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ÒSECRET ORIGIN OF THE GUARDIANS!Ó Learn the origins of the Guardians of the Universe as Hal Jordan teams up with Alan Scott to take on the GuardiansÕ oldest adversary...Krona!
YA. Graphic Novel. In 1984, DC Comics introduced British artist Dave Gibbons to U.S. readers with GREEN LANTERN 172, the start of a popular run by Gibbons and writer Len Wein, best known as the creator of both Swamp Thing and Wolverine. Over the course of thirteen action packed issues, Green Lantern battled some of his greatest foes, clashed with the Guardians of the Universe, and was replaced by another human Green Lantern--John Stewart! This title is a showcase for the art of Dave Gibbons, who moved straight from GREEN LANTERN to WATCHMEN, the best-selling graphic novel of all time. Gibbons returned to the world of GREEN LANTERN in 2007 as the writer of the new series GREEN LANTERN CORPS.
This volume collects GREEN LANTERN from the early 1970s, featuring classic team-ups written by Dennis O'Neil with art by Neal Adams! In these stories, Green Lantern Hal Jordan continued his usual cosmic-spanning adventures, as he used his amazing Power Ring to police Sector 2814 against universe-threatening menaces. Meanwhile, on Earth, Oliver Queen, the archer known as Green Arrow, was confronting menaces of a different kind: racism, poverty, drugs, and other social ills! Collects GREEN LANTERN #76-87 and 89, and stories from THE FLASH #217-219 and 226.
Perhaps the most famous of all the Green Lanterns, Hal Jordan put on the lantern’s ring for the first time in 1959. A re-envisioning of the original crime-fighting Green Lantern (Alan Scott), created by John Broome in the 1940s, this new Green Lantern was a science fiction adventurer. He battled aliens, giant monsters, wealthy sociopaths out to steal his power ring...and the efforts of his lady love, Carol Ferris, to discover his true identity. As the Green Lantern of the Silver Age of comic books, Hal Jordan captured the imagination of a space-minded society of the ’50s and ’60s. GREEN LANTERN: THE SILVER AGE VOLUME 1 collects the adventures of Hal Jordan as he takes on the responsibility of the ring and the lantern for the first time in SHOWCASE #22-24 and GREEN LANTERN #1-9.Perhaps the most famous of all the Green Lanterns, Hal Jordan put on the lantern’s ring for the first time in 1959. A re-envisioning of the original crime-fighting Green Lantern (Alan Scott), created by John Broome in the 1940s, this new Green Lantern was a science fiction adventurer. He battled aliens, giant monsters, wealthy sociopaths out to steal his power ring...and the efforts of his lady love, Carol Ferris, to discover his true identity. As the Green Lantern of the Silver Age of comic books, Hal Jordan captured the imagination of a space-minded society of the ’50s and ’60s. GREEN LANTERN: THE SILVER AGE VOLUME 1 collects the adventures of Hal Jordan as he takes on the responsibility of the ring and the lantern for the first time in SHOWCASE #22-24 and GREEN LANTERN #1-9.
"Originally published in single magazine form in Green Lantern 76-87, 89, The Flash 217-219, 226, Green Lantern/Green Arrow 1-7"--Copyright page.
"Originally published in single magazine form in Green Lantern 53-62"--T.p. verso.
DC celebrates the 80th anniversary of the Emerald Knight with this new hardcover collection of the best Green Lantern tales across the decades! This new hardcover celebrates the legacy of Green Lantern, from the debut of Alan Scott in 1940, to the character's rebirth in 1959 as test pilot Hal Jordan-part of a vast Green Lantern Corps that serves justice across the galaxy-to John Stewart, Guy Gardner, Kyle Rayner, Jessica Cruz, and beyond. Included in this title are some of the greatest Green Lantern tales ever, featuring stories and art by comics' top talents.
This is a seminal study of the evolution and development of the American comic from the 1930s to the present day. The book is divided into three sections covering the history, an overview of the distribution and consumption of American comic books, and an account of the popularisation and legitimisation of the comic book form.