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Green Unpleasant Land explores the countryside's repressed colonial past and demonstrates its importance as a source of ideas about Englishness. The book presents historical evidence to show that rural England was a place of conflict and global expansion. It also examines four centuries of literary response to explore how race, class and gender have both created and deconstructed England's pastoral mythologies. In particular, the book argues that Black and British Asian writers have challenged narrow, nostalgic views of rural England but also expressed attachment to English landscapes and the natural world.
SHORTLISTED FOR INSPIRATIONAL BOOK OF THE YEAR AT THE 2014 GARDEN MEDIA GUILD AWARDS. The wonderfully evocative story of how Britain’s World War Two gardeners – with great ingenuity, invincible good humour and extraordinary fortitude – dug for victory on home turf. A Green and Pleasant Land tells the intriguing and inspiring story of how Britain's wartime government encouraged and cajoled its citizens to grow their own fruit and vegetables. As the Second World War began in earnest and a whole nation listened to wireless broadcasts, dug holes for Anderson shelters, counted their coupons and made do and mended, so too were they instructed to ‘Dig for Victory’. Ordinary people, as well as gardening experts, rose to the challenge: gardens, scrubland, allotments and even public parks were soon helping to feed a nation deprived of fresh produce. As Ursula Buchan reveals, this practical contribution to the Home Front was tackled with thrifty ingenuity, grumbling humour and extraordinary fortitude. The simple act of turning over soil and tending new plants became important psychologically for a population under constant threat of bombing and even invasion. Gardening reminded people that their country and its more innocent and insular pursuits were worth fighting for. Gardening in wartime Britain was a part of the fight for freedom.
"Green Unpleasant Land explores the countryside's repressed colonial past and demonstrates its importance as a source of ideas about Englishness. The book presents historical evidence to show that rural England was a place of conflict and global expansion. It also examines four centuries of literary response to explore how race, class and gender have both created and deconstructed England's pastoral mythologies. In particular, the book argues that Black and British Asian writers have challenged narrow, nostalgic views of rural England but also expressed attachment to English landscapes and the natural world. The book questions the countryside's reputation as a retreat from urban life. It interrogates the idea that country houses are models for civilised living or that moorlands are places of freedom. It presents new perspectives on the "English" flora and fauna that feature in literature, parks, allotments and suburban gardens. The book reconsiders a range of rural locations through the lens of British colonial involvement, including East India Company activity and the slavery business. The book connects England's outward-reaching histories to what was happening in the countryside: the enclosure of common land, the beginnings of industrial mass farming and the reshaping of landownership through imperial profits. In bringing together histories usually separated by the Atlantic, Green Unpleasant Land makes connections, for instance, between the rebellion of enslaved people for their freedom in Jamaica in 1831, and the struggles of English agricultural workers in the Captain Swing uprising of the same year. But Green Unpleasant Land is more than an academic study--accessibly written as it is--because it contains a section of Corinne Fowler's own stories and poems written in response to the research she has undertaken and the material objects she has encountered. It is a personal story, too, of her own family relationship to transatlantic enslavement. Green Unpleasant Land should make uncomfortable reading for anyone who wants to uphold nostalgic views of rural England. The heatedness of the recent media response to such work shows just what is at stake: a selective vision of nation that underplays the impact of four colonial centuries, or a vision that embraces, as Paul Gilroy expresses it, a post-imperial 'convivial culture'."
