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It is six weeks before the country's second elections in 1999. Gabby Anderson, a white personal assistant, alleges she has been raped ... by her boss, a black, high-profile government minister with an impeccable anti-apartheid struggle record. Sent to persuade her not to go through with the charges is Gabby's former husband, Aaron Matshoba, the party's major trouble-shooter.How do past tensions between Aaron and Gabby affect the situation? What does Inspector Abrahams know that will impact on Gabby's attitude? How will her lawyer and long-time friend Anna advise Gabby, and why? What will Gabby be offered in exchange for dropping the charges? What will she decide?Green Man Flashing is a fast-paced political thriller that takes on the challenge of deep moral and political questions for which there are no ready answers, and certainly no easy ones.In a remarkable instance of life imitating art, the events depicted in the play were to become real-life drama in all the South African news media.
Digging under the skin of contemporary South Africa, 'Green Man Flashing' explores themes of sexual harassment, political loyalty and finally, accountability to truth, which has made it one of the most talked about plays in recent years to be staged in South Africa.
The New Official K53 Manual is a comprehensive and effective guide to passing your Learner’s Licence and K53 Driver’s Licence – first time. Covering both light and heavy motor vehicles, and motorcycles, each chapter discusses the knowledge and skills expected of you. The learner’s section explains the K53 Defensive Driving principles, road signs and the rules of the road, with questions and detailed answers to test your knowledge. At the end of this section there is a test similar to that compiled by traffic departments. The driver’s section explains how candidates are tested and what examiners look out for, with step-by-step instructions on how to perform every manoeuvre in both the yard and road tests. With detailed, full-colour illustrations throughout, this is the definitive manual for both the learner’s and driver’s tests.
Proceedings of the International Symposium on Highway Capacity, Karlsruhe, Germany, July 1991. Papers range widely from driving behavior and pedestrian to the numerical value of freeway capacity and transit capacity.
Laughs abound on every page as author Cormac G. McDermott presents this collection of jokes and double entendres with wit and verve. He builds jokes around small nuggets of information, culminating in punch lines that shock, amaze, and tickle the funny bone. From sports to music, from food to the business world, no subject is off limits. Youll never look at the English language the same way again. A friend said to me, I love Mars bars. I quipped, Public houses on the Red Planet are Mars bars also, but if you and your mates were to consume a bar or two of chocolate, it probably wouldnt lead to you ending up getting involved in a sing-song with aliens! It makes me laugh when I hear people describing something easy as being like stealing candy from a baby. If you were to try take one of those hash lollipops they sell in Amsterdam away from Biffa Bacons Rastafarian six-month-old, it might be a totally different proposition altogether!
Michael Strelow weaves the story of a town and its mysteries in his debut novel, The Greening of Ben Brown, an Oregon Book Award Finalist for fiction 2005. Ben Brown, the protagonist, becomes a citizen of East Leven, Oregon, after he recovers from an electrocution that has not left him dead but has turned him green. He befriends 18 year-old Andrew James and together they unearth a chemical spill cover-up that forces the town to confront its demons and its citizens to choose sides. Strelow's lyrical prose and his talent for storytelling come together in this poetic and important first work that looks at how a town and the natural environment are inextricably linked. The Greening of Ben Brown will find itself in good company on the shelves between Winesburg, Ohio and To Kill a Mockingbird and readers of both will have a new story to cherish.
Why do so many people go on about queuing? Have we always been obsessed with traffic? And why do so many of us now eat lunch at our computers - al desko? We spend our days catching buses and trains, writing emails, shopping, queuing...But we know almost nothing about these activities. Exploring the history of these subjects as they come up during a typical day, starting with eating breakfast and ending with sleeping, Joe Moran tells a story about hidden social and cultural changes in Britain since the Second World War. Drawing on his academic research on everyday life, but writing with wit and lucidity for a popular audience, he shows that we know less about ourselves than we think...
When CHERUB kids go undercover, no one suspects that they are trained professionals, working to infiltrate criminal organisations that have eluded MI5 and the police for years. James Adams is on his biggest mission yet, working to nail Europe's most powerful cocaine dealer. He'll need all his specialist training if he's going to bring down the man at the top. The reason for CHERUB's existence is simple: adults never suspect that children are spying on them. For official purposes, these children do not exist.
“Theatre is not part of our vocabulary”: Sipho Sepamla's provocation in 1981, the year of famous anti-apartheid play Woza Albert!, prompts the response, yes indeed, it is. A Century of South African Theatre demonstrates the impact of theatre and other performances-pageants, concerts, sketches, workshops, and performance art-over the last hundred years. Its coverage includes African responses to pro-British pageants celebrating white Union in 1910, such as the Emancipation Centenary of the abolition of British colonial slavery in 1934 organized by Griffiths Motsieloa and HIE Dhlomo, through anti-apartheid testimonial theatre by Athol Fugard, Maishe Maponya, Gcina Mhlophe, and many others, right up to the present dramatization of state capture, inequality and state violence in today's unevenly democratic society, where government has promised much but delivered little. Building on Loren Kruger's personal observations of forty years as well as her published research, A Century of South African Theatre provides theoretical coordinates from institution to public sphere to syncretism in performance in order to highlight South Africa's changing engagement with the world from the days of Empire, through the apartheid era to the multi-lateral and multi-lingual networks of the 21st century. The final chapters use the Constitution's injunction to improve wellbeing as a prompt to examine the dramaturgy of new problems, especially AIDS and domestic violence, as well as the better known performances in and around the Truth and Reconciliation Commission. Kruger critically evaluates internationally known theatre makers, including the signature collaborations between animator/designer William Kentridge, and Handspring Puppet Company, and highlights the local and transnational impact of major post-apartheid companies such as Magnet Theatre.