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Green Arrow is back from the dead and in Star City doing what he does best. But while he battles drug dealers, corporate fatcats, and corrupt politicians, a certain Dark Knight investigates his mysterious resurrection. And when a silent killer targets costumed vigilantes, Green Arrow finds himself in the crosshairs
Kevin Smith ends his run on GREEN ARROW with a bang! Truth be told, it's going to be a whole lot of bangs. Will Connor Hawke survive surgery? Can Green Arrow drag Onomatopoeia to justice? With this landmark issue, Kevin Smith bids farewell to the hero he helped bring back from the dead.
The Green Arrow, aided by friends including Batman and the Black Canary, must fight almost every killer he has ever encountered as the master assassin Deathstroke wages a battle to end his life.
The most mysterious part of photosynthesis yet the most important for all aerobic life on Earth (including ourselves) is how green plants, algae and cyanobacteria make atmospheric oxygen from water. This thermodynamically difficult process is only achieved in Nature by the unique pigment/protein complex known as Photosystem II, using sunlight to power the reaction. The present volume contains 34 comprehensive chapters authored by 75 scientific experts from around the world. It gives an up-to-date account on all what is currently known about the molecular biology, biochemistry, biophysics and physiology of Photosystem II. The book is divided into several parts detailing the protein constituents, functional sites, tertiary structure, molecular dynamics, and mechanisms of homeostasis. The book ends with a comparison of Photosystem II with other related enzymes and bio-mimetic systems. Since the unique water-splitting chemistry catalyzed by Photosystem II leads to the production of pure oxygen gas and has the potential for making hydrogen gas, a primary goal of this book is to provide a molecular guide to future protein engineers and bio-mimetic chemists in the development of biocatalysts for the generation of clean, renewable energy from sunlight and water.
Contributions by Jerold J. Abrams, José Alaniz, John Carey, Maurice Charney, Peter Coogan, Joe Cruz, Phillip Lamarr Cunningham, Stefan Danter, Adam Davidson-Harden, Randy Duncan, Richard Hall, Richard Heldenfels, Alberto Hermida, Víctor Hernández-Santaolalla, A. G. Holdier, Tiffany Hong, Stephen Graham Jones, Siegfried Kracauer, Naja Later, Ryan Litsey, Tara Lomax, Tony Magistrale, Matthew McEniry, Cait Mongrain, Grant Morrison, Robert Moses Peaslee, David D. Perlmutter, W. D. Phillips, Jared Poon, Duncan Prettyman, Vladimir Propp, Noriko T. Reider, Robin S. Rosenberg, Hannah Ryan, Lennart Soberon, J. Richard Stevens, Lars Stoltzfus-Brown, John N. Thompson, Dan Vena, and Robert G. Weiner The Supervillain Reader, featuring both reprinted and original essays, reveals why we are so fascinated with the villain. The obsession with the villain is not a new phenomenon, and, in fact, one finds villains who are “super” going as far back as ancient religious and mythological texts. This innovative collection brings together essays, book excerpts, and original content from a wide variety of scholars and writers, weaving a rich tapestry of thought regarding villains in all their manifestations, including film, literature, television, games, and, of course, comics and sequential art. While The Supervillain Reader focuses on the latter, it moves beyond comics to show how the vital concept of the supervillain is part of our larger consciousness. Editors Robert Moses Peaslee and Robert G. Weiner collect pieces that explore how the villain is a complex part of narratives regardless of the original source. The Joker, Lex Luthor, Harley Quinn, Darth Vader, and Magneto must be compelling, stimulating, and proactive, whereas the superhero (or protagonist) is most often reactive. Indeed, whether in comics, films, novels, religious tomes, or video games, the eternal struggle between villain and hero keeps us coming back to these stories over and over again.
Oliver Queen and his closest loved ones are directly in the madman's bullseye. Plus, the relationship between Ollie and his son/successor Connor Hawke is explored, whie Mia flirts with becoming a new "Speedy."
This collection of new essays focuses on The CW network's hit television series Arrow--based on DC Comic's Green Arrow--and its spin-offs The Flash, DC's Legends of Tomorrow and Supergirl. Comic book adaptations have been big business for film studios since Superman (1978) and in recent years have dominated at the box office--five of the 11 highest grossing films of 2016 were adapted from comics. Superheroes have battled across the small screen for considerably longer, beginning with The Adventures of Superman (1952-1958), though with mixed results. The contributors explore the reasons behind Arrow's success, its representation of bodies, its portrayal of women, its shifting political ideologies, and audience reception and influence on storylines.
Oliver Queen - the liberal, womanising multi-millionaire also known as the superhero Green Arrow - is the protector of Star City, with his son, Connor, and ward, Mia. In the aftermath of Identity Crisis, Dr Light is hunting Oliver Queen, who he holds responsible for wiping his mind. But after Light blows up Queen's house, the Emerald Archer goes on the offensive - yet even with the help of Black Lightning, the triple threat of Light, the Mirror Master and Killer Frost may be too much to handle - and when the lethal archer Merlyn gets involved, it may be the end of the Green Arrow! This pulse-pounding new collection from the writer Judd Winick (Outsiders) and artist Ron Garney (Uncanny X-Men) ties directly into the events of Infinite Crisis!
This penultimate work in John Lent's series of bibliographies on comic art gathers together an astounding array of citations on American cartoonists and their work. Author John Lent has used all manner of methods to gather the citations, searching library and online databases, contacting scholars and other professionals, attending conferences and festivals, and scanning hundreds of periodicals. He has gone to great length to categorize the citations in an easy-to-use, scholarly fashion, and in the process, has helped to establish the field of comic art as an important part of social science and humanities research. The ten volumes in this series, covering all regions of the world, constitute the largest printed bibliography of comic art in the world, and serve as the beacon guiding the burgeoning fields of animation, comics, and cartooning. They are the definitive works on comic art research, and are exhaustive in their inclusiveness, covering all types of publications (academic, trade, popular, fan, etc.) from all over the world. Also included in these books are citations to systematically-researched academic exercises, as well as more ephemeral sources such as fanzines, press articles, and fugitive materials (conference papers, unpublished documents, etc.), attesting to Lent's belief that all pieces of information are vital in a new field of study such as comic art.