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A collection of 11 fairy tales about enchanted and magical creatures that do not appear to be duplicated anywhere else. Loretta Ellen Brady was an American author best known for this collection written in 1920.
One night in the rain-forest a tree-mouse attempts to go to sleep. But every time she drifts off, a different creature starts its night-time song. Finally, the sleepy mouse has had enough: Stop that noise, she shrieks.
American naturalist and conservationist Thornton W. Burgess was the author of more than one hundred books for children; the best-remembered of these is Old Mother West Wind, which was originally written for his young son. Burgess also wrote dozens of books about the creatures of the northern North American forest, four of which are collected here as the Green Forest Stories. This Green Forest Stories compilation focuses on Lightfoot the Deer, Blacky the Crow, Whitefoot the Wood Mouse, and twin bear cubs Woof-Woof and Boxer. Readers may have encountered these characters in other of Burgess’s stories about the “little people” of the Massachusetts forest. Burgess’s earliest ventures into animal fantasy are roughly contemporary with Rudyard Kipling’s Just So Stories and Beatrix Potter’s tales of various animals, and represent the most lasting American entry into this genre. Animal fantasy is a sub-genre of children’s literature in which animals are anthropomorphized into human-like characters and use language like humans. It is often criticized by those who want readers to experience more realistic representations of animals and the natural world, but animal fantasies engage a millennia-old tradition, in the Western canon reaching back at least as far as Aesop’s Fables; animal characters feature in teaching stories for children (and adults) in cultures around the world. Burgess’s stories are intended for children in the early elementary grades. The challenges and triumphs of the “little people” in his stories will feel identifiable to many young readers, and the snippets of moralizing and authorial commentary interleaved with the actions of the plot reflect a teaching device with a long history. In these stories, as in the Green Meadow Stories collection, we observe features that signal Burgess’s experience as a writer for periodicals and as an early radio broadcaster. Each chapter begins with reminders about the previous chapter, and chapters end with either a strong, propulsive conclusion or a traditional cliff-hanger. The chapters are generally quite short—a comfortable size to read as a bedtime story, and just long enough to hold a new reader’s attention without demanding too much of that reader’s energy. The strong narrative voice sounds distinctly like oral storytelling. One can almost imagine a small group of young people seated in a circle at the storyteller’s feet. That image captures the essence of these animal tales. They are light, bright peeks into a complex and beautiful world, a world any girl or boy may want to pursue through study or personal explorations. As humanity faces the daily loss of animal species, stories that delight readers and listeners, that encourage them to learn about and respect the creatures of the non-human world, deserve our renewed attention and respect.
Fans of Aaron Becker’s Caldecott Honor winner Journey will love this utterly enchanting wordless picture book in which two friends follow a young fox deep into the woods and discover a wondrous and magical world. When a young girl brings her beloved stuffed fox to the playground, much to her astonishment, a real fox takes off with it! The girl chases the fox into the woods with her friend, the boy, following close behind, but soon the two children lose track of the fox. Wandering deeper and deeper into the forest, they come across a tall hedge with an archway. What do they find on the other side? A marvelous village of miniature stone cottages, tiny treehouses, and, most extraordinary of all, woodland creatures of every shape and size. But where is the little fox? And how will they find him? Stephanie Graegin’s oh-so-charming illustrations are simply irresistible, and readers young and old will want to pore over the pages of this delightful fantasy adventure again and again.
"Whitefoot The Wood Mouse" is a delightful children's book written by Thornton W. Burgess. The story takes place in the Green Forest, where various woodland creatures live and interact. The protagonist of the story is Whitefoot, a young and curious wood mouse who is always eager to explore his surroundings and learn about the world. Whitefoot is small and vulnerable, which makes him cautious, but also courageous as he faces the challenges of life in the forest. Throughout the book, Whitefoot embarks on exciting adventures, encountering both friends and foes. He becomes friends with other forest creatures like Chatterer the Red Squirrel, Sammy Jay, and Striped Chipmunk, while also encountering enemies like Shadow the Weasel and Reddy Fox. As Whitefoot navigates the forest, he learns valuable lessons about survival, friendship, and the importance of being cautious in the wild. He also faces the constant threat of predators and must rely on his wit and instincts to stay safe. The book beautifully portrays the beauty and harmony of nature, as well as the complex relationships between different animal species. It also emphasizes the importance of respecting and preserving the natural world. "Whitefoot The Wood Mouse" is an enchanting tale that captivates young readers with its charming characters and exciting adventures. It not only entertains but also teaches important lessons about the natural world and the importance of living harmoniously with other creatures. As children follow Whitefoot's escapades, they are introduced to the wonders of the forest and the fascinating lives of woodland animals, making it an enjoyable and educational read for young audiences.
