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In the new millennium, what secrets lay beyond the far reaches of the universe? What mysteries belie the truths we once held to be self evident? The world of science fiction has long been a porthole into the realities of tomorrow, blurring the line between life and art. Now, in The Year's Best Science Fiction: Thirty-Second Annual Collection the very best SF authors explore ideas of a new world. This venerable collection brings together award winning authors and masters of the field such as Robert Reed, Alastair Reynolds, Damien Broderick, Elizabeth Bear, Paul McAuley and John Barnes. And with an extensive recommended reading guide and a summation of the year in science fiction, this annual compilation has become the definitive must-read anthology for all science fiction fans and readers interested in breaking into the genre.
Strange Divisions and Alien Territories explores the sub-genres of science fiction from the perspectives of a range of top SF authors. Combining a critical viewpoint with the exploration of the challenges and opportunities facing authors working in the field, contributors include Michael Swanwick, Catherine Asaro and Paul di Filippo.
Jay Hara is an ordinary young man growing up on the isolated planet of Erin. But Jay dreams of adventure and escapades and the legend of the lost "Godspeed" drive which allowed humans to travel at faster-than-light speeds. *** His life changes when he joins up with the seedy spacer, Paddy Enderton and Captain Daniel Shaker. Captain Shaker is a charming but ruthless adventurer who inspires both fear and admiration in equal measure, and he and his questionable crew are joined by Jay as they race to find the legendary drive Jay Hara used to dream about. *** Godspeed is a true coming-of-age tale told in the classic tradition of R.L. Stevenson's Treasure Island. A modern day pirate story, set among the stars.
The classic work on the music of Afrofuturism, from jazz to jungle More Brilliant than the Sun: Adventures in Sonic Fiction is one of the most extraordinary books on music ever written. Part manifesto for a militant posthumanism, part journey through the unacknowledged traditions of diasporic science fiction, this book finds the future shock in Afrofuturist sounds from jazz, dub and techno to funk, hip hop and jungle. By exploring the music of such musical luminaries as Sun Ra, Alice Coltrane, Lee Perry, Dr Octagon, Parliament and Underground Resistance, theorist and artist Kodwo Eshun mobilises their concepts in order to open the possibilities of sonic fiction: the hitherto unexplored intersections between science fiction and organised sound. Situated between electronic music history, media theory, science fiction and Afrodiasporic studies, More Brilliant than the Sun is one of the key works to stake a claim for the generative possibilities of Afrofuturism. Much referenced since its original publication in 1998, but long unavailable, this new edition includes an introduction by Kodwo Eshun as well as texts by filmmaker John Akomfrah and producer Steve Goodman aka kode9.
“Stephen Baxter has been heralded, with some merit, as Arthur C. Clarke’s literary heir, and Proxima certainly reinforces this accolade in spades.”—Concatenation Mankind’s future in this galaxy could be all but infinite. There are hundreds of billions of red dwarf stars, lasting trillions of years—and their planets can be habitable for humans. Such is the world of Proxima Centauri. And its promise could mean the never-ending existence of humanity. But first it must be colonized, and no one wants to be a settler. There is no glamor that accompanies it, nor is there the ease of becoming a citizen of an already-tamed world. There is only hardship...loneliness...emptiness, even as war brews in the solar system. But that’s where Yuri comes in. Because sometimes exploration isn’t voluntary. It must be coerced.
From the Nebula Award-winning author comes a newly revised edition of this story in his classic Galactic Center series. 2076: Technology has propelled the world into a new age of enlightenment. Nigel (from In the Ocean of Night) has left Earth to explore space for alien life. But while on this captivating mission, humanity's birthplace has fallen prey to attack and its seas are seeded with alien lifeforms. Now, Nigel is left to search for the only savior he knows-the one who saved him once before-the alien machine called the "Snark." Having left the solar system and turned traitor to its alien masters, Nigel is unsure of the Snark's new allegiance. Is the Snark a friend? Or will it also turn on Nigel... proving to be a deadly foe?
When a distinguished astrophysicist is presented with evidence of a new artefact approaching the solar system, his initial reaction is that the figures must be wrong. But they are not. The mysterious object is not only real, it is heading towards us at an incredible velocity. Then the data indicates that the visitor is a black hole. A black hole that can change direction. A black hole that is sending us a message... I DESIRE CONVERSE Eater is a fast-paced thriller from an author who is both a great storyteller and a highly respected scientist. It is a combination that makes for classic SF.
A rich collection of essays tracing the relationship between art and sound. In the 1970s David Toop became preoccupied with the possibility that music was no longer bounded by formalities of audience: the clapping, the booing, the short attention span, the demand for instant gratification. Considering sound and listening as foundational practices in themselves leads music into a thrilling new territory: stretched time, wilderness, video monitors, singing sculptures, weather, meditations, vibration and the interior resonance of objects, interspecies communications, instructional texts, silent actions, and performance art. Toop sought to document the originality and unfamiliarity of this work from his perspective as a practitioner and writer. The challenge was to do so without being drawn back into the domain of music while still acknowledging the vitality and hybridity of twentieth-century musics as they moved toward art galleries, museums, and site-specificity. Toop focused on practitioners, whose stories are as compelling as the theoretical and abstract implications of their works. Inflamed Invisible collects more than four decades of David Toop's essays, reviews, interviews, and experimental texts, drawing us into the company of artists and their concerns, not forgetting the quieter, unsung voices. The volume is an offering, an exploration of strata of sound that are the crossing points of sensory, intellectual, and philosophical preoccupations, layers through which objects, thoughts and air itself come alive as the inflamed invisible.
A comprehensive bibliography of books and short fiction published in the English language.