In this emotional sequel to Tomorrow, Jerusalem, the WWI has ended, the Roaring Twenties are dawning, and three women’s lives are about to change . . . Rachel Patten is an undoubted beauty, yet the only man she wants is the one who rejects her. But then rebellion takes her across strict class boundaries into the arms of her gamekeeper, Gideon Best . . . Daphne Underscar—plain, gauche, but far from stupid—knows full well that the ambitious Toby Smith married her for money. With love, and with courage, she is prepared to gamble her own happiness on the hope of a more fulfilling relationship. Meanwhile Philippa Van Damme has led a sheltered life, her childhood severed abruptly by a wrenching bereavement. Thrust headlong into an unstable post-war world, her hopes of a future with Hugo Fellafield are dashed by familial discord, and the threat of political scandal. From industrial London to the tropical landscape of Madeira, Green and Pleasant Land follows the three women in a triumphant sequel to Tomorrow, Jerusalem. Perfect for fans of Julia Quinn and Victoria Hislop. Praise for the writing of Teresa Crane “A writer of great skill and vitality.” —Sarah Harrison, author of The Flowers of the Field “A wonderful storyteller.” —Daily Mail “A tale to take you out of yourself.” —Driffield Post “A well-written book with believable characters and an original and dramatic storyline.” —Historical Novel Review
The lives of a group of Romanian students under Communism, with its poverty, regimentation and depressing greyness. Life gets no better after graduation, so much so that several commit suicide.
'Essential reading for anybody who cares about the future’ Henry Marsh, *New Statesman Books of the Year* A radical examination of Britain's relationship with the land by one of our greatest nature writers. **SHORTLISTED FOR THE WAINWRIGHT GOLDEN BEER BOOK PRIZE 2019** The British love their countryside more than almost any other nation, yet they live in one of the most denatured landscapes on Earth. From the flatlands of Norfolk to the tundra-like expanse of the Flow Country in northern Scotland, Mark Cocker sets out on a personal quest through the British countryside attempting to solve this puzzle. Radical, provocative and original, Our Place tackles some of the central issues of our time whilst mapping out a future in which this overcrowded island of ours could be a place fit not just for human occupants but also for its billions of wild citizens. ‘A tour de force... By turns hopeful, melancholy, humorous and heartfelt’ BBC Wildlife Book of the Month
In 1988, Dr. John Casey, a professor visiting Burma, meets a waiter in Mandalay with a passion for the works of James Joyce, and the encounter changes both their lives. Pascal, a member of the Kayan Padaung tribe, was the first member of his community to study English at a university. Within months of his meeting with Dr. Casey, Pascal's world lay in ruins. Burma's military dictatorship forces him to sacrifice his studies, and the regime's brutal armed forces murder his lover. Fleeing to the jungle, he becomes a guerrilla fighter in the life-or-death struggle against the government. In desperation, he writes a letter to the Englishman he met in Mandalay. Miraculously reaching its destination, the letter leads to Pascal's rescue and his enrollment in Cambridge University, where he is the first Burmese tribesman ever to attend. From the Land of Green Ghosts unforgettably evokes the realities of life in modern-day Burma and one man's long journey to freedom despite almost unimaginable odds.
"This book represents my own kicking back at the poor excuse for horror we have had to endure for so long. But my second reason for writing it was to showcase some odd and overlooked pieces of British folklore. Too often horror is stuck in the rut of using the same subjects and monsters, when in folklore there is a wealth of concepts and creatures that are rarely tapped into. My favourite era of Dr Who was that of the third doctor, played by Jon Pertwee, and I think that one of the reasons I liked it so much was that for much of Pertwee's tenure in the title role, The Doctor was confined to earth, mostly Britain. So that is what I have done here: these eighteen stories are all set in Britain, either in the present day, or within living memory. Herein you will find dragons and hellhounds, goblins and killer rodents, unicorns and basilisks. There is a vampire story, but the creature in it bears scant resemblance to the popular, and totally wrong, public perception of them. I hope this book will open your eyes to the potential of horror. It is more than just teenaged vampires hanging around schools."
A collection of 13 tales of British folklore, sites and legends.
The present volume, number VIII in the series Groningen Studies in Cultural Change, offers a selection of papers presented at a workshop organised by Amanda Gilroy and Wil Verhoeven entitled Green and Pleasant Land: English Culture and the Romantic Countryside. The contributions in this volume illuminate the ideological investments of particular ways of experiencing the English countryside of the Romantic era. While their analyses of cultural change are historically specific, they explore, too, the conflicted present-day legacies of romantic landscapes.