This deluxe hardcover edition presents three of the beloved storyteller's most popular books. Burgess's timeless tales of woodland whimsy recount the exploits of Peter Cottontail, Reddy Fox, and Grandfather Frog.
For readers of Elizabeth Strout and Anne Tyler, a powerful, heartrending novel about a man on the run from himself, by Governor General's Award-winning author Kate Pullinger. On a rain-soaked Vancouver sidewalk in 1995, a homeless man fights for breath. Forest Green is the story of how he ended up there. Arthur Lunn is a golden boy who spends long summer days roaming the hills and swimming in the lakes of the Okanagan Valley. But the Great Depression is destroying lives, even in Art's remote and bucolic hometown. Soon, Art finds himself caught up in a battle between the town and the vagrants flowing through it, and before long the tension reaches a boiling point. A catastrophe follows--and changes everything. The trauma from this event shapes and haunts Art's life moving forward, from his experiences as a soldier in World War II to his reckless, nomadic working days in logging camps across British Columbia to his turbulent relationship with his one great love--a woman he cannot believe he deserves. Painful, poignant, yet full of hope, Forest Green explores how trauma can warp our lives while love can help us to mend.
American naturalist and conservationist Thornton W. Burgess was the author of more than one hundred books for children; the best-remembered of these is Old Mother West Wind, which was originally written for his young son. Burgess also wrote dozens of books about the creatures of the northern North American forest, four of which are collected here as the Green Forest Stories. This Green Forest Stories compilation focuses on Lightfoot the Deer, Blacky the Crow, Whitefoot the Wood Mouse, and twin bear cubs Woof-Woof and Boxer. Readers may have encountered these characters in other of Burgess’s stories about the “little people” of the Massachusetts forest. Burgess’s earliest ventures into animal fantasy are roughly contemporary with Rudyard Kipling’s Just So Stories and Beatrix Potter’s tales of various animals, and represent the most lasting American entry into this genre. Animal fantasy is a sub-genre of children’s literature in which animals are anthropomorphized into human-like characters and use language like humans. It is often criticized by those who want readers to experience more realistic representations of animals and the natural world, but animal fantasies engage a millennia-old tradition, in the Western canon reaching back at least as far as Aesop’s Fables; animal characters feature in teaching stories for children (and adults) in cultures around the world. Burgess’s stories are intended for children in the early elementary grades. The challenges and triumphs of the “little people” in his stories will feel identifiable to many young readers, and the snippets of moralizing and authorial commentary interleaved with the actions of the plot reflect a teaching device with a long history. In the late twentieth century, Burgess fell out of favour with teachers and librarians. This shift occurred in part due to changing tastes in literary style and in part due to a changing society. Burgess is entirely a writer of his time. Most of the animals he depicts are male, and many of the female animals who wander into the stories are more passive and more stereotyped than the kinds of representation preferred for girls today. (Such is not the case, however, of Old Granny Fox, who may be the smartest of the little people Burgess represents and certainly does not lack agency or self-determination.) The style of Burgess’s storytelling is undeniably old-fashioned but still deserves consideration. Although the writing is often simple and plain, there are rhetorical flourishes that reveal the author’s attention to craft. In particular, Burgess’s use of formulaic expressions such as “jolly, round, bright Mr. Sun” and “the Merry Little Breezes” links these tales to an orality that stretches back to at least The Iliad and The Odyssey of Homer (think of phrases such as “the wine-dark sea,” “rosy-fingered Dawn,” and “bright-eyed Athena”). Through his broader use of repetition and through onomatopoeia, Burgess underscores characteristics of his characters’ real-life forest counterparts—the way a chickadee calls, a squirrel scolds, or a rabbit lopes, for example. In these stories, as in the Green Meadow Stories collection, we observe features that signal Burgess’s experience as a writer for periodicals and as an early radio broadcaster. Each chapter begins with reminders about the previous chapter, and chapters end with either a strong, propulsive conclusion or a traditional cliff-hanger. The chapters are generally quite short—a comfortable size to read as a bedtime story, and just long enough to hold a new reader’s attention without demanding too much of that reader’s energy. The strong narrative voice sounds distinctly like oral storytelling. One can almost imagine a small group of young people seated in a circle at the storyteller’s feet. That image captures the essence of these animal tales. They are light, bright peeks into a complex and beautiful world, a world any girl or boy may want to pursue through study or personal explorations. As humanity faces the daily loss of animal species, stories that delight readers and listeners, that encourage them to learn about and respect the creatures of the non-human world, deserve our renewed attention and respect. This book is part of the Standard Ebooks project, which produces free public domain ebooks.