory reading..." - Skip, Goodreads "I liked how the book linked history with adventure, and combined to make a realistic storyline for all three characters" - AJH, aged 11, Toppsta
“The undisputed king of the comic crime novel.” —Providence Journal “I guarantee Dorsey will never win the Nobel Prize for Literature—he’s far too funny.” —Richmond Times-Dispatch “If you’ve never read Dorsey, you need to start…You won’t be disappointed.” —Miami Herald Gloriously unrepentant Florida serial killer Serge Storms is back—and he’s finagled his way into becoming a secret agent in Miami—in another outrageous crime comedy from New York Times bestselling author, Tim Dorsey. In Pineapple Grenade, the incomparable Serge takes up spying for the president of a banana republic, and now Homeland Security wants to bring him down. It’s always a wild ride when Dorsey’s at the wheel, and with Pineapple Grenade he delivers his most explosively hilarious road trip to date.
In 1975 I went to Peking for a year, together with nine other British students who had been exchanged by the British Council for ten Chinese students. The latter knew exactly what they were doing: learning English in order to further the Great Proletarian Cultural Revolution. We were less sure. From 1966, China had been turned upside down by young Red Guards who were encouraged to Bombard the Headquarters'. Professors, surgeons, artists, pianists, novelists and film directors were attacked for their bourgeois pursuit of excellence or their attachment to decadent Western ideas. Though by 1975 there were no longer violent street battles or badly beaten bodies floating down the Pearl River, we found Peking University governed by a Revolutionary Committee of workers, peasants and Party members determined that we should not learn too much and become experts divorced from the masses. With our Chinese classmates, we spent half our time in factories, getting in the way of workers making railway engines, or in the fields, learning from peasants how to bundle cabbage or plant rice seedlings in muddy water. Heroically, we stayed up half the night to dig rather shallow underground shelter
Rat-a-tat prosody and scattershot, hallucinatory cultural critique, replete with grotesqueries, spit baroquely from the necropastoral ground of McSweeney's third collection.
In this “rhapsodic [and] stirring” nature memoir, an American woman recounts a season of herding cattle in the Australian Outback (Kirkus). Rafael de Grenade was thirteen years old when she began working on a rough-country mountain ranch in Arizona. But when she read about cattlemen working the far edges of the Australian outback, it sparked a dream far wilder than anything she had ever known. A little over a decade later she arrived on Stilwater Station with two shirts, two pairs of jeans, cowboy boots, and some doubt that she would ever go home. Inundated by monsoon floods in the winter, baked dry in the summer, and filled with deadly animals, Stilwater was an unlikely home for a cattle operation. But in the wilderness beyond the station roamed tens of thousands of cows, many entirely feral from long neglect. Rafael has been hired, along with a ragged crew of ringers and stockmen, to bring them in. Over a season they use helicopters, motorcycles, bullcatcher jeeps, horses, ropes, and knives to win Stilwater Station back from the wild, to say nothing of their intuition, strength, muscle, and wit.
Allowing the user to inflict damage on his opponent within throwing range without leaving cover, the portable, lethally efficient hand grenade is a ubiquitous weapon of modern warfare, and has now found its way into law-enforcement arsenals too. Featuring specially commissioned full-colour artwork and an array of revealing photographs of grenades in use and in close-up, this engaging study explores and assesses the origins, development, combat use, and lasting legacy of the formidable military hand grenade.
Her name is Domino Ray. But the voice inside her head has a different name. When the mysterious Ms. Karina finds Domino in an alleyway, she offers her a position at her girls’ home in secluded West Texas. With no alternatives and an agenda of her own, Domino accepts. It isn’t long before she is fighting her way up the ranks to gain the woman’s approval...and falling for Cain, the mysterious boy living in the basement. But the home has horrible secrets. So do the girls living there. So does Cain. Escaping is harder than Domino expects, though, because Ms. Karina doesn’t like to lose inventory. But then, she doesn’t know about the danger living inside Domino’s mind. She doesn’t know about Wilson.
Mind Grenades serves as a high-caffeine coffee table book that captures the new spirit of the era by linking message with award-winning design. John Plunkett is one of the creators of the look and feel of Wired and HotWired, the first Web-based cyberstaion. Louis Rossetto is the founder and publisher of Wired magazine. 8-color artwork throughout.
Translation by Anne Boyer & Cassandra Gillig. Research and translation assistance by Faride Mereb. Edited by Faride Mereb and Elisa Maggi.
James Wolcott’s career as a critic has been unmatched, from his early Seventies dispatches for The Village Voice to the literary coverage made him equally feared and famous to his must-read reports on the cultural weather for Vanity Fair. Bringing together his best work from across the decades, this collection shows Wolcott as connoisseur, intrepid reporter, memoirist, and necessary naysayer. We begin with “O.K. Corral Revisited,” Wolcott’s career-launching account of the famed Norman Mailer–Gore Vidal dust-off on the original Dick Cavett Show. He goes on to consider (or reconsider) the towering figures of our culture, among them Lena Dunham Patti Smith, Johnny Carson, Woody Allen, and John Cheever. And we witness his legendary takedowns, which have entered into the literary lore of our time. In an age where a great deal of back scratching and softball pitching pass for criticism, Critical Mass offers a bracing taste of the real thing.