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This book suggests that poetry offers a way to remain in the world – not only by declarations of intent or the promotion of remembrance, but also through the durable physicality of its practice. Whether carved in stone or wood, printed onto a page, beat out by a mimetic or rhythmic body, or humming in the mind, poems are meant to engrave and adhere. Ancient Greek poetry exhibits a particularly acute awareness of change, decay, and the ephemerality inherent in mortality. Yet it couples its presentation of this awareness with an offering of meaningful embodiment in shifting forms that are aligned with, yet subtly manipulative of, mortal time. Sarah Nooter's argument ranges widely across authors and genres, from Homer and the Homeric Hymns through Sappho and Archilochus to Pindar and Aeschylus. The book will be compelling reading for all those interested in Greek literature and in poetry more broadly.
Argues that the ephemeral appears in enduring forms through the body and inscribed texts in Greek poetry.
The term "radical formalism" refers to strategies aimed at defamiliarising and revitalising conventional modes of formalistic reading and theorising form. These strategies disrupt and unsettle established norms while incorporating a metadiscursive awareness of their broader political implications. This volume presents a radical reconceptualisation of literary works from Greek and Roman antiquity. Engaging in an ongoing dialogue with critical theory and postcritique, as well as drawing inspiration from traditions rooted in Black art, poetry and philosophy-both directly and indirectly connected to the classical tradition-the essays in this collection explore subversions of canonical norms and resistances to the hegemony of textual order. This collection not only provides new, provocative insights into a corpus of texts that has exerted a lasting impact on modern literature and philosophy, but also challenges current interpretive methods, recasting the very practice of reading in relation to form, poetics, language, sound, temporalities and textuality.
Brings two of ancient Greece's most famous poets into conversation with contemporary theorists of gender, sexuality, and affect studies.
Originally published in 1937, this book presents some of the most captivating Greek poetry from antiquity on the subjects of love and beauty.
“For there is indeed something we can call the spirit of ancient Greece–a carefully tuned voice that speaks out of the grave with astonishing clarity and grace , a distinctive voice that, taken as a whole, is like no other voice that has ever sung on this earth.” –BURTON RAFFEL, from his Preface For centuries, the poetry of Homer, Aristophanes, Sophocles, Sappho, and Archilochus has served as one of our primary means of connecting with the wholly vanished world of ancient Greece. But the works of numerous other great and prolific poets–Alkaios, Meleager, and Simonides, to name a few–are rarely translated into English , and are largely unknown to modern readers. In Pure Pagan, award-winning translator Burton Raffel brings these and many other wise and witty ancient Greek writers to an English-speaking audience for the first time, in full poetic flower. Their humorous and philosophical ruminations create a vivid portrait of everyday life in ancient Greece –and they are phenomenally lovely as well. In short, sharp bursts of song, these two-thousand-year-old poems speak about the timeless matters of everyday life: Wine (Wine is the medicine / To call for, the best medicine / To drink deep, deep) History (Not us: no. / It began with our fathers, / I’ve heard). Movers and shakers (If a man shakes loose stones / To make a wall with / Stones may fall on his head / Instead) Old age (Old age is a debt we like to be owed / Not one we like to collect) Frankness (Speak / As you please / And hear what can never / Please). There are also wonderful epigrams (Take what you have while you have it: you’ll lose it soon enough. / A single summer turns a kid into a shaggy goat) and epitaphs (Here I lie, beneath this stone, the famous woman who untied her belt for only one man). The entrancing beauty, humor, and piercing clarity of these poems will draw readers into the Greeks’ journeys to foreign lands, their bacchanalian parties and ferocious battles, as well as into the more intimate settings of their kitchens and bedrooms. The poetry of Pure Pagan reveals the ancient Greeks’ dreams, their sense of humor, sorrows, triumphs, and their most deeply held values, fleshing out our understanding of and appreciation for this fascinating civilization and its artistic legacy.
"This work provides an interdisciplinary and historical exploration of various techniques leveraging writing in order to capture sound. Collectively, the essays in this work focus on questions of language and expression as much as the method and theory of both sound and writing"--
Originally published in 1939, this book presents some of the most captivating Greek poetry from antiquity on the subjects of love and wine.